Amazon.com Review
In the history of English literature, Charles Dickens's
A Christmas Carol, which has been continuously in print since it was first published in the winter of 1843, stands out as the quintessential Christmas story. What makes this charming edition of Dickens's immortal tale so special is the collection of 80 vivid illustrations by Everett Shinn (1876-1953). Shinn, a well-known artist in his time, was a popular illustrator of newspapers and magazines whose work displayed a remarkable affinity for the stories of Charles Dickens, evoking the bustling street life of the mid-1800s. Printed on heavy, cream-colored paper stock, the edges of the pages have been left rough, simulating the way in which the story might have appeared in Dickens's own time. Though countless editions of this classic have been published over the years, this one stands out as particularly beautiful, nostalgic, and evocative of the spirit of Christmas.
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Few of the many interpretations of Dickens's holiday parable can match this handsome edition for atmosphere, mood and sheer elegance. Innocenti's full-page watercolors are striking, full-bodied evocations of 19th-century London, particularly the life and vigor of the city's streets: merchants sell their wares, urchins tumble and play, the gentry ride in their carriages, and the destitute huddle in doorways and keep warm at makeshift stoves. At the same time, the paintings' realism, dramatic intensity, occasional luminosity and almost microscopic observation of detail strongly recall the exquisite art of the Italian Renaissance. Their stateliness is carried through in the book's design: each page of text is boxed with fine sepia rules, overlaid with a delicate, gradually fading wash, and topped by a single, modest ornament. The effect suggests an old manuscript or parchment--one that, every so often, opens a splendid pictorial window on the world of this classic narrative. For all its elegance, however, this is a somber and unsentimental view of Dickens's world. The beautiful and the sordid, the good and the malevolent, are never far apart--a concept that is powerfully suggested through the frequent use of high, oddly angled perspectives, as if readers, along with Scrooge and the spirits, are privy to telling glimpses of life skimmed from above. All ages.
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