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Cherry [Unabridged, Audiobook] [Audio CD]

Mary Karr (Author, Reader)
3.6 out of 5 stars  See all reviews (84 customer reviews)


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Book Description

September 26, 2000
Read by the author
5CDs/ 6 hours

Mary Karr told the prize-winning tale of her hardscrabble Texas childhood with enough literary verve to spark a renaissance in memoir.  The Liar's Club rode the top of The New York Times bestseller list for more than a year, and publications ranging from The New Yorker to People picked it as one of the best books of the year.  But it left people wondering: How'd that scrappy kid make it outta there? Cherry dares to tell that story.  Karr picks up the trail and dashes off into her teen years with customary sass, only to run up against the paralyzing self-doubt of a girl in bloom.

In this long-awaited sequel, we see Karr ultimately trying to run from the thrills and terrors of her sexual awakwening by butting against authority in all its forms.  She lands all too often in the principal's office and--in one instance--a jail cell.  Looking for a lover or heart's companion  who'll make her feel whole, she hooks up with an outrageous band of surfers and heads, wannabe yogis and bona fide geniuses.

Karr's edgy, brilliant prose careens between hilarity and tragedy, and Cherry takes readers to a place never truly explored--deep inside a girl's stormy, ardent adolescence.  Parts will leave you gasping with laughter.  But its soaring close proves that from even the smokiest beginnings a solid self can form, one capable of facing down all manner of monsters.

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Editorial Reviews

Amazon.com Review

As a girl idling her way through long, toxically boring summer afternoons in Leechfield, Texas, Mary Karr dreamed up an unusual career for herself, "to write one-half poetry and one-half autobiography." She has since done both, and even when she's recounting a dirty joke, she can't help but employ a poet's precise and musical vision. Her first memoir, The Liar's Club, was as searing a chronicle of family life as can be imagined--tough, funny, and crackling with sorrow and wit. Against all odds, its sequel doesn't disappoint. Cherry finds the teenage Mary still marooned in a family whose behavior ranges from charmingly eccentric to dangerously crazy. (This, for instance, is the Karr version of a note from home: "Lecia Karr's leprosy kicked in, and I had to wrap her limbs in balm and hyssop. Please excuse her.") But here the focus has shifted to Mary herself, furiously engaged in pissing off authority at every turn: flouting the dress code, dropping acid, running from the cops, falling in love.

First love, you may say, heart sinking in chest: what more can possibly be said about such a subject? Actually, a great deal. To read Cherry is to realize how rare it is to find a teenage girl portrayed on her own terms. As a chronicle of female adolescence with all its longings, fantasies, cruelties, and fears, Karr's memoir goes darker and deeper than any book in which the protagonist doesn't end up dead. She turns a savage eye on her own hypocrisies and failings, and we like her all the more for them. We even end up fond of Leechfield, easily the toughest, smelliest, nastiest little burg ever to appear between the covers of a book--"a town too ugly not to love," her father called it in The Liar's Club. Growing up in such a place is necessarily about getting the hell out, but it's also about inventing a new identity with which to make your escape. That's the blessing Karr's wise friend Meredith bestows after a particularly harrowing (and harrowingly funny) acid trip: "I see big adventures for Mary. Big adventures, long roads, great oceans: same self." Cherry is the story of how Karr begins to acquire that self, however fumblingly--a big adventure for Mary, as it is for all of us, and one we never finish as long as we live. Perhaps that's the book's greatest pleasure of all: it hints there's more to come. --Mary Park --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

Readers seduced by Karr's canny memoir of a childhood spent under the spell of a volatile, defiantly loving family in the Liar's Club can look forward to more exquisite writing in this sequel focusing on her adolescence in a dusty Texas town. Karr struggles as the talented child of a sullen, dismissive father and an ethereal, unstable mother who studies art and disappears from time to time, functioning more as an ally than as a mother to young Mary, who she encourages to be sexually active. When Mary is locked up in a drug raid, her mother rescues her by charming the judge, an old admirer. Writing in the second person, Karr recounts with disarming immediacy her tenuous childhood friendships, her rocky move into adolescence and sexual experimentation (she describes teenage kisses as "delicate as origami in their folds and bendings"); her troubles with school authority and her early escape into books and language. In one funny and poignant episode, Mary despairs over her dysfunctional family life in a dull town and, influence by the literature she is reading, makes a half-hearted attempt at suicide, before she resolves to live "as long as there are plums to eat and somebody - anybody who gives enough of a damn to haul them for you." Moving effortlessly from breathtaking to heart stabbing to laugh out loud raucous, the precision and sheer beauty of Karr's writing remains astounding. (Oct.)
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Audio CD
  • Publisher: Random House Audio; Abridged edition (September 26, 2000)
  • Language: English
  • ISBN-10: 0375416463
  • ISBN-13: 978-0375416460
  • Product Dimensions: 5.7 x 4.9 x 1 inches
  • Shipping Weight: 8 ounces
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (84 customer reviews)
  • Amazon Best Sellers Rank: #1,453,407 in Books (See Top 100 in Books)

More About the Author

Mary Karr's first memoir, The Liar's Club, kick-started a memoir revolution and won nonfiction prizes from PEN and the Texas Institute of Letters. Also a finalist for the National Book Critics Circle Award, it rode high on the New York Times bestseller list for over a year, becoming an annual "best book" there and for The New Yorker, People, and Time. Recently Entertainment Weekly rated it number four in the top one hundred books of the past twenty-five years. Her second memoir, Cherry, which was excerpted in The New Yorker, also hit bestseller and "notable book" lists at the New York Times and dozens of other papers nationwide. Her most recent book in this autobiographical series, Lit: A Memoir, is the story of her alcoholism, recovery, and conversion to Catholicism. A Guggenheim Fellow in poetry, Karr has won Pushcart Prizes for both verse and essays. Other grants include the Whiting Award and Radcliffe's Bunting Fellowship. She is the Peck Professor of Literature at Syracuse University.


 

Customer Reviews

84 Reviews
5 star:
 (36)
4 star:
 (17)
3 star:
 (10)
2 star:
 (7)
1 star:
 (14)
 
 
 
 
 
Average Customer Review
3.6 out of 5 stars (84 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

32 of 33 people found the following review helpful:
5.0 out of 5 stars Angst of adolescence with a hard-edged sense of humor, November 11, 2000
This review is from: Cherry: A Memoir (Hardcover)
Mary Karr is a fine writer. When I read her memoir, "The Liar's
Club" about her rough and tumble childhood in a working class
Texas town, I loved every word. That's why I was so anxious to read
this sequel, which deals with her adolescence. There are definitely
some differences between the two books, but I wasn't
disappointed.

The voice of the young Mary Karr comes through loud
and clear. It's honest and foul-mouthed and disrespectful. It's a
sharp-tongued blade that dares to illuminate the angst of adolescence
with a hard-edged sense of humor. And yet it brings the bittersweet
sadness of disappointments and awakenings to the page. The reader
cannot help but love her.

This book tells her story from age 11
through 17. It's about her friendships and boyfriends and coming of
age. As it takes place in the 1970s, there are a lot of drugs. Mary
is sent to the principal's office for not wearing a bra. Mary hangs
out with long-haired surfers and does drugs. Mary gets arrested.
Mary's sister takes a different path than Mary.

In this book, Mary's
parents take a back seat to the peer group. The story of their
tumultuous marriage, psychological breakdowns and heavy drinking has
been explored in "The Liar's Club". By this book their
eccentricities and foibles are already accepted as givens. Again,
their love shines through.

I'm glad that Ms. Karr decided to
continue her story. It might have been a little more episodic than
the first book and the events not as traumatic. But the strength of
her writing is not in the events, but in her view of them. And that
is why I enjoyed this book so much.

The book ends when Mary is 17.
Hopefully, they'll be yet another book that will follow her through
the years.

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45 of 55 people found the following review helpful:
3.0 out of 5 stars Not a sequel to The Liar's Club, October 11, 2000
This review is from: Cherry: A Memoir (Hardcover)
"The Liars' Club" is such a beautiful, touching, and profound memoir that it takes your breath away. Clearly, such a work is a hard "act" to follow. Unfortunately, this has been represented as a sequel to "The Liars' Club" setting the expectations bar very high. While this book is ok, it comes as a disappointment in light of the expectations that have been established by the hype.

First, it is important to note that this really isn't a sequel. "The Liars' Club" was a poignant description of her parents tumultuous marriage as viewed through the eyes of a child, and a heart wrenching tribute to her father. Her parents are decidedly in the background in "Cherry" with her father being no more than a footnote. However, Karr's mother plays a sympathetic supporting role as a farsighted, sensitive and progressive, albeit eccentric, mother for an adolescent girl.

Unlike her former memoir, "Cherry" is primarily about Mary Karr and about her angst as a teenager and her distinctive transformation as an adolescent in light of a highly untraditional and unorthodox upbringing in a decidedly traditional blue collar town. I found Karr's depiction of the town's relative tolerance of individual idiosyncracies particularly gratifying in light of the erroneous stereotypes often attributed to working class communities and Texas as a whole.

Karr offers important, albeit subtle, socioeconomic observations on the disenfranchisement of the working class, particularly in light of the disillusionment and subsequent changes in social mores which arose during the Vietnam War era (though those social structures were more important to the middle class as Karr's representation of the working class suggests). However, some of the recollections seemed disjointed, or out of focus, perhaps intentionally in her depiction of the search for purpose in an often drug induced haze.

I think the reaction to this book will definitely be mixed. It would probably have been better received if it preceded "The Liars' Club" or if the reader didn't know they were written by the same author.

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26 of 32 people found the following review helpful:
4.0 out of 5 stars A Joyless Memoir, November 20, 2000
By 
This review is from: Cherry: A Memoir (Hardcover)
First of all, let me echo other reviewers in saying not to expect anything like The Liar's Club. Mary Karr is still an enormously gifted writer, but while The Liar's Club had it moments of joy interspersed with various traumas, Cherry is just plain dank. Mary's exploits as a child weren't hopeless -- she had a resiliancy about her that assured the reader that she'd be all right, or some version thereof, in the end. The adolescent Mary descends deeper and deeper into a darkness that she manufactures for herself with the help of a pharmacy's worth of drugs and a heapin' helping of teen angst thrown in for good measure. I found it extremely interesting that Karr resorted to telling her story in second person in the last part, in which her relationship with drugs begins. I wondered to myself as I was reading whether she was using the second person narrative as a way of distancing herself from her high school self. In any case, the book is a much more difficult read than The Liar's Club, and I would definitely recommend that book before dipping your toes into this one. The reader emerges thoroughly saddened by Karr's own outright and between-the-lines admissions of her mistakes. I found her relationships with people especially dismaying -- but perhaps that was simply the way she chose to tell the story. The adolescent Karr is far from the precocious child of The Liar's Club. Her story is told from the bottom of an abyss -- I read an interview with Karr where she said that while writing Cherry, she would write for an hour and a half and then just collapse on the floor and fall asleep from exhaustion. I don't doubt it. A difficult yet rewarding book.
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NO ROAD OFFERS MORE MYSTERY than that first one you mount from the town you were born to, the first time you mount it of your own volition, on a trip funded by your own coffee tin of wrinkled up dollars-bills you've saved and scrounged for, worked the all-night switch-board for, missed the Rolling Stones for, sold fragrant pot with smashed flowers going brown inside twist-tie plastic baggies for. Read the first page
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John Cleary, Miss Gacy, Robert Cook, Adam Phaelen, Miss Baird, Davie Ray Hawks, Miss Karr, Augustus Maurice, Miss Ann, Ruth Ann, Los Angeles, Mary Ferrell, Towne House, Miz Deets, Wally Ray, Becky Smedley, Mary Karr, Hogaboom Road
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