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Chamber Music [Paperback]

Homer Ulrich (Author)
4.0 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

October 15, 1966 0231086172 978-0231086172 2nd
-- Music Educators Journal

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Chamber Music + Guide to Chamber Music (Dover Books on Music) + Chamber Music: A Listener's Guide
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Editorial Reviews

Review

...the second edition of Mr. Ulrich's book is both timely and welcome. The publication will be of value to the general reader as well as to the amateur chamber music player. It is an excellent source of reference for young music students, teachers, and professional performers. Judging from the warmth and love Mr. Ulrich brings to his subject, it is apparent that he himself has spent many hours playing the wonderful works he describes.

(Music Educators Journal )

Product Details

  • Paperback: 401 pages
  • Publisher: Columbia University Press; 2nd edition (October 15, 1966)
  • Language: English
  • ISBN-10: 0231086172
  • ISBN-13: 978-0231086172
  • Product Dimensions: 8.9 x 5.9 x 1.1 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #809,933 in Books (See Top 100 in Books)

 

Customer Reviews

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4.0 out of 5 stars A Classic Book on Music, but the Revision Lacks Some of the Greatest Strengths of It as First Published, January 13, 2012
By 
Gerald Parker "Gerald Parker" (Rouyn-Noranda, QC., Dominion of Canada) - See all my reviews
This review is from: Chamber Music (Paperback)
Ulrich writes beautifully and helpfully about music, not something of which every writer is capable. His book on chamber music, as the one on symphonic music, truly is a classic. That said, however, I really much prefer the initial edition of this fine work (1948). The earlier edition has more "personality" and is more original in estimating the place and worth of chamber music and of its composers. The comments about Johann Rosenmüller, for example, in the 1948 edition are truly revelatory, Ulrich assessing that (gay) man`s chamber music as being as wonderfully original and expressive as it truly is. By contrast, the second edition`s comments are more guarded and lacking in force. That is typical of the second edition`s relatively bland impersonality, being more an academic textbook, whereas Ulrich`s writing is much more vivid and individual in the 1948 edition, aimed then, it would seem, at a wider public, much of which would be, surely, musically informed and skilled amateur instrumentalists as well as the practising music professionals among the book`s readers.

Personally, I like having both editions, but if forced to choose between them, it is the first edition which I would keep and that I would commend more to others.
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1 of 3 people found the following review helpful:
4.0 out of 5 stars Great for students and professionals as well., August 8, 2010
By 
Daniel A. Silveira (João Pessoa, Brazil.) - See all my reviews
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This review is from: Chamber Music (Paperback)
Lots of information on chamber music. Very nice for people like me that lives in Brazil, cause we don't have such well done book like this.
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Inside This Book (learn more)
First Sentence:
SINCE ABOUT 1950 interest in the performance of old music has been a striking characteristic of the concert world. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
flat quartet, fast duple meter, virtuosic brilliance, two piano quartets, three piano quartets, two piano trios, homophonic style, major trio, sixth quartet, flat trio, major quartet, two string quartets, trio sonatas, monodic style, dance characteristics, rhythmic diversity, early quartets, tonal lines, final rondo, minor quartet, piano quintet, basso continuo, minor trio, major quintet, serial writing
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Die Kunst, Joseph Haydn, Frederick William, Italian Canzona, United States, Cobbett's Cyclopedic Survey of Chamber Music, Old Chamber Music, Haydn's Opus, Johann Stamitz, Salomone Rossi, Giovanni Gabrieli, Johann Christian Bach, Johann Sebastian Bach, William Byrd, Baroque Era, New York, Andrea Gabrieli, Corelli's Opus, Frederick the Great, Great Fugue, Henry Purcell, Johannes Brahms, Karl Philipp Emanuel Bach, The Art of Accompaniment, World War
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This book cites 39 books:
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