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Sonny StittAudio CD
4.7 out of 5 stars  See all reviews (3 customer reviews)


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Audio CD, 1994 --  
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Music

Image of album by Sonny Stitt

Photos

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Biography

A true master of the bebop vocabulary, Sonny Stitt (1924-1982) sounded so close to Charlie Parker on alto at times that he was almost written off early in his career. When he began doubling on tenor and evolving as a player, however, his individuality and brilliance became more obvious, and few could beat him at playing bebop.

Stitt had his first major job in 1943 playing with Tiny Bradshaw's… Read more in Amazon's Sonny Stitt Store

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Product Details

  • Audio CD (March 17, 1994)
  • Number of Discs: 1
  • Label: Muse Records
  • ASIN: B000008RP3
  • Also Available in: Audio CD  |  Audio Cassette  |  Vinyl
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #636,033 in Music (See Top 100 in Music)

 
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Customer Reviews

3 Reviews
5 star:
 (2)
4 star:
 (1)
3 star:    (0)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.7 out of 5 stars (3 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

2 of 2 people found the following review helpful:
5.0 out of 5 stars Another Winner, November 6, 2002
By 
This review is from: Champ (Audio CD)
Of the three artists whose every recorded moment I can't seem to resist purchasing--Sinatra, Miles, and Stitt--Sonny makes me question my consumer habits most. This album, like the 30+ others I have of him, has all the licks, formulae, cliches that I know by heart. There's hardly a single unpredictable moment from him, but his playing is so precise, polished, and perfect, its presence in varying musical contexts represents a refuge of beauty and sanity in an otherwise unstable world.

The rhythm section, though largely unheralded, is arguably second to none. I recall the night at the Vanguard when Roy Brooks launched the Heath brothers into another time zone; and the night at Chicago's long defunct Brown Shoe when a heroic piano set by the neglected Duke Jordan erased the memory of Hank Mobley's embarassing collapse on the bandstand moments earlier; and no one played better walking bass lines than Sam Jones, who was one of the main reasons for the popular success of Cannonball's "live" dates on Riverside. And finally Joe Newman, a former Basie section man who fully understands his role on a session like this, is an ideal complement to Sonny.

The only slight disappointment is the opening tune, "The Champ," yet another B flat blues. As much as Sonny loves the tonic note, he loves a B flat tonic note even more for some reason, coming back to it at least 3 times on his first 12-bar chorus. On the other hand, it's nice to know there are still some things that can always be counted on.

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3 of 4 people found the following review helpful:
5.0 out of 5 stars Dream., August 21, 1999
By A Customer
This review is from: Champ (Audio CD)
If you like good and traditional Jazz, this is good for you! Enjoy, fly and dream with it! And all for a good price!
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2 of 3 people found the following review helpful:
4.0 out of 5 stars great tenor solos, November 16, 1999
By A Customer
This review is from: Champ (Audio CD)
sonny, as always belts out a great tenor, his back-up is outstanding. I want this one under my christmas tree.
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