From Publishers Weekly
Much more down-to-earth than the silks and porcelain of China's royal courts, Chinese folk art embodies a living tradition that has received scant attention in the West. Berliner, who studied art at a Chinese academy, and her husband, Zeng Xiaojun, bicycled through rural villages to gather the papercuts, embroideries, shadow puppets, wood-block prints and dye-resist printed fabrics assembled in this volume. A belief in spirits and the use of symbols to bring luck, prosperity or longevity animate many of these pieces. Door gods were believed to frighten evil spirits away from a home's entrance. Golden paper money decorated with dragons was burned to propitiate gods. Artists show great sophistication in carved puppets flexible enough to turn somersaults and papercuts that won the praise of poets. This enjoyable survey unearths folk-art traditions that were eclipsed by the Cultural Revolution of the 1960s yet remain alive in China's villages.
Copyright 1987 Reed Business Information, Inc.
Copyright 1987 Reed Business Information, Inc.
From Library Journal
This charming and beautiful book concerns itself with "the small skills of carving insects"a derogatory term once used by the elite to describe the art of peasants and the urban poor. The art forms discussed here are those still practiced today, including papercuts, shadow puppets, embroidery, batik, and woodblock prints. The traditions, symbols, and motifs have been handed down for thousands of years. Berliner devotes one chapter to these symbols, and others to each art form, describing the history of each and the techniques involved. The illustrations are beautiful, and the author's devotion to her subject is obvious. A for both scholars and the general public. Patricia R. Hausman, Coll. of William and Mary, Va., Lib.
Copyright 1987 Reed Business Information, Inc.
Copyright 1987 Reed Business Information, Inc.
