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25 of 25 people found the following review helpful:
5.0 out of 5 stars
Impeccable., November 8, 2001
Chrome is a masterpiece of the electric guitar. It is albums like this that make you truly appreciate just how incredible the instrument really is. And what's more amazing, Catherine Wheel never falls into the trap of the arty "progressives" - there are no masturbatory solos here; in fact, singer and guitarist work very well together, and neither spends any time being pretentious and showing off.It takes a couple of listens to appreciate all the songs, but some will stand out during the first listen - "Crank," "The Nude," "Ursa Major," all amazingly multi-layered, very fluid and with great hooks. The lyrics seem fairly simple, but they are delivered so well that they do indeed have a deep emotional impact, especially when accompanied by the charges and crashes of the guitars. "Pain" is an amazing musical suite ("I miss my best friend," mourns Dickinson, and the listener wants to mourn with him), but "Fripp" is even more so - the intro sounds straight out of some symphony (and indeed the album is a fine guitar symphony). The Nude is an unforgettable song about a painting ("far...deep...phantom seeking, I could see...."), the hook in "Ursa Major" is nothing short of spectacular, and "Chrome" and "Kill Rhythm" pulse with Dickinson's passion. Speaking of passion - the album is aggressive, but not violent or crude; the mood is a wonderful combination of wistful sadness ("Fripp") and elation (yeah, try and tell me you didn't sing along to "Show Me Mary" - try all you want). It's an album to listen to when you're lonely and when you're happy, when you're in tears and when you're prancing about like a loon, and it creates a beautiful sonic landscape of its own that must look something like the lovely watery world on the sleeve ("I could live with you there," sings Dickinson on "Fripp"). After just two listens, I with great pleasure concluded that there's not a single weak track on here. Chrome is one of the best guitar albums of all time, one of the best rock albums of the nineties, and miles above anything in "the shoegazing scene," including My Bloody Valentine (whom they're often compared to). This is Catherine Wheel's finest hour, and they deserve to go down in the annals of rock greats for it.
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