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Children of Kali: Through India in Search of Bandits, the Thug Cult, and the British Raj
 
 
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Children of Kali: Through India in Search of Bandits, the Thug Cult, and the British Raj [Hardcover]

Kevin Rushby (Author)
4.3 out of 5 stars  See all reviews (7 customer reviews)


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Book Description

April 1, 2003
In the early 1800s, the greatest criminal gang in history operated throughout India. Its members were inspired by religious fanatics and came from many faiths, yet they worshiped one goddess, Kali. In her name, they murdered more than one million Indian travelers—all without spilling a drop of blood. Their weapon was the handkerchief, their sacrament sugar, and the gang was supposedly eradicated by the British in the 1830s.

Today, a modern-day bandit named Veerappan is India’s most-wanted man and most notorious criminal, responsible for more than one hundred murders. Some say he is a freedom fighter, others that he is a vicious killer. Still at large in the jungles of southwestern India, he avoids capture, his followers claim, by magical powers.

In Children of Kali, Kevin Rushby researches these two criminal legends, both of which have been distorted and misused by those in power. As intrepid an investigator as he is an elegant writer, Rushby recounts his quest both to gain a meeting with Veerappan and to untangle the legends of the Thug Cult and the British policeman, William Sleeman, responsible for its suppression. He visits prisons and gangster hideouts, exploring the nature of crime and punishment in a country where good and evil may be as murky as the Ganges.

A compelling blend of travel journalism and history, infused with Rushby’s infectious spirit and with memorable characters, Children of Kali connects past with present and reexamines the legacy of the British Raj.

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Editorial Reviews

From Publishers Weekly

Over the course of centuries, the Indian thug cult (thug is a Hindi word meaning "deceiver") murdered an estimated one million travelers before it was eradicated by the British Raj. Today, notorious, murderous bandit Veerappan similarly plagues the established order. English writer Rushby (Hunting Pirate Heaven, etc.) charmingly narrates his pursuit of both Veerappan (who still eludes security forces, as related in last year's Veerappan [Ecco], by Sunaad Raghuram, and remnants of the thugs, a legendary association whose members strangled in honor of the goddess Kali. Rushby vividly depicts figures like William Henry Sleeman, the British officer who in the 1830s and '40s "hunted down and captured over 3,000 thugs," who were hanged, transported or imprisoned for life. Accounts of Sleeman's exploits titillated British readers, tarred Indians as deceitful savages and helped lead to the punitive Criminal Tribes Act of 1871, based on the idea that criminality was hereditary. Overall, Rushby terms the reaction to the thugs bigoted, "unbalanced and unjust." In addition to history, the author provides a robust travel narrative, with humorous detours (he lodges in a monkey-infested hotel) and unsettling moments (a menacing evening with rural policemen in a violent, corrupt region) and memorable figures, such as a gangster-turned-social worker and a ganja-smoking holy man who confirms Kali's continued covert importance in Indian life as a symbol of positive power rather than violence. A pleasure to read, this is a droll portrait of a lively, fevered contemporary India by a writer attuned to colonialism's ironies. 26 color illus., 1 map not seen by PW.
Copyright 2003 Reed Business Information, Inc.

From Booklist

Previously in pursuit of a famous diamond (Chasing the Light, 2000), travel writer Rushby alighted upon a modern-day bandit as his follow-up subject. Suaad Raghuram presents this still-at-large forest-dwelling Indian bandit in true-crime fashion in Veerappan (2002), but for Rushby, Veerappan is an entree to India's world of ritualistic murder. A sect suppressed by a Briton colonial named William Sleeman bequeathed to English the word thug, and both man and word are Rushby's intended destinations. However, at journey's end, as sacrificial blood from a beheaded goat spatters the author, readers will realize that the detours to Hindu temples, crumbling forts, gangsters' lairs, and dilapidated hotels have been the plan all along. With well-traveled acumen about India, Rushby relates surprises and incidents of the road, strangers met and befriended, in vivid vignettes that collectively encapsulate India's multifaceted look. Caste, history, Hinduism, customs--Rushby provides a pungent experience that connoisseurs of travelogues will savor. Gilbert Taylor
Copyright © American Library Association. All rights reserved

Product Details

  • Hardcover: 292 pages
  • Publisher: Walker & Company; First Printing edition (April 1, 2003)
  • Language: English
  • ISBN-10: 0802714188
  • ISBN-13: 978-0802714183
  • Product Dimensions: 9.6 x 6.3 x 1.1 inches
  • Shipping Weight: 1.4 pounds
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #1,159,421 in Books (See Top 100 in Books)

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Customer Reviews

7 Reviews
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Average Customer Review
4.3 out of 5 stars (7 customer reviews)
 
 
 
 
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11 of 11 people found the following review helpful:
5.0 out of 5 stars A must read investigative travelouge, September 22, 2005
By 
This review is from: Children of Kali: Through India in Search of Bandits, the Thug Cult, and the British Raj (Hardcover)
Anybody interested in Modern India, I urge you to read "Children of Kali" by Kevin Rushby from several points of views:

1. How we get what we seek:
Kevin went to India in search of thugs and decoits, while Maddy (a character in the book) went to India in quest of happiness. See what each one got, and how this simple concept of "we get what we seek" revealed to Kevin at Sangam.

2. Real history of modern times:
The history of north and central India during East India company, Raj and after wee hours of independence is not taught to us, Indians in schools as it should be. Read how Kevin unearths it.

3. Travelogue:
How we all have very similar experiences as Kevin had in India, except he logs it in a superb fashion.

4. Objectivity:
If you are from India (a non-resident Indian, like me), see the places you grew up from an objective eye. Not necessarily an English eye, but an eye of a just seeker, Kevin that is!

5. Style:
I absolutely love the modern style of story-telling that is weaved with real facts and ground-level research. Just to examine this aspect, the book is worth reading.

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6 of 6 people found the following review helpful:
5.0 out of 5 stars a bibliomaniac, December 6, 2005
By 
A. Weis (OKC, OK USA) - See all my reviews
(REAL NAME)   
This review is from: Children of Kali: Through India in Search of Bandits, the Thug Cult, and the British Raj (Hardcover)
I was expecting a much darker(creepy?) book from what I had read of the excerpt from the synopsis given by the bookstore. It turned out to be a very humorous travel log by Kevin Rushby's search of the Thug Cult. There are many entertaining encounters with the people in India, great descriptions of the food there, atrocious hotel rooms, the hustle and bustle of a very populated country - all a very informative and highly entertaining look of a Brit with a wonderful sense of humor travelling through ancient India. If you enjoy cooking or travel essays, this book's a keeper.
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5 of 6 people found the following review helpful:
4.0 out of 5 stars Very interesting topic and travels but...., August 23, 2006
By 
K G R "K G R" (Arlington, VA USA) - See all my reviews
(VINE VOICE)   
This review is from: Children of Kali: Through India in Search of Bandits, the Thug Cult, and the British Raj (Hardcover)
This book deals with some very interesting, yet somewhat disparate topics. Rushby's travelogue/history was apparently inspired by his learning of the British colonial administrator Sleeman, who allegedly eliminated the thuggees from India. He travels across India to investigate the thuggees, but somehow mixes them up with Indian bandits, gangsters, and assorted mischief-makers. His biggest problem is his tendency to write in a stream-of-conscious style that is confusing. He jumps around from different places, to different topics, switches between travelogue, history, and commentary, without effectively transitioning and explaining himself. At times he refers to phenomena, places and people without any explanation of who or what they are. With just a little better writing and editing, this could have earned five stars.
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