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Cezanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde (Metropolitan Museum of Art)
 
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Cezanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde (Metropolitan Museum of Art) [Hardcover]

Rebecca A. Rabinow (Editor)
4.8 out of 5 stars  See all reviews (6 customer reviews)

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Book Description

Metropolitan Museum of Art November 1, 2006
Ambroise Vollard (1867–1939) played a key role in the transformation of the art world in the late 19th century. A pioneering Parisian dealer, Vollard introduced many of the era’s leading artists to the public. This beautifully illustrated catalogue, accompanying the first comprehensive exhibition devoted to Vollard’s extraordinary achievement, presents 130 important paintings, sculpture, and works on paper that he promoted, exhibited, and sold.
Vollard’s groundbreaking exhibition in 1895 of Cézanne’s work definitively established the artist’s reputation, and Vollard subsequently organized major exhibitions of the Nabis, Gauguin, and Van Gogh; promoted the work of artists ranging from Degas to Rouault to the Fauves; and gave many young artists, including Picasso and Matisse, their first solo shows.  In addition, Vollard published print albums and livres d’artiste  that are among the most celebrated of the early 20th century. This important volume features twenty-two essays that examine Vollard’s career and expertise in the art market, his relationships with individual artists and collectors, and a wealth of previously unpublished material from the newly available archive of Vollard’s documents and from the archives of the artists he represented.

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Editorial Reviews

About the Author

Rebecca Rabinow is Associate Curator and Administrator in the Department of 19th-Century, Modern, and Contemporary Art at The Metropolitan Museum of Art. Douglas W. Druick is Searle Curator, Medieval through Modern European Painting and Prince Trust Curator of Prints and Drawings at the Art Institute of Chicago. Ann Dumas is a freelance curator, London. Gloria Groom is David and Mary Winton Green Curator, Medieval through Modern European Painting and Modern European Sculpture at the Art Institute of Chicago. Anne Roquebert is Conservateur at the Musée d’Orsay, Paris. Gary Tinterow is Engelhard Curator in Charge in the Department of 19th-Century, Modern, and Contemporary Art at The Metropolitan Museum of Art.

Product Details

  • Hardcover: 464 pages
  • Publisher: Metropolitan Museum of Art (November 1, 2006)
  • Language: English
  • ISBN-10: 0300117795
  • ISBN-13: 978-0300117790
  • Product Dimensions: 12.3 x 9.2 x 1.4 inches
  • Shipping Weight: 5.6 pounds (View shipping rates and policies)
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #525,139 in Books (See Top 100 in Books)

 

Customer Reviews

6 Reviews
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Average Customer Review
4.8 out of 5 stars (6 customer reviews)
 
 
 
 
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28 of 28 people found the following review helpful:
5.0 out of 5 stars At Last, a Tribute to an Art Dealer!, October 16, 2006
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This review is from: Cezanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde (Metropolitan Museum of Art) (Hardcover)
The Metropolitan Museum of Art has produced yet another fine curatorial statement with their exhibition 'Cezanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde' and fortunately the accompanying catalogue is as bold and beautiful as the exhibition itself. The concept of discussing artists of international stature from the stance of the man who gave their careers the jumpstart needed is unique and valuable and is a tribute to the work that art dealers around the world perform in assisting artists in their career paths.

Ambroise Vollard (1867-1939), a Parisian art dealer, played a significant role in molding the art movements of the late 19th and early 20th century. The stimulus, according to the curators and essayists of this lavishly illustrated book, was the 1895 exhibition of Cezanne's art, an exhibition which triggered the movements of modern art as followed by such artists as Gauguin, Van Gogh, Degas, Rouault, Matisse and Picasso. Some credit Vollard with the development of the Fauvist school simply by his intelligent, sensitive, provocative exhibitions of the right artists given space beside each other that created comparisons and links.

The concept of art dealer as innovator is a fresh one and one handled with sufficient intelligent documentation by the various writers contributing to this catalogue to lend credibility to the premise. But over and above the curatorial concept is the pleasure of the exceptional illustrations of works by familiar artists not usually seen in books of this sort. The writing and design make this catalogue/book a collector's item that will enhance not only art school libraries but also the personal libraries of all art lovers. A very fine addition to the information about the artists included in this exhibition and catalogue. Grady Harp, October 06
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5 of 5 people found the following review helpful:
5.0 out of 5 stars worth every penny, January 11, 2007
This review is from: Cezanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde (Metropolitan Museum of Art) (Hardcover)
This book is jammed with fascinating information,gorgeous reproductions and is extremely well priced.Anyone interested in 20th cent.art will welcome this book!
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4 of 4 people found the following review helpful:
5.0 out of 5 stars A real keepsake!, January 15, 2007
This review is from: Cezanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde (Metropolitan Museum of Art) (Hardcover)
My daughter was an Art History Minor and had expressed interest in this book. I bought it for her as a holiday gift and she treasures it. Amazon got it to me in time for me to enjoy leafing through it as well. It is extraordinary both in picture and text. It is truly a keepsake.
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