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| Song Title | Time | Price | ||
|---|---|---|---|---|
| 1. Gypsy Rose | 4:56 | Not Available | ||
| 2. Old Hat | 4:12 | Not Available | ||
| 3. Fight | 2:54 | Not Available | ||
| 4. Hurtin' You | 2:47 | Not Available | ||
| 5. Ballad Of Wendy Baker | 3:58 | Not Available | ||
| 6. Sawdust Man | 4:12 | Not Available | ||
| 7. Wantin' Her Again | 2:42 | Not Available | ||
| 8. Things I Like To Do | 2:09 | Not Available | ||
| 9. On Her Own | 4:01 | Not Available | ||
| 10. Homeward Bound | 3:50 | Not Available |
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Customer Reviews
Most Helpful Customer Reviews
10 of 10 people found the following review helpful
Format:MP3 Download|Amazon Verified Purchase
Ben Kweller is an all-around fantastic musician with a surprisingly large underground fanbase. He's multi-instrumentally talented, and on this and past records, he shows us his versatility in that area. His first album in 3 years, Changing Horses is an risky experiment for Kweller, transitioning from contemplative, mid-tempo piano pop to a country sound. I won't over-pun such a title with excessive remarks regarding Kweller's genre change on Changing Horses; although, it is easy to do. Anyhow, the switch has been made and the stage is set. All we need now are the results.
Changing Horses starts warmly; a lengthy B note, followed by Kweller's convincing vocal slides and scoops. "Gypsy Rose," Kweller's opener, is a naturally successful track, utilizing traditionalistic country lyric phrases and solid, complementary rhythmic devices. The melody is sleepy, but sufficient, and is very pleasant.
Kweller's vocal performance is respectably polished throughout Changing Horses; especially on mid-tempo, country ballad "Hurtin' You" and bittersweet love lament "Ballad of Wendy Baker." Not only is the way he sings refined, but what he sings is also impressive, focusing on poetic description and artistic originality. "Old Hat" exemplifies this mellifluously with lines such as "My tornado, love, tore it all down / Now I am face down in all this muddy guilt," while the slow but steady musical accommodations really drive the emotion home.
Always considered a musician who focuses on his melodies, Kweller breaks all kind of melodic barriers on the record; first, by keeping his melodies retainable and enjoyable; second, by carefully crafting his hooks; and last, by dishing out countless surprises. "Gypsy Rose," "Sawdust Man," and "Fight" all exhibit strong, likable tunes, while "Wantin' Her Again" and "Things I Like To Do" disclose hook-based melodies (both additionally appealing). He then keeps it interesting with other clever creations, like the melody in "On Her Own."
Changing Horses is meticulously consistent, seamlessly flowing between funky, mid-tempo tunes to gospelesque anthems to evocative, heartfelt offerings. "Homeward Bound" is a compelling end cap for the brief album, and is executed carefully, tying up any and all loose ends.
The only complaint I hold against the record is its lack of personal proximity. In other words, it feels noticeably distant, especially compared to Kweller's other works. The songs themselves are substantial enough, though, to maintain a favourable outlook on the album as a whole. For this, I give Ben Kweller credit, where it is obviously due. Country music is his roots, and Changing Horses is a very wholesome homecoming in that sense.
Changing Horses starts warmly; a lengthy B note, followed by Kweller's convincing vocal slides and scoops. "Gypsy Rose," Kweller's opener, is a naturally successful track, utilizing traditionalistic country lyric phrases and solid, complementary rhythmic devices. The melody is sleepy, but sufficient, and is very pleasant.
Kweller's vocal performance is respectably polished throughout Changing Horses; especially on mid-tempo, country ballad "Hurtin' You" and bittersweet love lament "Ballad of Wendy Baker." Not only is the way he sings refined, but what he sings is also impressive, focusing on poetic description and artistic originality. "Old Hat" exemplifies this mellifluously with lines such as "My tornado, love, tore it all down / Now I am face down in all this muddy guilt," while the slow but steady musical accommodations really drive the emotion home.
Always considered a musician who focuses on his melodies, Kweller breaks all kind of melodic barriers on the record; first, by keeping his melodies retainable and enjoyable; second, by carefully crafting his hooks; and last, by dishing out countless surprises. "Gypsy Rose," "Sawdust Man," and "Fight" all exhibit strong, likable tunes, while "Wantin' Her Again" and "Things I Like To Do" disclose hook-based melodies (both additionally appealing). He then keeps it interesting with other clever creations, like the melody in "On Her Own."
Changing Horses is meticulously consistent, seamlessly flowing between funky, mid-tempo tunes to gospelesque anthems to evocative, heartfelt offerings. "Homeward Bound" is a compelling end cap for the brief album, and is executed carefully, tying up any and all loose ends.
The only complaint I hold against the record is its lack of personal proximity. In other words, it feels noticeably distant, especially compared to Kweller's other works. The songs themselves are substantial enough, though, to maintain a favourable outlook on the album as a whole. For this, I give Ben Kweller credit, where it is obviously due. Country music is his roots, and Changing Horses is a very wholesome homecoming in that sense.
9 of 10 people found the following review helpful
Format:Audio CD
Going country seems to be the cool thing to do nowadays with the alternative/indie set, but on acoustic-hippie hero Ben Kweller's fourth record, it seems much less like an affected art than a natural fit for the former power-pop auteur. The eternally boyish Kweller, more well known for his charmingly earnest lyrics and straightforward guitar-oriented rock `n roll, has always had a vaguely sort of country twang to him, from his slightly accented vocals to his childhood in the Texas heartland, but it hasn't been as wholeheartedly embraced as on the metamorphosis that is Changing Horses. Hey, if Jessica Simpson can do it, Kweller certainly had a decent shot at pulling it off.
Kweller makes it a point to let the listener know that things have changed right off the bat, with the folksy riff that opens the album on "Gypsy Rose" and his fragile, lilting vocals announcing "now you've got me goin' / somewhere no one could find." No more bland guitar anthems or tongue-in-cheek pop toss-offs for this Ben; "Gypsy Rose" and the following "Old Hat" are as country as anything you're likely to hear out of Nashville, but Kweller's endearing accent and tasteful instrumentation, replete with pedal steel guitar, saloon-style piano, and soft drum brushes, make this more of an admirable emulation than a hubristic parody.
Indeed, it's Kweller's respect for old-school country that makes Changing Horses such an interesting and authentic experience, especially for those familiar with his past work. Kweller takes the standard conventions of country and does more than passable imitations of them, such as on the entertaining backwoods barroom sing-a-long "Fight," where he extols the listener to "fight `til your dying day" amidst a honky-tonk piano and multi-tracked harmonies. Like Conor Oberst's latest works and Ryan Adams' forays into alt-country, Kweller has a good understanding of Americana folk tradition and music, imbuing his vocals with the proper amount of longing and grief on ballads like "Hurtin' You" and calling up images of that great American symbol, the road, on driving guitar-and-drum based rhythms like the surging closer "On Her Own." Occasionally, he might get a little too country for some longtime fans' tastes, such as the corny love ode of "Things I Like To Do," but, with all due respect to his previous work, it's nice to hear a change-up every other album or so.
Changing Horses does suffer, however, from what afflicts practically every Ben Kweller album; it remains on a one-track mind the whole way through. Much as Sha Sha or On My Way played the same brand of witty pop rock for twelve or so songs, so does Changing Horses relentlessly maintain the country shtick for the entire length of the record, with little to no variation. Kweller's fairly vanilla lyrics, which detail love lost or love won or love in some way shape or form throughout most of the album, don't exactly help in differentiating the songs from each other, but they don't necessarily detract from the material either.
For an experiment in form, Changing Horses is an undeniable success. For an artistic accomplishment, it falls a little short in its strict adherence to the standard country formula of tear-in-my-beer lyrics and pedal-steel guitar. Songs like the `60s pop-meets-redneck-guitar-picker "Sawdust Man" and the haunting strings and bubbling bass of "The Ballad of Wendy Baker," however, prove that country doesn't have to suck, and that Kweller more than makes for an acceptable country-rock tunesmith. Maybe next time he'll trot out an entire album of Afro-Caribbean jazz...dare to dream!
Kweller makes it a point to let the listener know that things have changed right off the bat, with the folksy riff that opens the album on "Gypsy Rose" and his fragile, lilting vocals announcing "now you've got me goin' / somewhere no one could find." No more bland guitar anthems or tongue-in-cheek pop toss-offs for this Ben; "Gypsy Rose" and the following "Old Hat" are as country as anything you're likely to hear out of Nashville, but Kweller's endearing accent and tasteful instrumentation, replete with pedal steel guitar, saloon-style piano, and soft drum brushes, make this more of an admirable emulation than a hubristic parody.
Indeed, it's Kweller's respect for old-school country that makes Changing Horses such an interesting and authentic experience, especially for those familiar with his past work. Kweller takes the standard conventions of country and does more than passable imitations of them, such as on the entertaining backwoods barroom sing-a-long "Fight," where he extols the listener to "fight `til your dying day" amidst a honky-tonk piano and multi-tracked harmonies. Like Conor Oberst's latest works and Ryan Adams' forays into alt-country, Kweller has a good understanding of Americana folk tradition and music, imbuing his vocals with the proper amount of longing and grief on ballads like "Hurtin' You" and calling up images of that great American symbol, the road, on driving guitar-and-drum based rhythms like the surging closer "On Her Own." Occasionally, he might get a little too country for some longtime fans' tastes, such as the corny love ode of "Things I Like To Do," but, with all due respect to his previous work, it's nice to hear a change-up every other album or so.
Changing Horses does suffer, however, from what afflicts practically every Ben Kweller album; it remains on a one-track mind the whole way through. Much as Sha Sha or On My Way played the same brand of witty pop rock for twelve or so songs, so does Changing Horses relentlessly maintain the country shtick for the entire length of the record, with little to no variation. Kweller's fairly vanilla lyrics, which detail love lost or love won or love in some way shape or form throughout most of the album, don't exactly help in differentiating the songs from each other, but they don't necessarily detract from the material either.
For an experiment in form, Changing Horses is an undeniable success. For an artistic accomplishment, it falls a little short in its strict adherence to the standard country formula of tear-in-my-beer lyrics and pedal-steel guitar. Songs like the `60s pop-meets-redneck-guitar-picker "Sawdust Man" and the haunting strings and bubbling bass of "The Ballad of Wendy Baker," however, prove that country doesn't have to suck, and that Kweller more than makes for an acceptable country-rock tunesmith. Maybe next time he'll trot out an entire album of Afro-Caribbean jazz...dare to dream!
1 of 1 people found the following review helpful
Format:Audio CD
I've been a huge fan of Ben Kweller ever since my dorm-mate in college turned me on to his music.
I've always enjoyed how Kweller can take classic sounds and turn them into something new. His first album was very folksy, his secon Beatles-esque. His third attempt has ups and downs, and I'm still turning it around in my head.
It seemed he went as far as he could with one style of music and decided to switch it up - a refreshing decision!
He goes back to taking old sounds and making them new - this is very neo-Cash. Love it.
I've always enjoyed how Kweller can take classic sounds and turn them into something new. His first album was very folksy, his secon Beatles-esque. His third attempt has ups and downs, and I'm still turning it around in my head.
It seemed he went as far as he could with one style of music and decided to switch it up - a refreshing decision!
He goes back to taking old sounds and making them new - this is very neo-Cash. Love it.
Most Recent Customer Reviews
Shows intense passion
Don't know why it took this long to write a review of this album, but here goes: I've had this album since its initial release. Read more
Published 8 months ago by T. A. Shepherd
Classic
Ben Kweller's Changing Horses is a classic album. It features 70's country rock style with great lyrics and memorable melodies. Check it out for yourself.
[DW]
[DW]
Published 15 months ago by DW
Good 'Ol Kweller. So Underrated.
Ben Kweller is a young man. He was a young man when his stellar debut, 2002's Sha Sha, was released and he'll be a young man (in sound at least) until he gets throat cancer. Read more
Published 16 months ago by Gregory William Locke
CHANGING HORSES: Riding High with Ben Kweller
Slightly high and lonesome, Changing Horses may not change your life, but it will certainly add to it, and heighten your regular music fix. Read more
Published on May 14, 2010 by brent76bowman
Corazon Acoustica
The amount you'll like this record seems to be inversely proportional to the expectations you have about a new Ben Kweller record. Read more
Published on June 17, 2009 by Quiero Cafe
My whole family loves Ben
I will keep it short and sweet; Ben Kweller would be the only artist I would buy a ticket to go and see right now
Published on May 24, 2009 by Tom Campo
Great change of pace
Very good album. Different than his previous efforts. More country/bluegrass in nature but still singer songwriter...
Published on May 21, 2009 by Jason A. Thompson
Awesome
The man can play any type of music he wants and to hear him go back to his texas/southern roots is awesome. i love the pedal steel and of course his lyrics are great. Read more
Published on May 16, 2009 by Brandon Byrd
Daring change but it pays off
As a long time Ben Kweller fan, let me admit upfront that I was somewhat (ok, a lot) sceptical of Kweller's rumored full embrace of country-twang for the new album. Read more
Published on March 28, 2009 by Paul Allaer
Wow!
Wow! This album is a lot of fun and I am really enjoying listening to it. I think that the alt-country hat is a great hat for Ben Kweller to wear. Read more
Published on March 11, 2009 by D. Eiler
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