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Charles Clarke's Professional Cinematography
 
 
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Charles Clarke's Professional Cinematography [Paperback]

Charles Clarke (Author)

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Book Description

June 1, 2002
Pioneering cinematographer Charles G. Clarke, ASC, wrote this slim volume in 1964 at the urging of his students at UCLA. Mr. Clarke suffered a heart attack while preparing to shoot Marines, Let's Go in Japan. Upon his retirement, old friend and Fox producer Kenneth Macgowen (In Old Chicago, Lifeboat) who was the head of the theater arts department at UCLA, persuaded Mr. Clarke to join the faculty.

Revealed here for the first time is the thinking and philosophy of a man who spent his entire life photographing major Hollywood feature films. The lessons he shares are timeless. While some of the technology has changed, the core techniques and craft have not There is no padding here, just straight dope. Whether you are just beginning or a veteran filmmaker, his refreshing views spark new ideas born of old wisdom.



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Inside This Book (learn more)
First Sentence:
The selection of a camera will certainly depend upon the type of work the cinematographer intends to do. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
photographic balance, microphone shadows, kick lights, shadow devices, matte box, infra red film, key light, normal correction, flame carbons, fill light, facial tones, blue radiation, foreground action, background plates, neutral filters, sunset effects, aerial work, location footage, additional photography, process plates, filter factor, night effects, lighting units
Key Phrases - Capitalized Phrases (CAPs): (learn more)
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