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8 of 9 people found the following review helpful:
5.0 out of 5 stars
Characters clash, then blend, in story of hope, July 26, 2001
Peter lives a solitary life along the rural Maine coast; Elaine, eight months pregnant, comes into his life in the midst of a terrible ice storm, seeking a solitude of her own in which to sort out her life. In this beautifully crafted novel, the secrets each carries are revealed early in the plot. It is to see how Peter and Elaine each come to terms with their own secrets that keeps one reading. Peter has spent the last twenty years living in guilt for the loss of his family to a fire while he was away at a bagpipe championship. Winning the national prize was no comfort for him upon learning that his whole family perished in the blaze, and so, he retreats to his lonely existence at a family cottage, never playing the pipes again. Elaine crashes into his quiet and well ordered life, refusing to be moved from her spot. She too, has demons with which she must wrestle, but hers are spiritual. Her religion does not allow transfusions, and because of a youthful transgression, she may have a baby with Rh postive blood. Peter, with much trepidation, allows her to settle in to find the answers she needs to her problems. Her baby is born, and their life takes on a new type of ordinariness, cadenced by the daily rhythms of milking, planting, cooking and tending to the flocks. As Peter comes to enjoy her presence, he also comes to realize that his past is passed, and he needs to come to terms with that, too. This quiet story glows with the depth of the characters and their thoughts, and the reader, through the author's ability to evoke a sense of place, can feel and smell the barns, the rhubarb pie cooking, can hear the quiet night sounds of the cabin and the plantive singing of Elaine or Peter finally playing his pipes again. The story moves along, much like life itself, through normal days, dramatic events, quiet epiphanies and endings that are hopeful, but not Hollywood.
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7 of 8 people found the following review helpful:
5.0 out of 5 stars
A lovely novel about Maine, grief, and rebirth, July 30, 2000
I liked this novel better than her first one (Strong For Potatoes) because it seemed utterly realistic and utterly engaging. It's a novel of hope, of rebirth, and of grief and loss--all those wonderful subjects so often done--yet because it is set in the Maine woods next to the sea and because Cynthia Thayer knows so much about farming, bagpiping, midwifery, and sheep raising and even the Jehovah Witnesses, she takes what might be cliches and gives them new life. I read it in a day. One of her best characters is Dog, later to be called Seamus, who fetches a log of wood upon command each morning and who howls if he is not called upon to do this task. Then there is Alice the horse who will kick out the barn wall if her needs are not tended to exactly at the right moment. The human characters are wonderfully real too, and the title, drawn from Emily Dickinson's poem about grief and grieving, makes complete sense in a way that her first novel's title did not.
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4 of 4 people found the following review helpful:
2.0 out of 5 stars
Silas Marner revisited, October 6, 2002
This review is from: A Certain Slant of Light (Paperback)
This tale is a modernized, closely observed retelling of George Eliot's Silas Marner: a once-naive young man, devastated by loss and betrayal, spends 15 years as a recluse in a rural society before finding--perhaps--redemption when a lost soul shows up on his doorstep. In Thayer's version (and she doesn't mention George Eliot in her foreword, somewhat to my surprise), it's a neighbor who's the weaver, and the baby is yet-unborn when its mother arrives on a winter's day on the hermit's doorstep. (I read Silas Marner as soon as I'd finished Certain Slant of Light, having recognized the plot and characters from Steve Martin's movie version of Silas Marner, A Simple Twist of Fate). Unlike some other reviewers here, I found the Jehovah's Witnesses in Thayer's retelling--particularly the husband--wholly backwards, stifled, misogynistic, and in all ways despicable, and the girl's decision in Thayer's tale left me feeling depressed, cheated, and disgusted. Thayer makes a vital plot point out of the girl's adamant decision as a J.W. not to allow a blood tranfusion for her child should it be born with a condition requiring such a tranfusion to survive. I found Thayer's resolution of this "plot complication" ethically and dramatically bankrupt. Thayer writes beautifully and evocatively, and I'll read whatever she writes next, but this particular book just wasn't to my taste (which may say more about me than the book, since a dear friend of excellent taste cites this as her favorite book). Happy reading to all...
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