Following on the heels of the Harlem Renaissance, the Chicago Renaissance was a resonant flourishing of African American arts, literature, theatre, music, and intellectualism, from 1930 to 1955. Anne Meis Knupfer's "The Chicago Black Renaissance and Women's Activism" demonstrates the complexity of black women's many vital contributions to this unique cultural flowering. The book examines various groups of black female activists, including writers and actresses, social workers, artists, school teachers, and women's club members to document the impact of social class, gender, nativity, educational attainment, and professional affiliations on their activism. Together, these women worked to sponsor black history and literature, to protest overcrowded schools, and to act as a force for improved South Side housing and employment opportunities. Knupfer also reveals the crucial role these women played in founding and sustaining black cultural institutions, such as the first African American art museum in the country; the first African American library in Chicago; and various African American literary journals and newspapers. As a point of contrast, Knupfer also examines the overlooked activism of working-class and poor women in the Ida B. Wells and Altgeld Gardens housing projects.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars
A groundbreaking work,
By AfroAmericanHeritage (Wisconsin) - See all my reviews
This review is from: The Chicago Black Renaissance and Women's Activism (Paperback)
The Chicago Black Renaissance was a revitalization of black expressive arts and community activism rooted in a pan-African identity which blossomed during the 1930's to the 1960's in Chicago's "Black Belt" - or, as residents preferred, "Bronzeville." It was also a tumultuous period in which longtime urban black Chicagoans were faced with assimilating thousands of rural migrants from the South.The lens through which Knupfer examines the Renaissance is women's activism: as club members and individuals, as reformers of schools and libraries, builders of art and community centers, ministers, writers, politicians and more. They were highly successful in some areas; for example, the nation's oldest WPA arts center, South Side Community Art Center, continues to offer classes and host exhibitions, while the "Special Negro Section" begun in 1932 by the first black librarian in the Chicago Public Library system has evolved in the Vivian G. Harsh Research Collection of Afro-American History & Literature, one of the largest collections of African American historical documents in the nation. But the book also explores the failures and disappointments, which can be instructive to contemporary activists. One of the most fascinating chapters for me was "Women's Activism in Public Housing" which explores the neglected topic of women's involvement in tenant associations and other public housing groups. This is a groundbreaking book, but as the author asserts, there is much more research yet to be done. In aid of this she suggests dissertation topics and provides two resources in the appendices: an annotated list of more than 200 women whose names are found in local black newspapers, archives and bibliographic sources, and a list of Chicago Black Southside community organizations and their addresses, 1930-1960. I'd recommend this engaging and highly readable book to those interested in Chicago history in general, and Women's or African American studies in particular. AfroAmericanHeritagedotcom
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The fact that the Chicago Black Renaissance thrived for three decades is nothing short of astonishing. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
restrictive covenant associations, interracial practices, social protest organizations, other clubwomen, black community institutions, black clubwomen, destination freedom, tenant women, black community organizations, black female workers, female tenants, black sororities, public housing residents, wartime workers, interracial organizations, intercultural education Key Phrases - Capitalized Phrases (CAPs): (learn more)
Wells Homes, Altgeld Gardens, Hall Library, University of Chicago, World War, Parkway Community House, Chicago Defender, Langston Hughes, Chicago Black Renaissance, Horace Cayton, Richard Wright, Provident Hospital, Skyloft Players, Woodson Regional Library, Margaret Goss Burroughs, Olander Homes, Chicago Sunday Bee, Wendell Phillips High School, Archibald Carey, Charlemae Rollins, Fern Gayden, Gwendolyn Brooks, Japanese American, Katherine Dunham, South Parkway New!
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
The fact that the Chicago Black Renaissance thrived for three decades is nothing short of astonishing. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
restrictive covenant associations, interracial practices, social protest organizations, other clubwomen, black community institutions, black clubwomen, destination freedom, tenant women, black community organizations, black female workers, female tenants, black sororities, public housing residents, wartime workers, interracial organizations, intercultural education Key Phrases - Capitalized Phrases (CAPs): (learn more)
Wells Homes, Altgeld Gardens, Hall Library, University of Chicago, World War, Parkway Community House, Chicago Defender, Langston Hughes, Chicago Black Renaissance, Horace Cayton, Richard Wright, Provident Hospital, Skyloft Players, Woodson Regional Library, Margaret Goss Burroughs, Olander Homes, Chicago Sunday Bee, Wendell Phillips High School, Archibald Carey, Charlemae Rollins, Fern Gayden, Gwendolyn Brooks, Japanese American, Katherine Dunham, South Parkway New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
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