"The pain, once I was dead, was very memorable. I was deep inside the cold, smothering belly of a grave when my first haunting began. I heard her voice in the darkness reading Keats, 'Ode to a Nightingale.' Icy water was burning down my throat, splintering my ribs, and my ears were filled with a sound like a demon howling, but I could hear her voice and reached for her. One desperate hand burst from the flood and caught the hem of her gown. I dragged myself, hand over hand, out of the earth and quaked at her feet, clutching her skirts, weeping muddy tears. All I knew was that I had been tortured in the blackness, and then I had escaped. Perhaps I hadn't reached the brightness of heaven, but at least I was here, in her lamplight, safe."
It was more than 150 years ago when the dead woman's tortured spirit became a "prisoner on leave from the dungeon." Helen can not be seen, nor heard, nor felt, although her emotions can occasionally send "a ripple into the tangible world." During those years, Helen has cleaved to a series of unwitting hosts, learned through trial and error the rules by which she must abide in order to prevent a return to her hell, and has periodically chosen another acceptable and convenient person to haunt (preferably one with some tie to literature, which she so loves) for when her current host grows old and dies.
The latest of Helen's hosts is an English teacher, Mr. Brown, and it is in his classroom that it happens:
"Someone was looking at me, a disturbing sensation if you're dead. I was with my teacher, Mr. Brown. As usual, we were in our classroom, that safe and wooden-walled box--the windows opening onto the grassy field to the west, the fading flag standing in the chalk dust corner, the television mounted above the bulletin board like a sleeping eye, and Mr. Brown's princely table keeping watch over a regiment of student desks. At that moment I was scribbling invisible comments in the margins of a paper left in Mr. Brown's tray, though my words were never read by the students. Sometimes Mr. Brown quoted me, all the same, while writing his own comments. Perhaps I couldn't tickle the inside of his ear, but I could reach the mysterious curves of his mind.
"Although I could not feel paper between my fingers, smell ink, or taste the tip of a pencil, I could see and hear the world with all the clarity of the Living. They, on the other hand, did not see me as a shadow or a floating vapor. To the Quick, I was empty air. "Or so I thought. As an apathetic girl read aloud from Nicholas Nickleby, as Mr. Brown began to daydream about how he had kept his wife awake the night before, as my spectral pen hovered over a misspelled word, I felt someone watching me. Not even my beloved Mr. Brown could see me with his eyes. I had been dead so long, hovering at the side of my hosts, seeing and hearing the world but never being heard by anyone and never, in all these long years, never being seen by human eyes. I held stone still while the room folded in around me like a closing hand. When I looked up, it was not in fear but in wonder. My vision telescoped so that there was only a small hole in the darkness to see through. And that's where I found it, the face that was turned up to me.
"Like a child playing at hide and seek, I did not move, in case I had been mistaken about being spotted. And childishly I felt both the desire to stay hidden and a thrill of anticipation about being caught. For this face, turned squarely to me, had eyes set directly on mind."
So begins the teenage love story of the year, and a supernatural one at that.
The young man who can see and hear Helen is Billy Blake, a human whose body has been taken over by a ghost named James at the moment its drug-addled teen owner checked out.
The two main difficulties facing Helen and James are:
Can Helen get a body of her own?
What happens when you suddenly become a troubled teenager but are not familiar with those thousands of details about the life you've supposedly been living.
Here this scenario takes on a whole different dimension from THE PRINCE AND THE PAUPER.
Alternating between sensual, gritty, dark, delightful, and frightening; between atmospheric fantasy and down-and dirty contemporary YA realism, A CERTAIN SLANT OF LIGHT is absolutely awash in literary quality and an award winner waiting to happen.
You'll be seeing this one on my Best of 2005 list later this year.