Choral Music in the Twentieth Century and over one million other books are available for Amazon Kindle. Learn more

Sell Back Your Copy
For a $0.95 Gift Card
Trade in
Have one to sell? Sell yours here
Choral Music in the Twentieth Century: Hardcover
 
 
Start reading Choral Music in the Twentieth Century on your Kindle in under a minute.

Don't have a Kindle? Get your Kindle here, or download a FREE Kindle Reading App.

Choral Music in the Twentieth Century: Hardcover [Hardcover]

Nick Strimple (Author)
5.0 out of 5 stars  See all reviews (3 customer reviews)


Available from these sellers.


Formats

Amazon Price New from Used from
Kindle Edition $9.99  
Hardcover --  
Paperback $15.06  

Book Description

March 1, 2003
Musical works for chorus are among the great masterpieces of 20th-century art. This guide, the first truly comprehensive volume on the choral music of the last century, covers the spectacular range of music for vocal ensembles, from Saint-Saens to Tan Dun. The book will be essential to every choral conductor and a valuable resource for choir members, choral societies and choruses.

Customers Who Viewed This Item Also Viewed


Editorial Reviews

Review

"[Strimple is] a deft researcher. [A] broad, deep review of choral works created in the artistically turbulent century just past." -- Peter Jacobi, The Hoosier Times , August 25, 2002

About the Author

Nick Strimple has appeared as a guest conductor with distinguished international ensembles and has recorded critically acclaimed CDs of choral music by 20th-century American composers. He currently serves as lecturer in the Thornton School of Music at the University of Southern California, director of music at Beverly Hills Presbyterian Church, and music director of the Choral Society of Southern California, the Los Angeles Zimriyah Chorale, and the Los Angeles Vocal & Instrumental Ensemble ("La vie"). He resides in Beverly Hills, California.

Product Details

  • Hardcover: 394 pages
  • Publisher: Amadeus Press (March 1, 2003)
  • Language: English
  • ISBN-10: 1574670743
  • ISBN-13: 978-1574670745
  • Product Dimensions: 9.4 x 6.4 x 1.4 inches
  • Shipping Weight: 1.9 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #1,321,870 in Books (See Top 100 in Books)

More About the Author

Discover books, learn about writers, read author blogs, and more.

 

Customer Reviews

3 Reviews
5 star:
 (3)
4 star:    (0)
3 star:    (0)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
5.0 out of 5 stars (3 customer reviews)
 
 
 
 
Share your thoughts with other customers:
Most Helpful Customer Reviews

9 of 9 people found the following review helpful:
5.0 out of 5 stars Outstanding Survey -- Leads the way, March 26, 2007
This book is the first of its kind, and much needed in the world of choral literature. Up until this book, the best survey book out there was Homer Ulrich's Survey of Choral Music, which focused more on large genres, spanned the history of Western music, and only reached the 1970s. Nick Strimple, professor at the University of Southern California, has written a fantastic survey focusing the twentieth century.

Strimple features music from six continents (sorry Antartica!)-- music is first classified by region, then by composer (Ulrich's book is classified more by genre, which means some skipping around). While Europe and North America receive most of the focus, considerable attention is also given to South America and regions of Africa and Asia. In addition to large works, Strimple also discusses octavos as well, making this a complete survey.

The most notable element about Choral Music in the 20th Century is that it is so well-written. Descriptions of compositions are concise, descriptive, and can serve as springboards for program notes and further research. Perhaps even more impressive is how well the book holds up when read cover to cover. It is so easy for descriptions about music to sound alike after awhile (there are only so many ways one can describe an upbeat piece, for instance). Yet Strimple's prose seems unburdened by the density of research which a survey must convey.

Readers should keep in mind that this is a survey of choral music -- there are no lengthy analyses or value judgments here (these pieces are great, these pieces are lousy, etc.). Otherwise the book would have been three times its size. Also, when writing a book about choral music across six continents, there are bound to be some composers or works which slip through the cracks. I can only imagine the disappointment expressed by some who didn't "make the cut."

The truth is that with nothing out there like it, Strimple's book didn't have to be this good (or this inexpensive, for which Strimple and his publisher should also be credited). Due to his diligence, however, it seems this book will likely serve as the de facto survey on 20th century choral music for several decades. And there's good news -- Amazon shows that Strimple's book on nineteenth-century music is due to come out later this year. Hurrah!
Help other customers find the most helpful reviews 
Was this review helpful to you? Yes No


1 of 1 people found the following review helpful:
5.0 out of 5 stars Every choral director needs this book (with a few caveats), October 12, 2009
By 
Peter Hilliard (Roslyn, PA United States) - See all my reviews
(REAL NAME)   
Firstly, it needs to be said: As far as I know, this is the best book out there for what it's trying to do. It's a truly encyclopedic look at choral music all around the world in the 20th century. It does a beautiful job of including brief summary information about all the major choral writers, and details about the major works. As I read it, I kept thinking about how long it would take just to locate and listen to/play through all the works listed in the book. It would be the work of a lifetime if you were doing anything else with your life.

Further, because it is so encyclopedic, I think it will wind up being the source for countless program notes and research papers. And this is why my next points are, I think, especially important.

1) This book has a lot of opinion in it. That's one major thing in its favor. A book listing only the major composers' major teachers and major works with dates and locations of premieres would be dry as dirt. Strimple isn't afraid to call inferior work inferior, to dismiss certain composers' entire output, and to consign composers who are currently popular to the dustbin of history. (his comments on Rutter are shockingly dismissive, and, I think, accurate)Opinion in a reference book is scary if you expect it to be even-handed, which this book certainly isn't. The author makes no attempt to hide his personal tastes.

2) Like any book of its kind, this book is not going to have an infallible record of the last 10 years of the century. First published in 2002, it does what it must: lists with very little comment a string of prominent writers from the '90s in all the geographic areas it covers. But in 20 or 30 years, it will read like Copland's 1969 book "The New Music" does now. Some great assessments and some 'who?' moments.

3) As one might expect, the book weighs heavily toward serious 'concert music' as opposed to 'popular choral music'. He is particularly dismissive of American Evangelical music, and he uses a quote from Mahler to bolster his argument that form should be the equal of function in music, although one might ask what difference Mahler's opinion makes in a genre he showed no interest in. He also seems dismissive of popularizing and simplifying elements in church music that have worked their way into the music of educational institutions. Backhanded compliments to Natalie Sleeth and withering comparisons of John W. Peterson's cantatas with those of Bach seem a little over the top. After all, neither of them aspire to the same aesthetic Bach did, and the times have changed considerably since 1750. There is also an argument to be made that MOST church music throughout history has been functional, of middling quality, and without lasting value, although to hear Strimple talk about it, the 1960s brought about a precipitous decline of a previously high standard of church music. I think Bach was as much an aberration in his own day as he is now, and hum-drum masses and passions we're continually unearthing from his era seem to bolster my argument.

4) The chapters related to the countries an American choral conductor is likely to know a fair amount about have extensive chapters with lots of opinions, where chapters on Greece, the Balkans, Africa, Central and South America, Canada and the Pacific Rim are less copious, partly because of less readily available information, and maybe less choral singing, I don't know.

These caveats and quibbles are small prices to pay for such a terrific contribution to the library of a choral conductor. I look forward to using this for many years, and to reading the volume about the 19th century. Get this book!
Help other customers find the most helpful reviews 
Was this review helpful to you? Yes No


4 of 6 people found the following review helpful:
5.0 out of 5 stars very nice resource, January 17, 2003
By A Customer
This review is from: Choral Music in the Twentieth Century: Hardcover (Hardcover)
Very good library book to have for reference re recent choral music. Lots of discussion about almost all important 20th C. works. I highly recommend it.
Help other customers find the most helpful reviews 
Was this review helpful to you? Yes No

Share your thoughts with other customers: Create your own review
 
 
 
Only search this product's reviews



Inside This Book (learn more)
Browse and search another edition of this book.
First Sentence:
Although some of the twentieth century's greatest works of art were choral, perceptions of choral music varied widely during the century, generating debates over its function, both in sacred and secular contexts, as well as its continued viability in terms of modern composition. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
many partsongs, unaccompanied mixed chorus, double mixed chorus, small choral pieces, other choral pieces, treble chorus, several choral works, numerous choral works, vocal configurations, first choral work, choral idiom, other choral works, folk song arrangements, several cantatas, unaccompanied pieces, mixed choruses, diatonic style, baritone soloists, choral repertoire, choral composer, large choral works, chamber chorus, unaccompanied chorus, bass soloists, folk song settings
Key Phrases - Capitalized Phrases (CAPs): (learn more)
United States, Vaughan Williams, World War, New York, Ave Maria, Aaron Copland, African American, Roman Catholic, Walt Whitman, Arnold Schoenberg, Los Angeles Times, Leonard Bernstein, Marcel Couraud, Saint Luke, Agnus Dei, Latin American, Randall Thompson, Symphony of Psalms, Charles Ives, Child of Our Time, Darius Milhaud, Eighth Symphony, Emily Dickinson, Great Britain, Igor Stravinsky
New!
Books on Related Topics | Concordance | Text Stats
Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Search Inside This Book:

Citations (learn more)



What Other Items Do Customers Buy After Viewing This Item?


Tags Customers Associate with This Product

 (What's this?)
Click on a tag to find related items, discussions, and people.
 

Your tags: Add your first tag
 

Customer Discussions

This product's forum
Discussion Replies Latest Post
No discussions yet

Ask questions, Share opinions, Gain insight
Start a new discussion
Topic:
First post:
Prompts for sign-in
 


Active discussions in related forums
Search Customer Discussions
Search all Amazon discussions
   
Related forums



So You'd Like to...



Look for Similar Items by Category


Look for Similar Items by Subject