9 of 9 people found the following review helpful:
5.0 out of 5 stars
one of the best "lost" albums ever uncovered in the realm of heavy, underground music, February 18, 2006
DOOM HISTORY HERE FOLKS! And not just that, it's a fantastic album.
So what's all the fuss about Bedemon? Well some of you may be familiar with the band Pentagram from Maryland, who have about a 30+ year history, going on 40 in fact. Well Bedemon are essentially an obscure but very worthwhile footnote to Pentagram's history, being the "solo" recording project of original '70s Pentagram guitarist Randy Palmer, the majority of this recorded circa 1973-74 with a few tracks from a 1979 Bedemon session as well. They never played out, or even released any records. Bedemon were more of a practice room, basement-recording project that involved Palmer and friends, including the other members of Pentagram, most significantly the uniquely talented vocalist Bobby Liebling who sings on all of these cuts. It was just a way for Palmer to get his own songwriting down on tape, stuff that wasn't recorded by Pentagram. It's totally in the same vein as Pentagram though, if anything MORE dark and doomy than Pentagram's '70s output. Very heavy, and heavily Black Sabbath influenced, also with echoes of Blue Cheer, Randy Holden's Population II, and Iggy & The Stooges (the track "Time Bomb" is very Stoogey, in a way similiar to Pentagram's "Last Days Here"). And for '73, this is definitely about as heavy as it gets, Sabbath and Pentagram themselves excepted. There's so many great tracks on here, each one more sorrowful and wrought with doomful emotion than the next, all of 'em throbbing and (awesomely) distorted. Yes, the quality of these rehearsal tape recordings is downright grungey and murky, but in my opinion that isn't a distraction nor a detraction. In fact, it only makes this better, totally capturing that spirit and raw energy of jamming in the garage for your own enjoyment. And it also sounds doomier that way too.
Hands down, Randy Palmer wrote some of the best Pentagram songs, and many of these are just as good. Some of his riffs absolutely lay to waste those of his contemporaries. Just imagine if Palmer had decided to promote his doom skills rather than keep them for the most part to himself. Holy sh-t. At least we have this, one of the best "lost" albums ever uncovered in the realm of heavy, underground music.
Sadly, Palmer died in a tragic car accident just a few years ago, so the official release of this material at long last is also something of a tribute to his memory. Some of this stuff has been bootlegged before, but this legit release has been done with the blessings of Randy's survivors and the input of the other Bedemon musicans. There's even a Wes Benscoter cover painting based on Palmer's own hand-sketched ideas, as well as lots of photos, a Bedemon history written by Palmer before he was killed, and some very fascinating, detailed, and heartfelt liner notes from fellow Bedemon/Pentagram bandmate Geof O'Keefe.
Essential to all true fans of Pentagram, and also to anyone into heavy '70s Sabbathy psychedelic garagey proto-metal!!
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5 of 5 people found the following review helpful:
3.0 out of 5 stars
American proto-metal you gotta hear!!, November 16, 2006
If you are reading this,I'm presuming you know that this was essentially a shoot-off of Pentagram,lead by late musician/author (loved his book on H.G.Lewis)Randy Palmer.This is indeed proto-metal,for its time almost as heavy(and definitely as dark!) as Sabbath.Really,their are a lot of raw riffs here for you disciples of the heavy!
Why only 3 stars? A lot of this is really,really rough sounding - not enough to pass up,but it should be mentioned just the same.One last comment: this is easily heavier than what Pentagram was doing during this time period(if not ever!)
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4 of 4 people found the following review helpful:
5.0 out of 5 stars
incredibly dark doom music you should own, August 5, 2007
Bedemon's "Child of Darkness" is nihilistic doom at it's finest. It's even darker than Pentagram's "First Daze Here" collection. If you like Pentagram, you will love Bedemon (Bedemon was an offshoot of Pentagram). The darkness of the album is shocking considering it was composed at a time when Nixon was still in the White House and Woodstock was just four years in the past. The quality is a bit rough as the tracks weren't recorded in a studio but the roughness if anything adds to the ambiance of "Child of Darkness," rather than detracts from it. Most of the songs, such as "Child of Darkness," "Enslaver of Humanity," Frozen Fear,"One-Way Road," "Serpent Venom," "Into the Grave," "Nightime Killers," are incredibly loud. Others, like "Skinned" and "Through the Gates of Hell," are quieter but still very dark (both songs have very gloomy and nihilistic lyrics. Thorough liner lyrics provide lyrics and band members' views of each song. There are some Sabbath "yeah" screams too! Buy this album.
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