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Christ Stopped at Eboli: The Story of a Year
 
 
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Christ Stopped at Eboli: The Story of a Year [Paperback]

Carlo Levi (Author), Frances Frenaye (Translator), Mark Rotella (Introduction)
4.5 out of 5 stars  See all reviews (32 customer reviews)

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Book Description

January 10, 2006
It was to Lucania, a desolate land in southern Italy, that Carlo Levi—a doctor, painter, philosopher, and man of letters—was confined as a political prisoner because of his opposition to Italy’s Fascist government at the start of the Ethiopian war in 1935. While there, Levi reflected on the harsh landscape and its inhabitants, peasants who lived the same lives their ancestors had, constantly fearing black magic and the near presence of death. In so doing, Levi offered a starkly beautiful and moving account of a place and a people living outside the boundaries of progress and time.

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Editorial Reviews

Review

"[Levi is] a sensitive and gifted writer with a great sense of style." --Alfred Kazin

Language Notes

Text: English, Italian (translation) --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 296 pages
  • Publisher: Farrar, Straus and Giroux; 1st edition (January 10, 2006)
  • Language: English
  • ISBN-10: 0374530092
  • ISBN-13: 978-0374530099
  • Product Dimensions: 8.2 x 5.4 x 0.9 inches
  • Shipping Weight: 9.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (32 customer reviews)
  • Amazon Best Sellers Rank: #151,293 in Books (See Top 100 in Books)

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Customer Reviews

32 Reviews
5 star:
 (22)
4 star:
 (5)
3 star:
 (3)
2 star:
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Average Customer Review
4.5 out of 5 stars (32 customer reviews)
 
 
 
 
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53 of 57 people found the following review helpful:
5.0 out of 5 stars A Book Painted with Words, April 2, 2004
This brilliant book is an account of Carlo Levi's banishment to a remote village in southern Italy for his opposition to Fascism in 1935. The title may be a bit misleading: this book is not about an incarnation of the deity that alighted in a place called Eboli. Eboli, a town of no consequence to the action of the book, is, rather, the farthest south Christianity (read: civilization) got. Gagliano, the town in which Levi arrives to carry out his exile, is as far south from Eboli as Eboli is from Naples, and is the end of the road in more than one respect.

In Gagliano, Levi lives a somewhat enviable (for an exile, at least) existence painting, writing, and, as a doctor, administering to the sick and injured. But the book is not about Levi's good works among the peasants. Rather, it is a series of sublime sketches about a people so grim, so primitive, so impoverished, so imbued with superstition and pagan ritual (Gagliano has a village priest, but he's drunk most of the time) that they seem an alien species. Levi doesn't so much understand them as observe them and paint them with words.

Levi's artistic gifts extend to his descriptions, and phrases such as "Grassano...is a streak of white at the summit of a bare hill" make the book come alive. It is clear that Frances Frenaye, the translator, deserves no small credit in this respect. This is a haunting work, and one of the most memorable books I have ever enjoyed.

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43 of 48 people found the following review helpful:
5.0 out of 5 stars Southern Italy: A country within a country, December 25, 1999
This a memoir of Carlo Levi`s experience as a political exile during the fascist regime, at the outset of the Abyssinian war. The setting is a remote village in Lucania, southern Italy, a region characterized by poverty, malaria, completely forgotten and neglected by the State. Levi's artistic sensitivity describes the people, the landscape, with an acute human feeling. This is the other side of Italy, the reverse of the rich, famous, well-developed North. After reading this book, it is easy to understand why so many Italians were tempted to emigrate to the American continent. Levi's ability to socialize and understand the peasant mentality is outstanding; it's a merit to his personality. The fact that he did not isolate himself from the people around the village, regardless of social and cultural level, enable him, after his realease, to write this book with a deep understanding of the social, political, religious, economical, and cultural problems of Southern Italy. The style is simple, direct, and elegant. Why Christ, why Eboli? the author only wants to say that the "civilized world" of Christianity has not reached this region of Italy, be it in Eboli or any other village of the South. An interesting book, written by someone whose main occupation in life was not be a writer. Levi was trained as a doctor, and as a "social doctor" he brush-stroked his thoughts into this memoir.
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16 of 16 people found the following review helpful:
5.0 out of 5 stars Bad title - great book, January 28, 1997
By A Customer
Why read this book? The title won't reel you in. It's not about Christ. It's not religious. It's not even about Eboli. It's about Lucania, a remote village in Italy. So remote, so inconsequential that even Christ never bothered to visit the village, but stopped short at Eboli. It's not really a novel, but more of a cross between a novella and a diary. Having said all that it isn't, let me tell you what it is. It is the true story of a doctor who is banished to a remote village in Italy due to his anti-fascist views during the Abyssinian war. What a turn off! So why read it? It is humorous. It is poignant. It is timeless. And yes, it is a page turner. May we all face adversity with the grace and dignity of Carlo Levi
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Don Luigi, Donna Caterina, Don Trajella, Don Cosimino, New York, Little Black Face, Don Carlo, Don Liguari, Lower Gagliano, Madonna of Viggiano, Christmas Eve, Lieutenant Decunto, Fascist Scouts, Fossa del Bersagliere, Donna Concetta, Madonna of the Angels, Sauro River, Fascist Party, Agri Valley, Don Pietro Liguari, Basento River, Antonino Roselli, Red Shirts, Don Pasquale, Donna Catering
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