Chopin: Nocturnes [IMPORT]

Frederic Chopin (Composer), Angela Hewitt (Performer)

Product Details

• Performer: Angela Hewitt
• Composer: Frederic Chopin
• Audio CD (January 11, 2005)
• SPARS Code: DDD
• Number of Discs: 2
• Format: Import
• Label: Hyperion UK
• ASIN: B000667YOI
• In-Print Editions: MP3 Download
• Average Customer Review: 4.0 out of 5 stars  See all reviews (10 customer reviews)
• Amazon.com Sales Rank: #207,929 in Music (See Bestsellers in Music)

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Customer Reviews

Most Helpful Customer Reviews

16 of 17 people found the following review helpful:

5.0 out of 5 stars Chopin Without Swooning and Swanning, August 7, 2005

By	J Scott Morrison (Middlebury VT, USA) - See all my reviews (TOP 10 REVIEWER)    (REAL NAME)

Angela Hewitt is known to most of us primarily for her exquisite Bach. She grew up, as the daughter of a professional organist hearing Bach constantly and her obvious talent for baroque music seems as natural as breathing for her, although that is not to say that she hasn't thought out her performances of Bach's work to the last scintilla of control. But frankly I had not ever considered her for the Romantic literature. But here she is playing some of the most romantic piano music there is, Chopin's Nocturnes, and although her approach is classical in approach -- no grand-standing, no huffing and puffing, no swooning -- the romance comes through. One of the marvels of Hewitt's playing is that one can sit back and be ravished by her unfailingly gorgeous tone without having to think necessarily of the intellect behind the playing. But on close attention to the events of her playing one hears a clear, unclouded intellect at work through her fingers. She has 'the gift go be simple', so often the mark of a major player; simplicity isn't that easy to achieve in music. She focuses on the long line, as she describes it in her excellent booklet notes, the linearity of the abounding counterpoint -- she reminds us that Chopin made a long and thorough study of Bach and felt it was the basis of any serious musician's toolbox. Her rhythm is utterly controlled but with a natural-sounding rubato that is never willful or clunky, as so often is heard. Her left hand, so often relegated to neglected accompanimental doings by some players, is fully the equal of the right, another mark of a major player.

Nocturnes by their very nature are gentle, introspective, warm, consoling, and that is precisely what we get here. I had wondered how Ms Hewitt would handle the more dramatic works by Chopin and if her playing of the Fantaisie-Impromptu, which rounds out this disc, is any indication she would be excellent there as well.

There are a number of fine complete traversals of the Nocturnes by other pianists -- those by Arrau and Pires are recent favorites of mine -- and Hewitt's certainly can join the Nocturnes A list.

Scott Morrison

11 of 11 people found the following review helpful:

5.0 out of 5 stars Ignore the negative reviews - they are fraudulent, February 23, 2007

By	DorianLS "DorianLS" (United States) - See all my reviews

I have to confess, I have not yet heard this recording. I have heard Angela Hewitt and have loved the recordings I have heard. But I want to warn others of the 2 fake 1-star postings for this item. They are clearly written by the same person (same language, same grand claims to expertise, same 1-star reviews and similiar titles, etc.). I looked at their other reviews and there are none. These posts were clearly by someone on a vendetta to lower the rating for Hewitt. You know something has to be wrong when all other postings give 5 stars. I really dislike it when people post misleading and dishonest reviews. I hope this helps tip off others.

14 of 15 people found the following review helpful:

4.0 out of 5 stars Angela shines in Nocturnes, February 25, 2005

By	Rebel Girl (Arlington, VA) - See all my reviews

I found Angela Hewitt's interpretation of the Chopin Nocturnes quite lovely -- well-considered and thoughtfully executed. Her program notes on the works alone are worth the cost of the CD. They are not as passionate as some other versions but very enjoyable. The real gem on this CD, however, is the "Fantaisie-Impromptu" at the end. It is incomparable in clarity, dynamics, and excitement. All other versions I've heard, no matter how passionate, sound monochromatic when set against Ms. Hewitt's. This is a "must own" interpretation.