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| Disc: 1 | |||
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| 1. Nocturnes 1-13: No.1 In B Flat Minor, Op.9 No.1 | |||
| 2. Nocturnes 1-13: No.2 In Flat Major, Op.9 No.2 | |||
| 3. Nocturnes 1-13: No.3 In B Major, Op.9 No.3 | |||
| 4. Nocturnes 1-13: No.4 In F Major, Op.15 No.1 | |||
| 5. Nocturnes 1-13: No.5 In F Sharp Major, Op.15 No.2 | |||
| 6. Nocturnes 1-13: No.6 In G Minor, Op.15 No.3 | |||
| 7. Nocturnes 1-13: No.7 In C Sharp Minor, Op.27 No.1 | |||
| 8. Nocturnes 1-13: No.8 In D Flat Major, Op.27 No.2 | |||
| 9. Nocturnes 1-13: No.9 In B Major, Op.32 No.1 | |||
| 10. Nocturnes 1-13: No.10 In A Flat Major, Op.32 No.2 | |||
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| Disc: 2 | |||
| 1. Nocturnes 14-19: No.14 In F Sharp Minor, Op.48 No.2 | |||
| 2. Nocturnes 14-19: No.15 In F Minor, Op.55 No.1 | |||
| 3. 24 Preludes Op.28: No.16 In E Flat Major, Op.55 No.2 | |||
| 4. Nocturnes 14-19: No.17 In B Major, Op.62 No.1 | |||
| 5. Nocturnes 14-19: No.18 In E Major, Op.62 No.2 | |||
| 6. Nocturnes 14-19: No.19 In E Minor, Op.72 No.1 | |||
| 7. 24 Preludes Op.28: No.1 In C Major | |||
| 8. 24 Preludes Op.28: No.2 In A Minor | |||
| 9. 24 Preludes Op.28: No.3 In G Minor | |||
| 10. 24 Preludes Op.28: No.4 In E Minor | |||
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Most Helpful Customer Reviews
7 of 9 people found the following review helpful:
5.0 out of 5 stars
A piano poet !,
By Hiram Gomez Pardo (Valencia, Venezuela) - See all my reviews (HALL OF FAME REVIEWER) (TOP 1000 REVIEWER) (REAL NAME)
This review is from: Chopin: Nocturnes; Preludes [United Kingdom] (Audio CD)
The amazing virtuosism of Francois is nothing compared with his ability to create atmospheres so filled with nuance and aristocratic refinement . He will never sound romantic , but classic and that is a great point to remark , due the timeless circumstance that Chopin has been always considered a chamber composer .The preludes are played with a sense of continuity and elegance and dramatism . The Nocturnes are sublime . Every track is an artistic triumph . Acquire this CD to know this great pianist so loved in Europe and not well known in America . Francois was a pupil of Cortot .
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