From Publishers Weekly
Huang (Embrace Tiger, Return to Mountain, for adults) incorporates Chinese beliefs via an energetic and artistic tribute to the 12 animals of the Chinese zodiac. When Buddha called 12 creatures together under the Banyan Tree, the brief preface explains, he "taught them about their strengths and weaknesses, then sent all twelve animals into the world to guide people in their growth, linking each animal to a month and year." Youngest readers may require some additional enlightenment for a few of the terms that follow (e.g., chi, power of creative expression, and tao, one's path), but all readers will likely appreciate the fact that Huang offers an unadulterated story here. Thick black brush strokes that seem to dance on the page outline one exuberant creature per spread, labeled by its Chinese name (Tswoo, Neeoh, Whoo, etc.), accompanied by its calligraphic symbol. Concise descriptions explain the characteristics of the animal as well as its relevance to the sermon under the Banyan Tree. For instance, the first arrival, Tswoo, "sometimes call[ed] a mouse, a rat, or a guinea pig..." represents the innocence of "The Beginner's Mind" in Buddhism. Joo (a pig), who arrives just in time for the sermon, is "a lesson in what the Chinese call the TAO of Being instead of Doing." Readers of all ages will want to use the closing chart to piece together their own characteristics (based on their year and month of birth), then profile all their friends. All ages. (Oct.)
Copyright 1999 Reed Business Information, Inc.
From Library Journal
Grade 4 Up-Using a picture-book format, an accomplished calligrapher depicts each animal of the Chinese zodiac on a double-page spread and outlines the supposed personality traits of people born under that sign. The Chinese characters naming the animals are written in elegant black-and-white brush strokes, as well as the cursive letters of the English alphabet, using the author's own idiosyncratic, phonetic Romanization. Calligraphy, the foundation of Chinese painting, revered above all other Chinese arts for 2000 years, is the star here. In a "Dancing Glossary," the author connects calligraphy with whole-body movement and briefly explains related terms (chi, yin and yang, and tai ji). The text is as entertaining as a newspaper astrology column and just as slight. Ed Young's Cat and Rat: The Legend of the Chinese Zodiac (Holt, 1995) and Eric Kimmel's The Rooster's Antlers (Holiday, 1999) tell different stories explaining how the animals were chosen and placed in sequence. Since Huang does not tell a story that will hold children's interest, this book is most useful for showing examples of fine modern Chinese calligraphy.
Margaret A. Chang, Massachusetts College of Liberal Arts, North Adams Copyright 1999 Reed Business Information, Inc.
