The Strad
...vividly detailed, diverse and beautiful works... the Five Yunnan Songs...are brought vibrantly into three dimensions in this lush, rich arrangement...Reflections of the Moon in the Er-Quan Spring... is well-loved enough to have been referred to as the Chinese version of Barber's Adagio... sensitively arranged collection of songs...
From the Artist
Some years ago I developed the idea of arranging a few sets of Chinese folk songs along with popular music by various Chinese composers. I grew up with many of these pieces, and played some as solo works for violin and piano during the difficult days of the Cultural Revolution.
These works are short and diverse, some based upon traditional folk songs, and others composed recently. Although their musical style is not structured or sophisticated, the pieces seem to be accessible and enjoyable for a general audience. The themes speak to the individual listener because they are expressive, direct and easily absorbed and understood. I asked myself: "Why not arrange them for string quartet, which is the form I love the most? That way I can play beautiful Chinese music again and also bring it to a wider audience with my group, the Shanghai Quartet."
I sifted through many songs and began arranging them for string quartet or small ensemble. Some of the folk songs are usually performed by a singer, violin, or piano; or by Chinese traditional instruments such as the Pipa, Erhu or Suona (a double-reed wind instrument, almost like an oboe), and Bamboo flute. But, I didn't want simply to imitate traditional Chinese instruments when we play those pieces. I tried to make the harmony and the structure closer to traditional western styles. The idea is that Chinese music can be played on western instruments and thus can be enjoyed internationally. -- Yi-Wen Jiang