Product Details

• Actors: Eric Campbell, Henry Bergman, Loyal Underwood, Douglas Fairbanks, Roland Totheroh
• Format: Black & White, Dolby, NTSC
• Rated: NR (Not Rated)
• Number of tapes: 1
• Studio: HBO Home Video
• VHS Release Date: January 1, 1998
• Run Time: 156 minutes
• Average Customer Review: 5.0 out of 5 stars  See all reviews (22 customer reviews)
• ASIN: 6301930541
• Amazon Best Sellers Rank: #554,283 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews

Amazon.com

Indispensable for any Chaplin fan and important and highly intriguing for anyone who cares about film history, this three-volume series offers the outtakes and unreleased tracks of the Little Tramp's storied career. Archivist Kevin Brownlow and David Gill meticulously and ingeniously piece together previously unseen footage from Chaplin's private collection, demonstrating in part 1 how painstakingly the director developed gags in such short films as The Cure and The Immigrant. Part 2 is less essential, but offers the famous behind-the-camera intrigue of the making of his classic City Lights, a film in which pokey perfectionist Chaplin makes Stanley Kubrick look like a caffeinated, indie tyro rushing through production. Part 3 demonstrates how Chaplin recycled ideas he discarded early in his career for use in later film. It includes a historic first--one of the first extended sequences Chaplin shot trying to break out of the Little Tramp mold. Doubly amazing is how fresh and funny and effective Chaplin's filmmaking remains today, nearly a century later. --David Kronke

From the back cover

Everybody knows the hat, can, and moustache that symbolized the greatest comic ever to be captured on film. But who knows the secrets of his creative genius--the man behind the comic mask? Unknown Chaplin uses never-before-seen footage, entire scenes cut from final release prints, and footage long thought destroyed, along with interviews with some of Chaplin's closest friends and associates, to uncover the mystery, the excitement, and the laughter that were behind the scenes and in front of the cameras for Chaplin's most hilarious work.

Hidden Treasures
Chaplin often worked on an idea for weeks, filming take after take before abandoning it entirely. Yet, as one associate said, he had a mind like an attic, and discarded ideas were never really gone, just tucked away for future reference. Clips reveal how a Chaplin gag in a home movie found its way into The Great Dictator years later. Another sequence cut from an early film was used in Limelight almost 30 years later. But the most sensational of these hidden treasures is the rescued original opening sequence that Chaplin shot, then cut, from City Lights, presented here for the first time with a new musical score, in which Charlie brings a city to a halt by trying to free a piece of wood from a sidewalk grating.

Customer Reviews

Most Helpful Customer Reviews

45 of 46 people found the following review helpful:

5.0 out of 5 stars Chaplin at Work, January 9, 2006

By 

thornhillatthemovies.com (Venice, CA United States) - See all my reviews
(VINE VOICE)   

This review is from: Unknown Chaplin: The Master at Work (DVD)

I remember sitting in front of my television, rapturously watching the documentary "Hollywood" created by Kevin Brownlow and David Gill in 1980. Each of the 13 segments dealing with a specific part of early Hollywood history, played on PBS and was a true delight. In this era before DVD, and even VHS, it was a great way to see a large number of rare clips from the Silent era. A few years later, they made "Unknown Chaplin", perhaps the most astonishing documentary ever created about the technical side of Hollywood. A few years later, "Buster Keaton: A Hard Act to Follow" continued the tradition.

"Unknown Chaplin" was just released on DVD and is a must have addition for anyone even remotely interested in the history of film or filmmaking.

During production of "Hollywood", Brownlow and Gill naturally wanted to devote an entire hour to Chaplin but ran into a roadblock. The person who controlled access to Chaplin's work was only prepared to let them use a "snippet". They had to change their plans. They couldn't build an entire hour around a "snippet". After "Hollywood" aired, to great critical acclaim, they tried again. Chaplin's widow allowed them access to his personal vault. What they found there astonished them; row after row of film cans, many labeled with "City Lights", "The Gold Rush", "The Circus" and many with unfamiliar names. These contained clips never before seen, projects started but never finished and rehearsals for films like "City Lights". It was a treasure trove for any film historian.

Naturally, they believed they had just hit the mother load, but soon met a man named Raymond Rohauer. Rohauer, a film "collector", claimed to have many reels of film from Chaplin's Mutual days, the period immediately before Chaplin went independent and began to make his great feature-length films. The Mutual period is considered by many to be Chaplin's best, when he made his most famous two-reelers, "The Immigrant", "The Cure" and others along with "The Kid". As they viewed this footage, Brownlow and Gill made a major realization; Chaplin worked out all of his films on the set, while the cameras were rolling, providing a visual history of his work. Beginning with a bare outline he would began production, working out jokes on set, adding jokes, changing stories, and more. Sometimes, he would scrap everything and start over. Or get an idea and change everything around. And the camera was always running while he did this.

"Unknown Chaplin" premiered in 1983 to great critical acclaim, exposing many to the methods used by one of film's greatest comedians and most skilled directors. Imagine having the ability to watch Claude Monet create a canvas and get insight into the various decisions he made. Or to watch Frank Lloyd Wright work on his latest design and see why he decided to put that piece of word there. This is what "Unknown Chaplin" provides, access into the mind of a master.

Recently released on DVD for the first time, each of the three segments of "Unknown" look amazingly vivid and clear. Some of the better footage is so clear it looks like it was photographed yesterday. As James Mason narrates, guiding us, we begin to learn how Chaplin created his films. Every time I say this, I just get chills up and down my spine. How often can we expect to see a master, someone at the top of their craft, creating some of their most famous work? Considering how much of the Silent era was destroyed, the fact that this film exists at all is all the more impressive.

Part One is the most groundbreaking, presenting the footage from the Mutual days. Brownlow and Gill quickly realized that Chaplin filmed every take and frequently changed bits between takes. How should they deal with this wealth of material? They decided to arrange the clips in chronological order, recreating how Chaplin worked on the material as the cameras rolled. He began each project with an outline, but this is by no means how the projects were completed. He would work out the jokes and funny business on set, sometimes running into road blocks. If he couldn't work through it, he would scrap everything and start over. We get to see this process as we watch these clips unearthed by the filmmakers.

Part Two presents the material obtained from Chapin's vaults, after he became independent and began making feature length films. Less extensive, the footage still reveals a lot. For instance, a family friend stood near the camera and was able to take home movies as Chaplin worked on "City Lights". This footage is shown, and we get a glimpse of Chaplin, the director, at work. We also watch as Chaplin works through various location problems with "The Gold Rush", unused footage from "The Circus" and more.

Part Three shows us the unseen clips, portions of abandoned projects, unseen shorts and more Brownlow and Gill found in the Chaplin vaults. After Chaplin built his own studio, many dignitaries and famous people stopped by and the director filmed these visits, sometimes making quick shorts with them, on existing sets. If he did any funny business during these impromptu films, he frequently incorporated this into later works. He even started a few projects that were never finished, one of which shows Charlie as a down-on-his-luck `Professor' who owns a flea circus, temporarily abandoning his Tramp character.

"Unknown Chaplin" is a documentary almost solely devoted to the filmmaker's work. The few references to his personal life are made because they somehow affected his professional work. Because of this "Unknown" presents one of the most thorough, interesting and illuminating looks at one of film's true masters and true pioneers.

10 of 10 people found the following review helpful:

5.0 out of 5 stars A MUST SEE!!, October 1, 2005

By 

Charlie "the-tramp" (Wellesley, MA United States) - See all my reviews

This review is from: Unknown Chaplin: The Master at Work (DVD)

I have long owned the three-tape vhs version of this title. In the days before David Shephard, et al. put out all those magnificent restorations (and before Warner Bros. rereleased some early Chaplins), this series was the ONLY place to find high quality Chaplin films, albeit not complete, and incredible outtakes. I can't recommend this series enough to any Chaplin fan. My pre-order is on file!!

10 of 10 people found the following review helpful:

5.0 out of 5 stars Chaplin remembered with love, November 1, 2000

By 

Robert Jordan (San Diego, CA) - See all my reviews
(REAL NAME)   

This review is from: Unknown Chaplin Collection [VHS] (VHS Tape)

I agree this is a wonderful set. All the more impressive when one understands that the "out-takes" referred to in other reviews were supposed to be destroyed! Chaplin filmed his rehersals and played them back later, watching to see how jokes worked best. At times he'd do over a hundred takes until he had the gag worked out the way he wanted. Today, with video that doesn't seem like a big deal, but for him to film it all was an extremely large investment made by a true comic artist. After the film was complete, Chaplin ordered all this extra footage burned. Only because someone disobeyed did this material survive to be seen today.

Another great feature of this set (along with Buster Keaton: A Hard Act to Follow and Harold Lloyd: The Third Genius) is interviews with surviving co-workers who share their personal memories of Chaplin. Even during the time between the Chaplin and the Lloyd series, many of those interviewed had passed away. Recreating this documentary today would be impossible. Get this set and look back on a parade that has gone by.

Highly recommended, especially for those interested in history and film production.