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29 of 30 people found the following review helpful:
5.0 out of 5 stars
A sublime piece of work, June 29, 2004
By A Customer
From the author famous for seminal works like The Heart of Darkness, The Secret Agent and Nostromo this novel is often left unmentioned within his repertoire of books. This is unfair. I would say Chance is Conrad's most beautiful story, the construction of the plot masterly from start to conclusion, and probably the only novel of his which genuinely leaves a good feeling and makes the reader smile. His handling of the material from Marlow the teller of the tale, the way the novels flits from present to the past and back again flawlessly, surprises one how so far ahead Conrad was compared to the standard straight-line story telling that dominated writing of that era. But bottomline is despite the technical perfection, a story would only succeed its telling if it has heart. Here Conrad never faltered and one feels for the heroine in the story, and it would be hard not to let out a whoop of bemused joy once the final page is turned. Simply sublime.
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19 of 20 people found the following review helpful:
5.0 out of 5 stars
Take the Chance and read this wonderful novel, October 9, 2001
I cannot believe that there are no customer reviews already for this spectacular novel - full of intruiging situations and wonderful characters - certainly the best Conrad female character I have read. Conrad is a wonderful writer in style and the manner in which he tells a yarn - how then has this novel become so 'lost'? It has wonderful lines ('Don't be in a hurry to thank me,' says he. 'The voyage isn't finished yet.' p22 Oxford World Classics), great insights (women respond to the smallest things, which immediately had me nodding in agreement from my own experience), spectacular descriptions ('Yes, I gave up the walk [along a cliff top with the intention of killing herself],' she said slowly before raising her downcast eyes. When she did so it was with an extraordinary effect. It was like catching sight of a piece of clear blue sky, of a stretch of open water. And for a moment I understood the desire of that man to whom the sea ans sky of his solitary life had appeared suddenly incomplete without that glance which seemed to belong to both of them. p231). The characters are admirable in behaviour sometimes, victims sometimes, regrettable in behaviour sometimes, or just plain confused - just like real people. But one thing I really like is the way the narrator of the story is an observer, barely a participant of the events being described. This may not be the perfect novel, but I urge you not to miss it. The chapter 'On the Pavement' by itself is worth the read!
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13 of 13 people found the following review helpful:
5.0 out of 5 stars
Excellent, February 13, 2002
By A Customer
This book is just perfect. It's very well written. Conrad shows an understanding of the predicament of women of his time. Conrad advances the plot though the voice of the characters, who tell a story, which involves another character telling a story, etc. At one point the tale is six levels deep; but such is the skill of Conrad that you do not notice and are never lost. One of Conrad's two or three best. A book I was sad to end because I was enjoying it so much.
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