With this book, anyone can work successfully with chine colle. And it also a valuable and useful addition to any artist-printmaker's library. Brian Shure's thoughtful comments about paper and printing, his description of the colle techniques employed in China, his references to Balzac's story Lost Illusions, and his protrayal of Rembrandt's experiments with paper all provide a rich and engaging context for the carefully detailed process he describes.--Done Kelley, Assoc. Prof. of Art, Univ. of Cincinnati



