Product Details

• Actors: Jeanne Moreau, Michel Piccoli, Georges Géret, Françoise Lugagne, Jean Ozenne
• Directors: Luis Buñuel
• Writers: Jean-Claude Carrière, Luis Buñuel, Octave Mirbeau
• Producers: Michel Safra, Serge Silberman
• Format: Anamorphic, Black & White, DVD, Subtitled, Widescreen, NTSC
• Language: French (Dolby Digital 2.0 Mono)
• Subtitles: English
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 2.35:1
• Number of discs: 1
• Rated: Unrated
• Studio: Criterion
• DVD Release Date: June 5, 2001
• Run Time: 101 minutes
• Average Customer Review: 4.6 out of 5 stars  See all reviews (13 customer reviews)
• ASIN: B00005B1ZK
• Amazon Best Sellers Rank: #37,864 in Movies & TV (See Top 100 in Movies & TV)
• For more information about "Diary of a Chambermaid (The Criterion Collection)" visit the Internet Movie Database (IMDb)

Editorial Reviews

Amazon.com

Considered surrealist Luis Buñuel most linear film, Diary of a Chambermaid is an excellent introduction to this director's dark satirical world of social criticism. Loosely based on Mirbeau's Journal D'Une Femme de Chambre, Buñuel uses the beautiful French countryside as a backdrop to ruthlessly display his favorite subjects: Catholicism, the bourgeoisie, nationalism, and moral decay. Jeanne Moreau is Celestine, a chambermaid from Paris who takes a job at a picturesque country estate. When the body of the staff's daughter is discovered raped and murdered, Celesine does whatever is necessary to uncover the girl's killer. She quickly learns that her new employees, though apparent pillars of nouveau aristocracy, are as morally corrupt as the girl’s murderer. Though extremely linear for Buñuel, Diary of a Chambermaid does not lack for profound, symbolic imagery and cryptic revelations. --Rob Bracco

Product Description

This wicked adaptation of the Octave Mirbeau novel is classic Luis Buñuel. Jeanne Moreau is Celestine, a beautiful Parisian domestic who, upon arrival at her new job at an estate in provincial 1930s France, entrenches herself in sexual hypocrisy and scandal with her philandering employer (Buñuel regular Michel Piccoli). Filmed in luxurious black-and-white Franscope, Diary of a Chambermaid is a raw-edged tangle of fetishism and murder-and a scathing look at the burgeoning French fascism of the era.

Customer Reviews

Most Helpful Customer Reviews

25 of 26 people found the following review helpful:

5.0 out of 5 stars A dark comedy of brilliance, September 15, 2002

By 

Dennis Littrell (SoCal) - See all my reviews
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This review is from: Diary of a Chambermaid [VHS] (VHS Tape)

This is my favorite Buñel film. The story is stunningly presented, an absolute work of art, unbelievably subtle but always concrete. It is like a great symphony: every note is perfect.

Surprisingly (considering the title) Le journal d'une femme de chambre is not about sex, nor is it a journal for that matter. It is about politics, sexual politics of course, but also domestic politics, manor politics, and nation-state politics. The time is the thirties as fascism moves toward its mesmerizing stranglehold on a decadent Europe. The place is France (Normandy, I imagine) where the republicans hold power. In the streets are those who would be brown suits and among them is Joseph (Georges Geret), groundskeeper for a petite bourgeois family of degenerate eccentrics. He is an incipient Nazi, a xenophobic anti-Semitic man who worships brute force, an ignorant man that every French movie-goer knows will be a Nazi-collaborator once France is under the occupation.

The story is seen from the point of view of Celestine, a chambermaid of some sophistication (and an abiding, but understandable duplicity), a Parisian who has come to work for the family in the country. She is played by the incomparable Jeanne Moreau of the plastic face, a woman of many guises, many moods and an ability to depict with a glance any emotion. She is a great star of the French stage and screen who plays the part effortlessly, with finesse and a fine subtlety. The screenplay by Buñel and the brilliant Jean-Claude Carriere (who penned so many outstanding films, Bell de Jour (1967), The Discreet Charm of the Bourgeoisie (1972), Valmont (1989), The Ogre (1996), etc.) is an adaptation of the novel by Octave Mirbeau. There is a Hollywood film of the same name starring Paulette Goddard, Burgess Meredith and Judith Anderson, directed by Jean Renoir that I haven't seen, released in 1946. I understand the treatment was more comedic and conventional.

Surrealist Luis Buñel's film is perhaps best described as a comédie noire, a genre antecedent to the familiar (and somewhat similar) film noir. In the latter the comedy is usually incidental and there is no attempt at any great philosophic or symbolic significance. Here Buñel not only makes a statement about the nature of the relationship between bourgeois Europe in the thirties and fascism, but even delves into the primeval nature of women and gives us a sharp look at a woman's place in bourgeois society. Celestine is duplicitous because she has to be to survive. She uses men the way the society uses her.

Be sure and pay close attention to the final scene inside and outside the café and consider the implications of what is being shown. What is being suggested? Will Joseph finally get the punishment he so richly deserves? Or did Celestine make the choice she made out of fear? Is the union between Joseph and Celestine symbolic of that between the fascists and Europe?

For those interested in this last theme I highly recommend Vittoria De Sica's brilliant The Garden of the Finzi-Continis (1971).

25 of 29 people found the following review helpful:

5.0 out of 5 stars SNAILS ON A YOUNG GIRL'S LEG, June 26, 2001

By 

Daniel S. "Daniel" (Geneva, Switzerland) - See all my reviews

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This review is from: Diary of a Chambermaid (The Criterion Collection) (DVD)

Second movie of spanish director Luis Bunuel to have the honour to enter the most praised Criterion DVD collection after THE DISCREET CHARM OF THE BOURGEOISIE a few weeks ago, DIARY OF A CHAMBERMAID is presented in a perfect widescreen black and white copy with a well-balanced sound. As bonus features, you will enjoy a theatrical trailer, a printed interview of Luis Bunuel and a 25 minutes interview of screenplay writer Jean-Claude Carrière who wrote or co-wrote some of the most important movies of the last thirty years.

Adapted from a novel of Octave Mirbeau, DIARY OF A CHAMBERMAID was directed in 1964 by a Luis Bunuel already sanctified by two generations of movie lovers. French actor Michel Piccoli replaces the bunuelian Fernando Rey in the role of a member of the bourgeoisie slightly decadent and ridiculous. Jeanne Moreau (Jules and Jim), as the chambermaid, is a young woman coming from Paris and discovering what is like to live in the "deep" France of the early thirties.

DIARY OF A CHAMBERMAID can not be classified in any specific genre. It's a comedy yes, but with a very serious murder in the middle of the story. It's a detective story yes, but with harsch political critiques. In fact, it's simply a Luis Bunuel movie with his unique personal world impregnating a novel he admired from his childhood on. Highly recommended.

A DVD zone your library.

17 of 19 people found the following review helpful:

5.0 out of 5 stars Expect the unexpected, June 4, 2001

By 

albemuth - See all my reviews

This review is from: Diary of a Chambermaid (The Criterion Collection) (DVD)

Bunuel was a restless director and this, the second adaptation of Octave Mirbeau's classic novel, is yet another example of his mastery over his chosen medium. Bunuel takes liberties with the novel, adapting it to suit his interests: he changes the setting to France of the 1930s, allowing for the opportunity to tie the rise of nationalism and anti-semitism to the decadence of the bourgeoisie, which he tackles with obvious relish.

The film is funny and scathing at the same time, relentlessly pursuing its own agenda to the delight and probable perplexion of the viewer. This is one of the most accessible of Bunuel's late films, which isn't to say it's better or worse than the rest - it's just a bit different in its use of more traditional modes of storytelling. He asks the viewer questions and when you think he's giving the answer you'll find the rug swiftly pulled from under your feet with the delight of a born prankster. He is, of course, much more than that but one of the many pleasures his work offers is the entertaining (and complete) control he has over the content, the unseen hand you feel expertly guiding the film to its effective conclusion.

Entertaining, thoughtful and with another wonderful performance by Jeanne Moreau, this is an easy introduction to Bunuel's oeuvre. "Mystery is the essential element in every work of art." -Luis Bunuel