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The Cherryh Odyssey
 
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The Cherryh Odyssey [Paperback]

Edward Carmien (Author), Jane S. Fancher (Author), Betsy Wollheim (Author), Elizabeth A. Romey (Author), James Gunn (Author)
5.0 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

September 1, 2004
The Cherryh Odyssey brings together a dozen essays about respected science fiction and fantasy author C. J. Cherryh. Fellow author and academic Edward Carmien has gathered top voices in the field to discuss the literary life and career of Cherryh, including Burton Raffel, Jane Fancher, Janice Bogstad, Betsy Wollheim, and many others. A substantial bibliography rounds out this collection. The Cherryh Odyssey is a text fans of the author will find invaluable, as will writers new to the field, as it presents a readable yet in-depth examination of many issues relevant to this award-winning author's literary life and career. Scholars will find this blend of academic and professional voices a compelling resource for further research.

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Product Details

  • Paperback: 280 pages
  • Publisher: Borgo Press (September 1, 2004)
  • Language: English
  • ISBN-10: 0809510715
  • ISBN-13: 978-0809510719
  • Product Dimensions: 6 x 9 x 0.6 inches
  • Shipping Weight: 15.5 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #1,967,972 in Books (See Top 100 in Books)

More About the Author

On October 24, 1988 in Oklahoma City, OK, at a suggestion from SF author C.J. Cherryh, I began writing. I kept writing because two hours after starting, I had to find out what happened. A little over a year later, I was the startled owner of a three book contract based on the rough draft of my first novel.

I've been writing ever since.

What appeals to me about writing in general is the constant challenge. I'm a generalist and writing is the one thing that will happily use every bit of information and experience you have to put into it. It's constant problem solving, method acting and soul-searching all rolled up into one 24/7 job.

What I love about writing SF/F is...everything. I love the optimism of believing there is a future for humanity. I love the challenge of imagining what that future might be. But most of all, I love the thrill of exploring that future with the interesting and courageous people I find living in it.

But SF/F has another, less obvious, appeal: the ability to write with a social conscience without preaching. It lets writers create worlds in which they can shed light on aspects of current society in a less charged environment. Its a way to help raise awareness without pointing fingers at anyone.

Yes, I have same gender relationships. Yes, I have gender-identification-challenged characters. Yes, sex and obsessive attraction are definitely issues in my books, as are power and its use and abuse. But the genre's one-step-removed perspective also lets me explore the human ramifications of a too-effective educational system (be careful what you wish for), or the curious problems of being siblings and growing up with the kind of misconceptions only close association can create, or what it means to a culture to lose an entire generation's knowledge.

Can you do this in contemporary fiction? Absolutely. But SF/F lets you add extreme ramifications...like what if those sibling misconceptions were suddenly stripped away with the ability to know exactly what those sibs were thinking? What if the educational system were so effective, the subsequent misinformation threatened the very fabric of the universe itself?

In my contemporary vampire fantasy...I hesitate to call it urban fantasy, because in all honesty, it hasn't the right tropes...I'm enjoying exploring the perspective of virtual immortality and what might make life worth living after three thousand years.

And with SF/F you can do all this while have a rip-roaring adventure! What more can a writer ask for?

My formal educational background is in Math, Physics, Astrophysics and Anthropology. I've raised and trained horses, flown planes, and at 51, took up figure skating. I love building things, from costumes to computers, model ships to koi ponds. I play a little guitar, some piano and like to sing.

I actually got started in the publishing world doing art. I worked on WaRP Graphics' Elfquest, helping with inking on the last few volumes of the original black and white, also helping with the colors in the original color volumes. After that, I moved on to my own project, an adaptation of C.J. Cherryh's first novel, Gate of Ivrel.

These days, after many years away from art, I find myself returning to it to do covers for my newest venture, Closed Circle Publications. A couple of years ago, C.J., Lynn Abbey and I decided to join the ebook movement and bring out both our orphaned backlist and some new works that weren't quite what NY was looking for but which our loyal readers were demanding.

I absolutely love hearing from my readers. My blog should echo here, but feel free to join us at:
http://www.janefancher.com/TheCaptainAndLime/

 

Customer Reviews

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52 of 55 people found the following review helpful:
5.0 out of 5 stars An exciting moment for Cherryh fans, March 11, 2005
This review is from: The Cherryh Odyssey (Paperback)
Prominent speculative fiction journal Locus Magazine, in choosing this book as recommended reading this year, noted this is probably only the first of the books on this subject: prolific science fiction author par excellence, C. J. Cherryh. If this is so, I look forward to the next, and hope they are as well done as Edward Carmien's gathered collection of essays.

To me, diversity is one of the strongest points of this book. Essayists run the gamut from Cherryh writing companion Jane Fancher, science fiction reviewer and author John Clute, and publisher Betsy Wollheim to more academic writers such as Susan Bernando and Carmien himself. There's a touching and personal introduction by science fiction artist (and Cherryh's brother) David Cherry, who also contributed the cover art. The essays straddle Cherryh's fantasy and science fiction, taking care to include some of her earliest novels to her very latest--and better still, I found Carmien to be quite gutsy in his choice to include a few essays that were not entirely positive. In fact, I found those pieces to be some of the more thought-provoking in the book, and even in the midst of their frank manner they highlight some of the best aspects of Cherryh's style.

I was delighted to find two essays devoted to CYTEEN, my favorite Cherryh work. Susan Bernando did an outstanding job in her essay "Of Emorys and Warricks: Self-Creation in Cyteen" and despite some gushiness revolving around the field of psychology, Elizabeth Romey did more-than-adequate justice to her topic, "Dr. Ariane Emory, Sr.: Psychopath-or Savior?" I've gotten something out of CYTEEN each time I've read it (one of the few books I've read multiple times, and not for the last time), but these two essays brought new facets to light, for further pondering.

Preceding an extensive Cherryh bibliography, Carmien's own piece ends the essay section of the book. He covers interesting tidbits such as Cherryh's early history with DAW, how she feels her science fiction does in the marketplace as opposed to her fantasy work, Cherryh's financial viability as a writer, and women characters in her fiction.
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5 of 6 people found the following review helpful:
5.0 out of 5 stars Fascinating look at my favorite Author, December 31, 2005
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This review is from: The Cherryh Odyssey (Hardcover)
The Cherryh Odyssey is a very interesting collection of essays about my favorite author and her work.
This is kind of a scholarly book, but if you fall into any of the following categories, it is a book you should read.
A fan of the writings of CJ Cherryh.
Interested in Science Fiction and Fantasy as literature.
Interested in the change in the role of women in literature and society since the mid 1970's.
Interested in the role of Science in literature and literature in science.
Interested in the writing industry and how it has changed in the last thirty years.
I loved this book even when I vehemently disagreed with some of the essayist.
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