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Editorial Reviews
Their smash hit sophomore double album with bonus single versions of Make Me Smile and 25 or 6 to 4 !
Customer Reviews
Most Helpful Customer Reviews
81 of 83 people found the following review helpful
Format:Audio CD
Along with Chicago Transit Authority, Chicago (the "official" name of this CD is Chicago, not Chicago II,) represents early Chicago at its very best, seven very good musicians playing a jazzy mix of horn-influenced rock and roll. In later years Chicago became known for producing popular "power ballads," but early Chicago, with Terry Kath's driving guitar, was very much a rock and roll band. On this CD, Chicago flexes its musical muscle in such suites as "Ballet for a Girl in Buchannon," which feature the hits "Make Me Smile," and "Colour My World," as well as "25 or 6 to 4." Another suite "It Better End Soon," is a protest movement and ends with the simple, but very effective "Where Do We Go From Here." "In the Country," features the great Terry Kath, one of rock and roll's most under-rated guitarist of all time. Every song is good, and the CD as a whole represents some remarkable work by a very talented group.
Rhino is in the process of remastering Chicago's catalogue, and on this issue, they have included two bonus tracks, the single versions of "Make Me Smile," and "25 or 6 to 4." They also did a very nice job with the packaging, adding a 16-page booklet with commentary by the band and some rare photos. Highly recommended.
Rhino is in the process of remastering Chicago's catalogue, and on this issue, they have included two bonus tracks, the single versions of "Make Me Smile," and "25 or 6 to 4." They also did a very nice job with the packaging, adding a 16-page booklet with commentary by the band and some rare photos. Highly recommended.
25 of 26 people found the following review helpful
Format:Audio CD
As a huge fan of Chicago's blistering acid jazz rock from 1969-1972 (Chicago Transit Authority through V), it is hard to select a favorite from this incredibly creative peak, although this 1970 album always seems to come up.
I think that all of the albums from this period had distinct personalities and this one seemed to me to be the most classically influenced. Of course, this was big band style jazz rock (with an emphasis on the rock), punctuated by Terry Kath's searing guitar work, and blasts from the horns, so using terms like classical to describe this music might be a bit of a stretch. However, some of the pieces have classical overtones - the intro to Poem for the People and the obvious choice Prelude/AM Mourning/PM Mourning, which is a classical piece through and through (that borders on modern classical at points). There is also the presence of very sophisticated and lengthy multi-movement suites (Ballet for a Girl in Buchanan; It Better End Soon). In fact, upon reading through the liner notes, it became clear to me that the guys were very interested in writing "serious" pieces that followed in the style of the famous classical composers - for example, Walter Pankow had been listening to Bach's Brandenburg Concertos, which inspired his beautiful piece Colour My World. Certainly, efforts like these were being undertaken in England by a number of rock groups, yet with much different results.
All of the guys in Chicago were incredible musicians and the ensemble work on the album Chicago (I am resisting the impulse to call this Chicago II, although that is what I used to think of it as) is just phenomenal. The guys knew how to really COMPOSE a proper piece of music. Counterpoint, melodies, harmonies, and the use of sophisticated meters are all used very well and make this album an extremely interesting listening experience. The guys were great vocalists too and they used the differences in the texture of their voices very well - for example, Terry sang the heavier pieces, while Peter sang the "sweeter", more melodic songs etc. The dynamic range is fairly broad too and ranges from the delicate acoustic textures of Prelude/AM Mourning/PM Mourning, through the spacey Hammond organ intro of Fancy Colours, to the blazing rock piece 25 or 6 to 4. Then there is the use of instrumentation: great horn arrangements, searing electric guitar, Peter's fantastic bass playing (he is criminally underrated); Danny Seraphines great drumming...whew, this is great stuff.
The remastering job by Rhino is fantastic and there are now a ton of liner notes and photos to go along with the original album art. Although I do miss my old vinyl version of Chicago...II, this remastered version is of very high quality and has fantastic sound quality.
All in all, this is an incredible album that contains music written by Chicago during their creative peak. Very highly recommended along with Chicago Transit Authority (1969); Chicago III (1971); the live Chicago IV (1971); and Chicago V (1972).
I think that all of the albums from this period had distinct personalities and this one seemed to me to be the most classically influenced. Of course, this was big band style jazz rock (with an emphasis on the rock), punctuated by Terry Kath's searing guitar work, and blasts from the horns, so using terms like classical to describe this music might be a bit of a stretch. However, some of the pieces have classical overtones - the intro to Poem for the People and the obvious choice Prelude/AM Mourning/PM Mourning, which is a classical piece through and through (that borders on modern classical at points). There is also the presence of very sophisticated and lengthy multi-movement suites (Ballet for a Girl in Buchanan; It Better End Soon). In fact, upon reading through the liner notes, it became clear to me that the guys were very interested in writing "serious" pieces that followed in the style of the famous classical composers - for example, Walter Pankow had been listening to Bach's Brandenburg Concertos, which inspired his beautiful piece Colour My World. Certainly, efforts like these were being undertaken in England by a number of rock groups, yet with much different results.
All of the guys in Chicago were incredible musicians and the ensemble work on the album Chicago (I am resisting the impulse to call this Chicago II, although that is what I used to think of it as) is just phenomenal. The guys knew how to really COMPOSE a proper piece of music. Counterpoint, melodies, harmonies, and the use of sophisticated meters are all used very well and make this album an extremely interesting listening experience. The guys were great vocalists too and they used the differences in the texture of their voices very well - for example, Terry sang the heavier pieces, while Peter sang the "sweeter", more melodic songs etc. The dynamic range is fairly broad too and ranges from the delicate acoustic textures of Prelude/AM Mourning/PM Mourning, through the spacey Hammond organ intro of Fancy Colours, to the blazing rock piece 25 or 6 to 4. Then there is the use of instrumentation: great horn arrangements, searing electric guitar, Peter's fantastic bass playing (he is criminally underrated); Danny Seraphines great drumming...whew, this is great stuff.
The remastering job by Rhino is fantastic and there are now a ton of liner notes and photos to go along with the original album art. Although I do miss my old vinyl version of Chicago...II, this remastered version is of very high quality and has fantastic sound quality.
All in all, this is an incredible album that contains music written by Chicago during their creative peak. Very highly recommended along with Chicago Transit Authority (1969); Chicago III (1971); the live Chicago IV (1971); and Chicago V (1972).
18 of 18 people found the following review helpful
Format:DVD Audio
On the inside liner notes to the album, the band writes, "With this album, we dedicate ourselves, our futures and our energies to the people of the revolution ... And the revolution in all its forms." (I think the band changed its original name from Chicago Transit Authority to Chicago because the real Chicago Transit Authority, which actually operated trains and busses, didn't want their name attached to such a radical band!) From there on out, Chicago slowly drifted into assaulting us with lighter pop music. Such is life!
But Chicago I (actually "Chicago Transit Authority") and Chicago II (actually named just "Chicago") are both rock masterpieces, blending rock and horn driven jazz into a perfect union. "CTA" is a pure rock album, with a dominating base line, somewhat distorted guitar, some really great drum work, with the horns being used for ambience like a synthesizer or for punctuation.
With Chicago II, the band shows amazing growth as composers and musicians. The horns and woodwinds are allowed to take the lead, the music is easier listening, and the band braves soft rock classis such as "Colour My World" and "Wake Up Sunshine," and the jazzy "Fancy Colours." But, the album also contains some great rock, including the FM/AOR staple "25 Or 6 To 4."
Unlike many albums, this album is not simply a collection of singles, and contains three extended suites, including two with titles, "Ballet for a Girl in Buchannon" and "It Better End Soon," and one group of songs including "Prelude," "AM Mourning," "PM Mourning," and Memories of Love." Each is in a very different style. The "Ballet" is the best known section, containing mostly soft rock ballads of the type which would become Chicago's forte in later albums. "It Better End Soon" contains some hard core jazz, while the "Mourning" suite is virtually a classical piece of music. It does take an eclectic and varied taste in music to enjoy the entire album.
Why Buy the DVD-Audio? When the CD format was released, it was marketed as being perfectly true to the original master tapes. No skips, no record noise, no wow and flutter, and perfectly flat from the lowest notes to the highest notes a human can hear. What we got was 20 years of music which was synthesized, mechanical, cold, brittle, dry and fatigue inducing. CDs simply don't contain enough data to get the sound right. DVD-Audio (and SACDs which go back to the master tape) fix this problem. In addition, instead of two tracks, this DVD contains 5.1 channels of Dolby Digital music which can be played on all DVD players as well as higher resolution stereo and surround tracks for a DVD Audio player. You get to sit in the middle of the band. And the sound is marvelous. An A/B comparison with the CD reveals a midrange which is cleaned up immeasurably. This album contains real live horns and woodwinds. The brass sounds like brass instead of tin, and the vocals sound human instead of like a clock radio. Well worth the price of admission.
But Chicago I (actually "Chicago Transit Authority") and Chicago II (actually named just "Chicago") are both rock masterpieces, blending rock and horn driven jazz into a perfect union. "CTA" is a pure rock album, with a dominating base line, somewhat distorted guitar, some really great drum work, with the horns being used for ambience like a synthesizer or for punctuation.
With Chicago II, the band shows amazing growth as composers and musicians. The horns and woodwinds are allowed to take the lead, the music is easier listening, and the band braves soft rock classis such as "Colour My World" and "Wake Up Sunshine," and the jazzy "Fancy Colours." But, the album also contains some great rock, including the FM/AOR staple "25 Or 6 To 4."
Unlike many albums, this album is not simply a collection of singles, and contains three extended suites, including two with titles, "Ballet for a Girl in Buchannon" and "It Better End Soon," and one group of songs including "Prelude," "AM Mourning," "PM Mourning," and Memories of Love." Each is in a very different style. The "Ballet" is the best known section, containing mostly soft rock ballads of the type which would become Chicago's forte in later albums. "It Better End Soon" contains some hard core jazz, while the "Mourning" suite is virtually a classical piece of music. It does take an eclectic and varied taste in music to enjoy the entire album.
Why Buy the DVD-Audio? When the CD format was released, it was marketed as being perfectly true to the original master tapes. No skips, no record noise, no wow and flutter, and perfectly flat from the lowest notes to the highest notes a human can hear. What we got was 20 years of music which was synthesized, mechanical, cold, brittle, dry and fatigue inducing. CDs simply don't contain enough data to get the sound right. DVD-Audio (and SACDs which go back to the master tape) fix this problem. In addition, instead of two tracks, this DVD contains 5.1 channels of Dolby Digital music which can be played on all DVD players as well as higher resolution stereo and surround tracks for a DVD Audio player. You get to sit in the middle of the band. And the sound is marvelous. An A/B comparison with the CD reveals a midrange which is cleaned up immeasurably. This album contains real live horns and woodwinds. The brass sounds like brass instead of tin, and the vocals sound human instead of like a clock radio. Well worth the price of admission.
Most Recent Customer Reviews
5.0 out of 5 stars
Nearly the beginning
For young listeners, Chicago may be that band that plays a lot of love songs. But they should know that the band's first two albums were diverse--musically and politically--and... Read more
Published 9 days ago by Martin H. Franzen
5.0 out of 5 stars
music lives on
first chicago album I bought wore it out tried to replace it forever found it on amazon .com & ordered it when it came first thing I did was listen to it amd returned to 1970 again... Read more
Published 2 months ago by carl streim
2.0 out of 5 stars
Great album, STILL sounds awful...
I am old enough to have bought this when it came out in 1970. Chicago's first album was fantastic and sounded great. What happened when they recorded this, their second one? Read more
Published 2 months ago by Cactus Ed
5.0 out of 5 stars
Their Best
CHICAGO II is their best effort. Great songs and sounds. Their brass section never sounded better after this album and the slings are memorable.
Published 3 months ago by Norman W. Lesperance
5.0 out of 5 stars
Wakke up Sunshine
The album mny older brother usedvto play Before school, with his old Fisher speakers, that had 15-inch woofers, that made stuff slide off of MY closet shelf!
Published 3 months ago by Charles Schulan
5.0 out of 5 stars
The Best Chicago.
BEST ALBUM THEY MADE. TERRY KATH WAS EXTRAORDINARY AND THE BRASS WAS USED A LOT TO GREAT EFFECT. LOVE THIS ALBUM.
Published 4 months ago by piadropiata
5.0 out of 5 stars
CH2
The Kath years were the best years. Lots say it, so do I. Passion, experimentation, a reining-in of Cetera, and magnificent brass arrangements. Read more
Published 4 months ago by Bret Hart
5.0 out of 5 stars
I GOT SIX WORDS FOR YA
BALLET FOR A GIRL IN BUCHANaN-This sprawling 7 song cycle is enough reason to plop down yer $3.99 for this. The following seven songs make it up:
1. Read more
1. Read more
Published 5 months ago by dee's sososikwitit
5.0 out of 5 stars
CTA : One of the best bands ever !!!!
I am a lifetime Chicago fan, and I thought this album was very innovative. Chicago is one of the most accomplished bands ever. Read more
Published 5 months ago by Warpdrive
5.0 out of 5 stars
Once Upon a Time, Chicago Was a Great Band
It may come as a surprise to many people, say anyone born after the early '60s, that once upon a time Chicago was a great band. Read more
Published 5 months ago by RealityWizard
