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Chord Tone Soloing: A Guitarist's Guide to Melodic Improvising in Any Style (Musicians Institute: Private Lessons)
 
 
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Chord Tone Soloing: A Guitarist's Guide to Melodic Improvising in Any Style (Musicians Institute: Private Lessons) [Paperback]

Barrett Tagliarino (Author)
4.7 out of 5 stars  See all reviews (33 customer reviews)

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Book Description

Musicians Institute: Private Lessons June 1, 2006
Learn how the professionals create monster solos with this easy-to-use book/CD pack! The accompanying CD includes 68 tracks of exercises, licks, solo examples, and play-alongs. Includes all necessary foundation materials; detailed instructions on how and what to practice; essential concepts for players at every level; developing your real-time melodic reflexes; soloing over any progression in any style of music; using chords as an endless source of ideas; and more.

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Chord Tone Soloing: A Guitarist's Guide to Melodic Improvising in Any Style (Musicians Institute: Private Lessons) + Guitar Fretboard Workbook + Guitar Aerobics: A 52-Week, One-lick-per-day Workout Program for Developing, Improving and Maintaining Guitar Technique
Price For All Three: $47.35

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  • Guitar Fretboard Workbook $18.10

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  • Guitar Aerobics: A 52-Week, One-lick-per-day Workout Program for Developing, Improving and Maintaining Guitar Technique $13.59

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Product Details

  • Paperback: 112 pages
  • Publisher: Musicians Institute Press (June 1, 2006)
  • Language: English
  • ISBN-10: 0634083651
  • ISBN-13: 978-0634083655
  • Product Dimensions: 11.7 x 8.9 x 0.4 inches
  • Shipping Weight: 1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (33 customer reviews)
  • Amazon Best Sellers Rank: #18,769 in Books (See Top 100 in Books)

More About the Author

Barrett Tagliarino's newest book is the MP3 Edition of the ground-breaking "Rhythmic Lead Guitar: Solo Phrasing, Groove and Timing for all Styles." With this book you progress from beginner to master of the rhythmic aspect of soloing and riff creation, learning to count beat divisions and subdivisions at every level to contribute the right feel to songs in any style. You'll apply exact timing to bends, slides, legato articulations and grace notes to get your soloing under your complete rhythmic control. No prior music reading knowledge is required, but you will learn a bit about correct rhythmic notation as you go. Over 150 examples are tabbed and notated, and demonstrated at slow tempos in 192 kB MP3s. Later chapters cover motific development; setting up audience expectations with form signaling; odd meters; creating syncopation with displacements, additive rhythms, pedal tones, polyrhythms, and metric modulation.

Barrett has been a full-time instructor at Musicians Institute in Hollywood since 1989. His "Guitar Reading Workbook" and "Guitar Fretboard Workbook" are based on MI's curriculum requirements. These and his other books are also popular choices for course syllabi at other universities, vocational, and high schools. Barrett's books are designed to get you playing the music you want with a clear understanding and no time wasted.

The same engaging and lucid teaching style that Barrett uses in his books makes his classes at MI often fill to capacity with a waiting list. His current schedule includes Blues Level II, Guitar Heroes of the 60s and 70s, and Reading Level I. Barrett was Rock department head at Hohner MusikSchule in Vienna in 1995. His traveling work as a performer and clinician has taken him around the world.

Barrett has two CDs showcasing his rock guitar style with blues and jazz influences: "Throttle Twister" and "Moe's Art," both available here on amazon.com, and has made numerous guest recording contributions as an LA session guitarist.

Guitar magazines such as Guitar Edge, Guitar Player, and Guitar World have featured Barrett's full-length article contributions on technique, styles, and phrasing. He also works as an editor for the Hal Leonard Corporation, adding his knowledge and insight to books like "Jazzology: The Encyclopedia of Jazz Theory," and Tom Kolb's "Music Theory for Guitarists: Everything You Ever Wanted to Know but Were Afraid to Ask."

You can find his latest works, video clips, free lessons, and blog posts at his website, www.monsterguitars.com, which he started in 1996.

 

Customer Reviews

33 Reviews
5 star:
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3 star:
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2 star:
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Average Customer Review
4.7 out of 5 stars (33 customer reviews)
 
 
 
 
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158 of 158 people found the following review helpful:
5.0 out of 5 stars Common sense approach to improvisation for all styles., November 4, 2006
This review is from: Chord Tone Soloing: A Guitarist's Guide to Melodic Improvising in Any Style (Musicians Institute: Private Lessons) (Paperback)
Barrett Tagliarino books are easy to follow. This one uses a format similar to his Fretboard Workbook. Ideas are introduced with easy to read chord diagrams that revolve around the CAGED system of chord organization. Chord tones are emphasized as one solos. This outlines the chord progression making the soloist sound "melodic," instead of simply playing the right scale over chords.

This book expects the reader to be new to soloing and progresses in baby steps. The other book on the same subject by Berklee Press called "Melodic Improvisation" is much more advanced and focuses on heavy weight jazzers like Pat Martino, Wes Montgomery, Joe Pass, and monster players of that caliber. This book is accessible to rock, folk, bluegrass, and country guitarists, not just jazz cats. The secret to success, the point of the book, is to target chord tones as one solos, but how does one do that?

To answer that question, Barrett provides in depth guitar theory, a lot of break down and analysis, scalar choices, key center analysis, and a lot of down home humor along the way to keep things from getting overwhelming. All-in-all, Tagliarino has written another instructional book you'll want to keep in the library for continued study.
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94 of 94 people found the following review helpful:
5.0 out of 5 stars Good book, May 8, 2007
By 
J. Furr "gnuLNX" (Albany, NY United States) - See all my reviews
(REAL NAME)   
This review is from: Chord Tone Soloing: A Guitarist's Guide to Melodic Improvising in Any Style (Musicians Institute: Private Lessons) (Paperback)
This book is the advanced user manual for your guitar. If you already know the basics such as chords and scales then this book is EXACTLY what you need.

Basically it covers the how and why of music and how you the guitar player should think about it. Be forwarned this is not a book that will make you better overnight. In fact there is a chance that you will feel as though you have gotten worse at first. My reccommendation for those that can afford the time is to buy this book and use it right along side a good relative pitch ear training program....seriously. If you want to be a good musician then the methods in this book will provide the how and why while your ear will be responsible for the when.

I have A LOT of guitar books...as do most of you reading this. This book teaches you the way to think about the guitar. It will take a lot of serious practice to ingrain the material in these pages, but those that do will transition for ok players to real players.

Plain and simple: Best book I've bought in a long time.

One draw back. The sound tracks are corney sounding...but that's a very minor issue in light of what this book provides.
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53 of 53 people found the following review helpful:
5.0 out of 5 stars Fantastic book that covers territory most other books ignore, December 2, 2007
By 
William Branch "Will Branch" (Milwaukee, WI United States) - See all my reviews
(REAL NAME)   
This review is from: Chord Tone Soloing: A Guitarist's Guide to Melodic Improvising in Any Style (Musicians Institute: Private Lessons) (Paperback)
I've been a guitar player for over 20 years and a guitar teacher for the past 5, and this book is one of the best I've come across. Whenever I show a student scales, they want to know how to turn those scales into music. I can remember having the same frustration when I was starting out. The information in this book answers that question, and clarifies a lot of the confusion about playing a solo. This book is clearly written, absolutely packed with information, and - most importantly - that information is presented in manageable, fun chapters. This book has given me a whole new excitement about playing. A guitar instruction classic.
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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
parent major scale, arpeggio shapes, modal interchange, major scale formula, modal progression, triad arpeggios, minor progressions, chord tones, target tones, major scale patterns, root shapes, diatonic chords, guide tones, natural minor scale, same octave
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Put Guitar Down, Major Pattern, Relative Minor Pattern, Ami Ami, Writing Assignment Write, Groups of Four, Targeting Strong Beats, Major Triad Arpeggio, Minor Pattern, Target Notes
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