From Publishers Weekly
Starred Review. Kiernan ranks as one of today's finest practitioners of "the art of disquiet," as Ramsey Campbell notes in his perspicacious afterword to this remarkable collection. Her enigmatic short stories are written in lyrical prose that sweeps the reader completely into strange dark worlds where characters choose to embrace madness over the mundane and nightmares offer guidance as well as fear. Even when subtly alluding to H.P. Lovecraft, as many of these stories do ("So Runs the World Away," "The Dead and the Moonstruck," etc.) Kiernan's voice remains unique. In these evocative tales, bathrooms can transport you to an alien sea ("Onion"), paleontology can lead to damnation ("Valentia"), and even a mud puddle can touch on the unknowable and its terrors ("Standing Water"). The volume's sole original entry, "La Peau Verte," weaves a multiplicity of truths and the attractions of the forbidden into a small masterpiece of mystery. Exquisite interior illustrations by Richard Kirk enhance these 13 "love letters" to Charles Fort, collector of strange and anomalous phenomena.
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Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Now largely forgotten, except as inspiration for the title of the glossy monthly, Fortean Times, Charles Fort (1874-1932) was an ardent skeptic who devoted himself to studying paranormal phenomena and eventually publishing his findings as The Book of the Damned (1919). In homage to him, Kiernan's third story collection presents 13 explorations of the less-reputable fringes of science. More than a few focus on anomalies that have mirror images in the real world. In one story, paleontologists discover on an Irish isle the fossilized tracks of fairylike creatures that predate the dinosaur era--similar tracks were actually documented in 1994. Other tales look into the dark possibilities of summoning spirits via a Ouija board and of a spectral animal haunting the hallways in a young couple's apartment. Each story is steeped in Kiernan's masterfully evocative, eerie prose, which echoes the best of Lovecraft. Fans of horror fiction who are just discovering Kiernan's rare gifts should use this volume as a stepping-stone to her equally brilliant novels (e.g., The Dry Salvages, 2004). Carl Hays
Copyright © American Library Association. All rights reserved
Copyright © American Library Association. All rights reserved



