"The fictional worlds of Chesterton and Tolkien are not only theological but also deeply Augustinian: they show us universes in which creatures exchange gifts with one another and with God. So argues Alison Milbank, with verve and brilliance, in this finely conceived and beautifully written book."
Kevin Hart, The University of Virginia
(Kevin Hart )
"Sure to be sought out by Tolkien and Chesterton aficionados."
(
Publishing News )
"Neither Chesterton nor Tolkien has received the quality of critical attention their work deserves, but Alison Milbank's remarkable book - as good as anything that has been written so far about either author - does much to remedy that deficiency. So far the field of Chesterton and Tolkien criticism has largely been divided between fierce celebrants and equally fierce detractors, and almost all parties seem to have missed the rich cultural and intellectual contexts from which these authors' works grow. By exploring these contexts - the Catholic encounter with modernity, the conscious and unconscious preservation of ancient folk traditions, the 'fair and perilous' land of Faery - Milbank performs a great service for these writers and their many readers."
(Alan Jacobs )
"In this enjoyable book the imaginary worlds of Chesterton and Tolkien are explored in order to show their shared basis in a dynamic theology of creation and incarnation, an essential aspect in the revival of Christian imagination today."
Benedicta Ward SLG, Reader in Christian Spirituality, Oxford University, UK
(Benedicta Ward SLG, Reader in Christian Spirituality, Oxford University, UK )
'a fascinating discussion of the moral obligations implicit in Tolkien's world...a stimulating read.'
Raymond Edwards, The Tablet
(
Tablet, The )
"Alison Milbank, of the University of Nottingham, aims to show how Chesterton's theology, and especially his ideas on faërie, influenced Tolkien's writing. This interesting subject produces no leisurely read, but a sophisticated analysis of the thought and works of both authors. Milbank expertly compares the writer's ideas on imagination, the grotesque, paradoxes, and the idea of the gift. This is hardly traditional theology!...it should be considered essential for academic libraries supporting graduate work in English literature." - Daniel Boice,
Catholic Library World, September 2008 (Daniel Boice
Catholic Library World )
"The astonishingly high cost of this slim volume is unfortunate, and will limit its availability..." - Daniel Boice, Catholic
Library World, September 2008 (Daniel Boice
Catholic Library World )
"I would like to think that Milbank's outstanding book, if it achieves nothing else, will make [fans] return to The Lord of the Rings with an enhanced appreciation for the depth, complexity and purpose of the world he created; and maybe, just maybe, entice some of them to the Chestertonian well from which it sprang." - Waterstone's Watford, www.waterstones.com
"Milbank has gifted us with what may well become our finest study of these Catholic artists in their unique relation not only to each other but also to our imagination-starved churches and culture." First Things: The Journal of Religion, Culture and Public Life
Mention --
Theology Digest, Summer 2006
'The achievement of this brilliant book is to show the truth of the Chestertonian paradox that is its subtile.' Theology, May 2009
"Alison Milbank most ably demonstrates in her fascinating and illuminating book [that both Chesterton and Tolkein are theologians] ... Her purpose in making a comparitive study of the two writers, one so celebrated, one so sadly neglected ... is an immensely rewarding exercise, conducted with deftness and deep learning, and productive of more insights than a brief review can acknowledge... The achievement of this brilliant book is to show the truth of the Cherstertonian paradox that is its subtitle." - John Pridmore, Theology, Vol. CXII No. 867, May/June 2009
(J. Pridmore
Theology )
'Milbank provides a fascinating and insightful perspective on the theological application of fantasy and fiction, as seen in the writings of Tolkien and Chesterton. She introduces a metho 92:1d that can be helpful for Christian spirituality as well as the study of theology and literature. As Austin Farrer states, new understandings require new images. In this regard, the writings of Chesterton and Tolkien provide a much-needed renewal as they counter "the loss of sign-making capacity" and the "draining of shared meaning from cultural discourse in the twentieth century".' --Robert B. Slocum, St. Catherine College,
Anglican Theological Review (
Anglican Theological Review )
"The fictional worlds of Chesterton and Tolkien are not only theological but also deeply Augustinian: they show us universes in which creatures exchange gifts with one another and with God. So argues Alison Milbank, with verve and brilliance, in this finely conceived and beautifully written book."
Kevin Hart, The University of Virginia
(, )
"Neither Chesterton nor Tolkien has received the quality of critical attention their work deserves, but Alison Milbank's remarkable book - as good as anything that has been written so far about either author - does much to remedy that deficiency. So far the field of Chesterton and Tolkien criticism has largely been divided between fierce celebrants and equally fierce detractors, and almost all parties seem to have missed the rich cultural and intellectual contexts from which these authors' works grow. By exploring these contexts - the Catholic encounter with modernity, the conscious and unconscious preservation of ancient folk traditions, the 'fair and perilous' land of Faery - Milbank performs a great service for these writers and their many readers."
(, )
“In this enjoyable book the imaginary worlds of Chesterton and Tolkien are explored in order to show their shared basis in a dynamic theology of creation and incarnation, an essential aspect in the revival of Christian imagination today.”
Benedicta Ward SLG, Reader in Christian Spirituality, Oxford University, UK
(, )
“Alison Milbank, of the University of Nottingham, aims to show how Chesterton’s theology, and especially his ideas on faërie, influenced Tolkien’s writing. This interesting subject produces no leisurely read, but a sophisticated analysis of the thought and works of both authors. Milbank expertly compares the writer’s ideas on imagination, the grotesque, paradoxes, and the idea of the gift. This is hardly traditional theology!…it should be considered essential for academic libraries supporting graduate work in English literature.” - Daniel Boice,
Catholic Library World, September 2008 (,
Catholic Library World )
“The astonishingly high cost of this slim volume is unfortunate, and will limit its availability…” - Daniel Boice, Catholic
Library World, September 2008 (,
Catholic Library World )
"I would like to think that Milbank’s outstanding book, if it achieves nothing else, will make [fans] return to The Lord of the Rings with an enhanced appreciation for the depth, complexity and purpose of the world he created; and maybe, just maybe, entice some of them to the Chestertonian well from which it sprang." - Waterstone's Watford, www.waterstones.com
Mention –
Theology Digest, Summer 2006
"Alison Milbank most ably demonstrates in her fascinating and illuminating book [that both Chesterton and Tolkein are theologians] ... Her purpose in making a comparitive study of the two writers, one so celebrated, one so sadly neglected ... is an immensely rewarding exercise, conducted with deftness and deep learning, and productive of more insights than a brief review can acknowledge... The achievement of this brilliant book is to show the truth of the Cherstertonian paradox that is its subtitle." - John Pridmore, Theology, Vol. CXII No. 867, May/June 2009
(,
Theology )
