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Christgau's Consumer Guide: Albums of the '90s Paperback – October 15, 2000


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Product Details

  • Paperback: 544 pages
  • Publisher: St. Martin's Griffin; 1st edition (October 15, 2000)
  • Language: English
  • ISBN-10: 0312245602
  • ISBN-13: 978-0312245603
  • Product Dimensions: 9.2 x 6.2 x 1 inches
  • Shipping Weight: 1.2 pounds
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (39 customer reviews)
  • Amazon Best Sellers Rank: #1,038,416 in Books (See Top 100 in Books)

Editorial Reviews

About the Author

Robert Christgau has reviewed rock and popular music for over thirty years. He is a senior editor and chief music critic at the Village Voice, and writes for Playboy, Rolling Stone, Spin and other publications. Christgau's Consumer Guide: Albums of the 90s is his third record guide. Christgau is also the author of Any Old Way You Choose It: Rock and Other Pop Music, 1967-1973 and Grown Up All Wrong: 75 Great rock and Pop Artists from Vaudeville to Techno.

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Customer Reviews

3.0 out of 5 stars

Most Helpful Customer Reviews

14 of 15 people found the following review helpful By Hapworth on November 27, 2000
Format: Paperback
Yes, this version of Christgau's Record Guide is a bit more chaotic, but at least the author admits so in his introduction. The new grading system, although different, doesn't take long to get used to. I found myself whizzing right along after reading Christgau's introduction.
Yes, this book is shorter and less comprehensive than his two previous guides. Is this a fault? Yes and no. If you're already familiar with Christgau's work (I check the Village Voice online once a month to read his Consumer Guide) you'll probably thank him since he's cut away most of the fat and left only lean meat (i.e. the artists truly worth checking out). If, however, you're distraught that some of the bigger artists have been left out, you might want to check out a safer, broader (and, thus, more tepid) record guide such as the one published by Rolling Stone.
Christgau is opinionated (he IS a critic, after all), but I strongly suggest thumbing through this guide at your local bookstore. Look up some of your favorite artists, and if the reviews of those artists are unfavorable or, worse, if you can't even FIND reviews, well, then this book probably isn't for you. However, if your tastes already lean towards Sonic Youth, Lucinda Williams, Sleater-Kinney, and Randy Newman (my fave!) you'll more than likely turn to the Christgau Record Guide as you would your Bible.
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19 of 22 people found the following review helpful By David P Jaudon on October 8, 2000
Format: Paperback
As a fan of Christgau's earlier consumer guides for albums of the 1970s and 1980s, I was looking forward to this edition chronicling the 1990s. After one hour of trying to read this thing, I threw it down in disgust. This book has to rank as the single most difficult and un-"user-friendly" record guide ever published.
Instead of the earlier, simpler method of reviewing albums with a paragraph and a letter grade, Christgau now includes stars, turkeys, ham, and bomb symbols and often combines them. The result is a confusing, sometimes contradictory mishmash. For example, a record may rate a "C+", but may be supplemented with a bomb or turkey symbol. Or, a record may not get a letter grade, but will instead have one, two, or three stars after it, or have an "N" or a ham symbol. While Christgau explains his new rating system in the introduction, I found myself flipping back to his ratings chart frequently to figure out what he was saying about a particular album.
In addition, it seems that over half the albums listed in the guide get no review at all and instead merely get a symbol. The book is also a lot slimmer and has larger type than previous editions.
Overall, this was very disappointing and frustrating. Not recommended.
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12 of 13 people found the following review helpful By A Customer on December 10, 2001
Format: Paperback
I've been reading Christgau for 30 years. He's a smart and amusing writer, and is willing to go against the grain. He's famous in critical circles for having dismissed Jimi Hendrix as a mere showboat after The Monterey Pop Festival - an error (which he later admitted), but an understandable one. I can usually count on him to ferret out the hokey stuff so that I don't have to. I share his views exactly on Elvis Costello, for instance ("fatally self-conscious"), and I'll never forget what he once said about Waylon Jennings ("Reminds us that he has balls by singing as though someone were squeezing them"). I wish he weren't such a sucker for world music, much of which, in my opinion, would be dismissed as pablum if it weren't for the exotic veneer. But no one's perfect.
Anyway, the point is not so much whether I agree with his reviews (although that helps), but whether this book works as a consumer guide, which it purports to be. I think that if you're seriously into popular music, Christgau is an essential read, but I've downgraded this particular book because, for one thing, the rating system is far too complicated. It's not that I can't decipher it - it's that I shouldn't have to. It's supposed to be a consumer guide, not a flight manual. His previous guides were more straightforward, and better for it.
Second, like that of his colleague Greil Marcus, Christgau's writing has become increasingly obtuse. It's partly a result of the fact that the better rock critics have joined (or want to join) the ranks of the literary elite and want everyone to know that they can do more than just review Kiss albums. That's a fine thing, they have much to contribute, but it's no excuse for obtuseness, especially in what purports to be a consumer guide, a reference book.
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18 of 21 people found the following review helpful By A Customer on December 14, 2000
Format: Paperback
This is the third (and by far the worst) volume I've bought from Cristgau, `cause when he writes about things he likes he can be right on the money. A line such as "irony - an excuse for anything and a reason for nothing" is a good example. Unfortunately, I can't recommend this book, and for several reasons.
First of all, he doesn't like any hard rock or heavy metal, so why he even bothers reviewing these genres is beyond me because he has no understanding of them. Truth is, every time he dismisses a band like Alice in Chains, Metallica, or Kyuss, sometimes without so much as an explanation (more on that later), I feel like sending him to a corner and throwing a dunce cap on his head.
He also continues to wildly overrate 90% of all hip-hop and African albums, as well as any Ramones-influenced punk bands and hard rocking female bands (he's nothing if not politically correct). This also holds true for his beloved "Amerindie" artists, as well as for literate (but sometimes boring) singer songwriters such as John Prine, Bonnie Raitt, Randy Newman, and Lucinda Williams. Meanwhile, "pretentious" artists who actually try to do something new and different (such as Radiohead, Bjork, U2, Flaming Lips, for example) are obnoxiously dismissed.
I could go on about other albums I feel he's dead wrong about (Pearl Jam's "Vs.," Emmylou Harris' "Wrecking Ball," etc) but I'd run out of space. I've also given up trying to figure out why he loves Marshall Crenshaw but doesn't like Crowded House (they seem comparable to me, and I for one prefer Crowded House), especially since he won't tell me. This is because of his awful new rating system, on which simple letter grades are often confusingly replaced by turkey and bomb symbols, or by record symbols along with a list of a few songs.
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