From Publishers Weekly
Zha, who was born and raised in Beijing, examines the ways in which the proliferation of pop culture and mass media is changing traditional Chinese society.
Copyright 1996 Reed Business Information, Inc.
From Library Journal
As one who fundamentally believes that culture, not economics, will "save" China, Zha (a Chinese journalist who now lives in Chicago and works for the Center for Transcultural Studies) writes about how popular culture has developed in Beijing, China's cultural capital. She discusses the major individuals involved in the production of the nation's most popular soap opera, Yearning; the development of contemporary Chinese architecture; the production of such award-winning movies as Farewell My Concubine and Raise the Red Lantern; the transformation of the Ministry of Culture's China Culture Gazette; pervasive corruption in the journalistic world; the wholesale promotion of the novel The Abandoned Capital; and, from Hong Kong, the proliferation of the avante-garde via the CIM investment company. Much of what Zha discusses is supported in other recent accounts (e.g., Frank Viviano's Dispatches from the Pacific Century, LJ 4/1/93; Nicholas D. Kristof and Sheryl WuDunn's China Wakes, LJ 7/94; and Orville Schell's Mandate of Heaven, LJ 8/94). However, since her stated intention is to portray China in a "minute fashion," the result is that the book reads more like an extended gossip column than a serious analytical work. An optional purchase.Peggy Spitzer Christoff, Oak Park, Ill
Copyright 1995 Reed Business Information, Inc.
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