Cholo writing originally constitues the handstyle created by the Latino gangs in Los Angeles. It is probably the oldest form of the graffiti of names in the 20th century, with its own aesthetic, evident long before the East Coast appearance and the explosion in the early 1970s in Philadelphia and New York. The term cholo means lowlife , appropriated by Chicano youth to describe the style and people associated with local gangs; cholo became a popular expression to define the Mexican American culture. Latino gangs are a parallel reality of the local urban life, with their own traditions and codes from oral language, way of dressing, tattoos and hand signs to letterforms. These wall-writings, sometimes called the newspaper of the streets , are territorial signs which main function is to define clearly and constantly the limits of a gang s influence area and encouraging gang strength, a graffiti made by the neighborhood for the neighborhood. Cholo inscriptions has a speficic written aesthetic based on a strong sense of the place and on a monolinear adaptation of historic blackletters for street bombing. Howard Gribble, an amateur photographer from the city of Torrance in the South of Los Angeles County, documented Latino gang graffiti from 1970 to 1975. These photographs of various Cholo handletterings, constituted an unique opportunity to try to push forward the calligraphic analysis of Cholo writing, its origins and formal evolution. A second series of photographs made by François Chastanet in 2008 from East LA to South Central, are an attempt to produce a visual comparison of letterforms by finding the same barrios (neighborhoods) and gangs group names more than thirty five years after Gribble s work. Without ignoring the violence and self-destruction inherent to la vida loca (or the crazy life , referring to the barrio gang experience), this present book documents the visual strategies of a given sub-culture to survive as a visible entity in an environement made of a never ending sprawl of warehouses, freeways, wood framed houses, fences and back alleys: welcome to LA suburbia, where block after block, one can observe more of the same. The two exceptionnal photographical series and essays are a tentative for the recognization of Cholo writing as a major influence on the whole Californian underground cultures. Foreword by Chaz Bojórquez.
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Born in 1975 in Bordeaux, France. A graduate of the École d Architecture et de Paysage de Bordeaux, he pursued research in 2000 on signage systems at the Atelier National de Recherche Typographique in Nancy, and completed post-diploma studies in architectural and urban history at the École d Architecture de Paris-Belleville in 2001. Teaches graphic design and typography since 2002 at the École Supérieure des Beaux-Arts de Toulouse. His articles has notably been published by the international reviews Eye or Baseline. In 2004 his first book entitled Pixação: São Paulo Signature, was published.
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5.0 out of 5 stars
Cholo writing.,
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This review is from: Cholo Writing: Latino Gang Graffiti in Los Angeles (Dokument Press) (Paperback)
Cholo writing book is a must have for every LA graffiti addict. This book explains how all started, very complete and lots of pictures of tagging.taking space is the objective.Im sure you wont be dissapointed. Also see Chaz bojorquez book, about his life and carrer.Two must have items
1 of 3 people found the following review helpful:
2.0 out of 5 stars
ok book,
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This review is from: Cholo Writing: Latino Gang Graffiti in Los Angeles (Dokument Press) (Paperback)
I feel that the book was about something, I just don't know what. It mostly just showed writing. I would have liked to read more about the origins, or something just didnt see it but if you want to see cool handstyles good book
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