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19 of 21 people found the following review helpful:
5.0 out of 5 stars
The Deluxe edition, Soul Brother... ****1/2, November 8, 2005
I once made the comment that most of the entertainment today is in very bad shape. The industries are trying to relive past glories, especially music and movies. Most of the money being made in the music industry is reissues, HDCD releases of well-known titles, delux reissues, legacy reissues, offical releases of bootlegs, greatest hits, and any and all repackaging of classic albums. And they all use well known, classic, big name artists, because they know people will buy it. Because the majority of new CDs, and new artists aren't of any real quality, they have to rely on the old stuff to make money. The same can be said of the movies. It's all sequels, prequels, remakes, and remodels.
Accordingly, I was not thrilled when I heard a new version of "Charlie and the Chocolate Factory" was coming out. When I learned it was a Tim Burton/Danny Elfman/Johnny Depp production, I was less skeptical. When I saw a trailer, I was interested. When I heard Danny Elfman was writing/composing the music AND doing the vocals, I was excited. The collaboration is great, almost to the point of excusing all their pretensiousness and self-absorbtion... enough quibbling. On to the movie!
It holds many of Tim Burton's staples; it is dark, stark, eerie, and filled with the regular unnamable props, but he has allowed joy into the equation. The movie is much better for it. There is rich color, specifically in the factory, to match the rich imagery and funny comparisons of Willy Wonka. Depp is cast perfectly in this role, which is not really apparent unless you see the movie. He is funny, quirky, confused, and innocent; much different than the brilliant, strong character played by Gene Wilder in the original. The children who find the golden tickets and their parents do a great job too. Perhaps my favorite part is the wild card, Danny Elfman. If you don't know WHO Elfman is, you're sure to have heard his music whether in any number of cult classic 80's films (Pee Wee's Big Adventure, Beetlejuice, Batman 1 & 2), his TV themes (The Simpsons), his musical-esque movies featuring his vocals (Nightmare Before Christmas-- an absolute classic soundtrack), or his 15-plus years of work as the vocalist/writer/guitarist for 80's heavyweight Oingo Boingo. "Charlie" is the 11th time Tim Burton has used Elfman as his composer, and this is arguably their greatest work together (though I prefer "Nightmare Before Christmas").
The movie itself is quite interesting, moving into parts of the Willy Wonka story the orignal movie didn't, relying more on the Ron Dahl book. Note: even the lyrics to the four Oompa-Loompa songs are the lyrics from the novel. We learn that Willy became a chocolateer to spite his father and is forever haunted by this falling out. An eventual redemtion of their relationship serves as a very positive pro-family element. Best of all, it's clean. Nothing negative, offensive, or disturbing is presented, meaning a green light for families and kids; a HUGE plus. The problem of lacking special features is corrected here, but you can save a few dollars if you don't mind a slimmer package. A great, big, fun movie.
Overall: 9 out of 10.
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13 of 14 people found the following review helpful:
5.0 out of 5 stars
Great, fun movie!!!, January 1, 2008
This movie is really good. Several other reviewers are unfairly comparing it to the the 1971 Gene Wilder version, "Willy Wonka & the Chocolate Factory." The Johnny Depp version is actually much closer to the children's book written by Roald Dahl. In fact, Roald Dahl completely hated the Gene Wilder version because the film makers changed everything in his book. One reviewer says that Johnny Depp's portrayal of Willy Wonka was scary and wierd. Well, if you've read the book, you'll know that Willy Wonka is supposed to be scary and wierd.
Brandon Simpson,
[...]
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12 of 13 people found the following review helpful:
5.0 out of 5 stars
Perfect Adaptation!, September 10, 2005
First off, yes, I am a fan of Tim Burton. I even own every one of his movies on DVD (though one or two of them I could live without). But that's not the point. The fact is, I respect his vision as an artist; and his ability to create such surrealistic worlds that are both weird and wonderful are just enough why I idolize him.
Okay, now, some of you may wonder, if this is a direct remake of the 1971 film Willy Wonka and the Chocolate Factory that starred Gene Wilder. Actually, no, even though it's the same story concept. The only difference is that this film pays more homage to the book (MUCH more homage) and is (of course) AMAZING to look at. The storyline now, is simple enough (because I'm under the impression that a lot of people have seen the original film): Charlie Bucket (Freddie Highmore) is a boy from an impoverished family living under the shadow of a giant chocolate factory, who eventually wins a candy bar contest and is given a tour, along with four other children, of the amazing factory run by the eccentric Willy Wonka and his staff of Oompa-Loompas.
Performance wise, this movie belongs to Johnny Depp and Freddie Highmore, who are able to recreate their chemistry from Finding Neverland. However, quote: "Depp's Wonka is far less cuddly than that of Gene Wilder, playing it more like a demented Mr. Rogers with more than a bit of a sadistic streak. The way that he watches the kids meet their fates with giddy glee is quite disturbing, but it's hard not to enjoy this quirky hermit's complete lack of social skills."-Edward Douglas, [...] (sorry, but the guy explianed it perfectly)Also, I'd like to clear this up out of my system before it does any more damage, but it seems A LOT of ....people are comparing Depp's Wonka w/ a certain pop star so much that it really just sickens me. This assessment can be contradicted however. First reason (and this came from no other than Depp himself): In an interview, Johnny said he had NO INTENTION whatsoever to base his character off of Micheal Jackson. Second reason: Willy Wonka is a recluse, so he's supposed to be strange, weird, crazy, whatever. I mean, the guy shunned himself from society for 15 years so he's going to be pale, out of style/trend, and a bit behind. Also, throughout the movie, we're shown flashbacks of Wonka's past that are used to explain his weirdness. There, end of story. Freddie Highmore's Charlie is more sad than the original one, so much that you'll want to hug him b/c he's so optimistic depsite living such an impoverished lifestyle. Another performance nod goes to Deep Roy, who plays all the Oompa-Loompas w/ such panache. Everyone else is respectable in their performances.
Now, aesthetically, this film is amazing; in fact, this is Burton's most visually striking film to date. He yet again creates such surreal and imaginative landscapes that it's just real eye candy to look at; the factory rooms being the prime example. Some of the wacky machinery used to create candy is just as impressive and actually looks like it could work. Yet, as w/ the original film, this film creates an atmosphere that could unnerve sensitive folks. The boat ride down the chocolate tunnel is not the acid trip that was the original, but rather like an intense roller coaster ride. Also, for those who have seen the original, the four kids who fall to their weaknesses (loosely speaking: gluttony, pride, avarice(that's greed) and sloth) and punished for not heeding warnings are a bit more dangerous (thanks to the evolution of filmmaking) and look fatal, but are not.
Also, another treat in this film is to hear composer Danny Elfman (who has composed pretty much all of Tim Burton's films to date save for Ed Wood, which was scored by Howard Shore) sing again. He sings all the Oompa-Loompa songs provided by the lyrics written in the book with such style that you can't help but tap your feet. For the record, he also sung in Tim Burton's The Nightmare Before Christmas.
Well, I believe I covered over everything. Overall, real faithful adaptation that surpasses the original in practically every way (sorry, but...my opinion). Also, the ending is different, both from the book and the original film; but still good. This is also Burton's best film next to Ed Wood and redeems him from his Planet of the Apes remake (what was he thinking w/ that?). Anyways, great film: just as wacky and twisted as you might expect but nonetheless wonderful to look at and as magical as the original.
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