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The Chapel of the Magi: The Frescoes of Benozzo Gozzoli
 
 
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The Chapel of the Magi: The Frescoes of Benozzo Gozzoli [Hardcover]

Palazzo Medici Riccardi (Author), Cristina Acidini Luchinat (Editor)
4.3 out of 5 stars  See all reviews (3 customer reviews)


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Book Description

0500236917 978-0500236918 October 17, 1994 First English

The procession of the three Magi unfolds with a mixture of Exotic, oriental splendor and stately, bourgeois respectability in the fresco cycle painted by Benozzo Gozzoli on the walls of the Medici family private chapel in Florence.

A glittering cavalcade of men and animals winds through a rocky landscape under an azure sky. The men are dressed in all the luxury of Italian 15th-century fashions, in brilliant colours, damask, gold brocade. They ride horses and camels with various creatures to amuse them - dogs, cheetahs and monkeys. In the background are forests and picturesque towered tows. This is the procession of the Magi on their way to worship the newborn Christ, painted in the chapel of the Medici's palace in Florence by Benozzo Gozzoli in 1459. For their sheer beauty, their precision, and their almost fairy-tale quality, these frescoes have always been among the most popular of all western paintings.

The photographs in this book were taken after the chapel's recent cleaning. Not only do the colours glow with a new brilliance, but numerous features have been revealed that could not be seen before. The book illustrates the chapel wall by wall, showing the entire surface and then a series of details reproduced in actual size. Cristina Acidini Luchinat is an art historian and conservationist who has worked on a number of major art restoration projects, including Gozzoli's frescoes. Her lucid texts, complementing the pictures, examine the chapel as a whole, its art-historical context, the individual murals, and the problems and procedures involved in the conservation of the paintings.

184 color illustrations

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Editorial Reviews

From Publishers Weekly

The procession of the three Magi unfolds with a mixture of exotic, oriental splendor and stately, bourgeois respectability in the fresco cycle painted by Benozzo Gozzoli on the walls of the Medici family private chapel in Florence. Completed in 1459 and restored between 1988 and 1992, Gozzoli's popular frescoes set the divinely prophesied cavalcade of the Magi against a landscape strewn with allusions to the Last Judgment and contemporary Florence. Enlivened by dramatic juxtapositions of choirs of angels, hunting scenes, castles and Eden-like gardens with peacocks, the paintings incorporate 32 realistic portraits of Gozzoli's contemporaries, including his noble patrons, the Medici. Featuring 184 color plates with scores of close-ups, this lavish volume, edited by Italian art historian and restorationist Luchinat, includes scholarly essays on Gozzoli's iconography, his involvement in humanist circles and the recent restoration.

Copyright 1994 Cahners Business Information, Inc.

From Library Journal

This beautifully produced book documents in exquisite detail the best-known paintings by the 15th-century Florentine master Gozzoli, which portrays the wise men en route through a fairy-tale landscape. This subject gave Gozzoli the opportunity to depict his figures in a courtly, opulent style reflecting the status and affluence of his powerful sponsor, Cosimo de Medici. The recent cleaning of the frescoes is impressively showcased: taking its cue from the recent Brancacci Chapel (LJ 10/1/92), this book examines the Chapel of the Magi wall by wall, figure by figure, with dozens of full-page, actual-size reproductions. An especially pleasing feature is that a great many of the facing pages are left a plain matte black, thus visually isolating the details so judiciously highlighted on the opposite page. Although the work contains several stiffly written scholarly essays, editor Luchinat wisely decides to let the 300 pages of illustrations dominate. What results is an extraordinary resource for the student of painting as well as the art lover in general. Highly recommended.
Douglas F. Smith, Oakland P.L., Cal.
Copyright 1994 Reed Business Information, Inc.

Product Details

  • Hardcover: 388 pages
  • Publisher: Thames & Hudson; First English edition (October 17, 1994)
  • Language: English
  • ISBN-10: 0500236917
  • ISBN-13: 978-0500236918
  • Product Dimensions: 11.3 x 10.3 x 1.5 inches
  • Shipping Weight: 6 pounds
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #2,488,008 in Books (See Top 100 in Books)

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Customer Reviews

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Average Customer Review
4.3 out of 5 stars (3 customer reviews)
 
 
 
 
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9 of 9 people found the following review helpful:
5.0 out of 5 stars Beautiful book, June 29, 2005
This review is from: The Chapel of the Magi: The Frescoes of Benozzo Gozzoli (Hardcover)
This is an exceptionally rare concept for an art book, with a single volume devoted to one single painting (or more correctly a painting comprising several panels). There is little text intruding in the way of the artwork, and the full page images are awesome close-ups. The book is packed with full colour quality reproductions. You can clearly see, brushstroke by stroke, how all the fine detail of this masterpiece was executed. I own a large collection of (so far) over 400 books on art and this would rank as one of my favourites
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5.0 out of 5 stars Chapel of the Magi - Benozzo Gozzoli, June 2, 2011
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This review is from: The Chapel of the Magi: The Frescoes of Benozzo Gozzoli (Hardcover)
Excellent detailed photos of Benozzo's masterpiece allow you to see what you could not possibly absorb during a visit to the chapel itself.
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3.0 out of 5 stars Disappointing, January 22, 2010
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This review is from: The Chapel of the Magi: The Frescoes of Benozzo Gozzoli (Hardcover)
I ordered the hardcover and was expecting high quality but was very disappointed in the colour reproductions. They all were under saturated and had a dull matt finish. In contrast the publishers put more money into the books cover which was vibrant. I also felt that the graphic design and framing of the details of which are most of the book was poor. Whoever framed the details was more interested in details of fabric than in overall composition. I found it quite aggravating visually as you always were looking on the edge for more. Unfortunately the broader views cover too much so everything is quite small. On the other hand this is the only hardcover book that I know of that is a monograph on th e chapel. I can't speak for the paperback not having seen it. The text is adequate.
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