Chronicle of a Death Foretold (Mass Market Paperback)

by Gabriel Garcia Marquez (Author) "ON THE DAY THEY WERE GOING TO KILL him, Santiago Nasar got up at five-thirty in the morning to wait for the boat the bishop..." (more)
Key Phrases: cane liquor, investigating magistrate, mulatto girls, Santiago Nasar, Bayardo San Román, Angela Vicario (more...)

Editorial Reviews

Review
?Exquisitely harrowing . . . very strange and brilliantly conceived . . .a sort of metaphysical murder mystery.??The New York Times Book Review

?This investigation of an ancient murder takes on the quality of a hallucinatory exploration, a deep, groping search into the gathering darkness of human intentions for a truth that continually slithers away.? ?The New York Review of Books

?Brilliant . . . A small masterpiece . . . we can almost see, smell and hear Garcia Marquez?s Caribbean backwater and its inhabitants.??San Francisco Chronicle

?As pungent and memorable as a sharp spice, an examination of the nature of complicity and fate . . . an exquisite performance.? ?The Christian Science Monitor

"A tour de force . . . In prose that is spare yet heavy with meaning, Garcia Marquez gives us not merely a chronicle but a portrait of the town and its collective psyche . . . not merely a family but an entire culture.? ?The Washington Post Book World
-- Review --This text refers to the Paperback edition.

Review
“Exquisitely harrowing . . . very strange and brilliantly conceived . . .a sort of metaphysical murder mystery.”—The New York Times Book Review

“This investigation of an ancient murder takes on the quality of a hallucinatory exploration, a deep, groping search into the gathering darkness of human intentions for a truth that continually slithers away.” –The New York Review of Books

“Brilliant . . . A small masterpiece . . . we can almost see, smell and hear Garcia Marquez’s Caribbean backwater and its inhabitants.”—San Francisco Chronicle

“As pungent and memorable as a sharp spice, an examination of the nature of complicity and fate . . . an exquisite performance.” –The Christian Science Monitor

"A tour de force . . . In prose that is spare yet heavy with meaning, Garcia Marquez gives us not merely a chronicle but a portrait of the town and its collective psyche . . . not merely a family but an entire culture.” –The Washington Post Book World



From the Trade Paperback edition.

See all Editorial Reviews

Product Details

• Mass Market Paperback: 160 pages
• Publisher: Ballantine Books (February 12, 1984)
• Language: English
• ISBN-10: 0345310020
• ISBN-13: 978-0345310026
• Product Dimensions: 6.6 x 4.1 x 0.4 inches
• Shipping Weight: 3.2 ounces
• Average Customer Review: 4.1 out of 5 stars See all reviews (123 customer reviews)
• Amazon.com Sales Rank: #125,142 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

61 of 63 people found the following review helpful:

5.0 out of 5 stars A good place for anyone interested in Marquez to start., May 13, 2000

By	Chris Parker (Valdosta, GA USA) - See all my reviews

Gabriel Garcia Marquez is one of the most genuinely artistic of 20th century authors. "One Hundred Years of Solitude" was the first of his books that I read and while I loved the story there were times when the sheer size, scope and density of that work was very intimidating. It wasn't until my second reading that I was able to fully digest the power of the book and appreciate the consumate artistry it embodied. For those who want a little bit of a lighter introduction to Marquez, "Chronicle of a Death Foretold" is a good place to look.

The story is deceptively simple: A young girl in a South American village (a setting almost all Marquez's works share) is married and it is found that she has already lost her virginity. Her brothers are then bound by honor to kill the man responsible, an act they have no interest in doing but do nonetheless because no one will stop them. I am giving nothing away here, all the details of the story are revealed in the first few pages. What elevates this simple story to the grand level of all Marquez works is the brilliant structure and execution. Marquez succeeds, as always, in putting a fresh spin on a timeless plot.

Marquez gives us the events leading up to the murder from several different angles and with each different angle a new wrinkle in the fabric of the story unfolds. What we learn is that there scarcely a person in the whole town who could not have helped rescue the victim from his early end. The killers did not hide their mission, on the contrary they announced it to whoever crossed their path and delayed the doing of the deed until they could not wait any longer. It is this fact which sticks with the reader of the book long after he has finished reading and Marquez explores the question of responsibility at length.

I recommend that "Chronicle of Death Foretold" be read as an intro to Marquez and if you like it then move on to the more imposing works like "One Hundred Years of Solitude" and "Autumn of the Patriarch". For those Marquez fans who have not "Chronicle of Death Foretold" yet, I encourage them to do so right away. It easily hold up to his best material, even within its smaller framework.

49 of 52 people found the following review helpful:

5.0 out of 5 stars The Presence of Death in Life, June 17, 2000

By A Customer

The first sentence of this harrowing, surrealistic novella concerns itself with the murder of the wealthy, twenty-one year old Santiago Nasar and every page that follows only serves to broaden and enlarge this action.

The novella, a narrative written twenty-seven years after the murder by Nasar's journalist friend, serves as a detailed history of the hours leading up to the crime. The entire population of a fictional Latin American village comprise the cast of characters and as we become privy to their actions and memories, the one certainty we learn is that everyone had a part to play in this crime.

The night before the murder, Angela Vicario had married Bayardo San Roman in a lavish and costly ceremony. However, when San Roman learns that Angela is not a virgin he returns her to her mother immediately. When pressed to name the man who stole her virginity and disgraced the family name, Angela answers, "Santiago Nasar."

Nothing points to the truthfulness of Angela's assertion, but her twin brothers, Pablo and Pedro, who are pig butchers by profession, sharpen their knives and begin their search for Nasar.

Although "there had never been a death more foretold," every one of the town's citizens has some reason, valid or not, for doing little or nothing to prevent the death of Nasar.

Even Nasar, himself, until the final moments, seems oblivious to what every other person in the town is well aware of. Amazingly, he seems to either feel himself above death or simply resigned to his fate.

The narrator of Chronicle of a Death Foretold presents many instances and situations that could have saved the life of Nasar yet failed to do so, underscoring one of Garcia Marquez's signature themes--irony.

Some of the town's citizens, like Victoria Guzman, Nasar's cook, have private reasons for wishing him dead. Many assume that Nasar must surely be aware of the danger himself, while others simply discount the Vicario brothers announcement as drunken boasting.

By the time Nasar walks onto the dock to meet the visiting bishop's boat, everyone there knows how and why he's going to be killed. And, when the Vicario brothers begin their attack, no one lifts a finger to stop it.

During the final, surrealistic pages of the book, Nasar rises from the bloodied ground and dusts off his own entrails before "entering the house of his mother" and announcing, "They've killed me, Wene child," as he falls on his face in the kitchen.

Garcia Marquez illuminates, not only the duplicity behind the Latin "code of honor," but the hypocrisy of the women as well, a hypocrisy that makes a mockery of the community's strict code of behavior.

The little understood "cult of machismo" is also explored and Garcia Marquez shows us how the men's strict adherence to that cult contributed heavily to the death of Nasar.

While the narrator of Chronicle of a Death Foretold is unable to come to any firm conclusions regarding Nasar's death, he does show us the overwhelming inevitability of it all. Too many forces, including apathy, assumption and even chance are all moving in the same direction and all contribute to the final, harrowing outcome. This sense of the inevitable pervades every line of the book and we know there could have been no way the life of Nasar could have been spared.

Although told in a straightforward (though non-linear) manner, Chronicle of a Death Foretold is not a straightforward story. It is complex, shocking and powerful and surrelistic in its approach. It concerns itself with the power of death in life and how one death affects and transforms an entire community.

The language used in Chronicle of a Death Foretold is, at times, shocking and even brutal, but it is perfectly suited to the shocking and brutal story it tells.

In an early interview, Garcia Marquez mentioned the debt he owned to Juan Rulfo, author of Pedro Paramo. Although Chronicle of a Death Foretold is highly original, Rulfo's influence can clearly be seen. The two novellas parallel each other in their surrealistic qualities, the ever-present sense of death and meaninglessness and the inevitability of life's final outcome. Both works are characterized by unrelieved darkness and a descent into something unamed, from which it is impossible to return.

As with all of Garcia Marquez's works, this book is flawless. It is a highly rewarding, yet disturbing work that forces us to look at the inevitable presence of death in life and the uncertainty of even the next moment.

13 of 14 people found the following review helpful:

5.0 out of 5 stars A surprising complexity, September 1, 2003

By	Eric J. Lyman (Roma, Lazio Italy) - See all my reviews (TOP 1000 REVIEWER)    (REAL NAME)

The popular notion is that Love in the Time of Cholera may be Gabriel Garcia-Marquez's best book, and that One Hundred Years of Solitude is the one that made him famous. But what many people don't know is that Chronicle of a Death Foretold is the book that won Mr. Garcia-Marquez the Nobel Prize.

Sure, that's mostly a quirk of the calendar. But the book was Mr. Garcia-Marquez's most recent publication when the Nobel committee sat down to discuss who deserved the award for literature in 1982. And though it's hard to imagine anyone on the committee nominating the venerable Colombian as a result of this slim volume, it is easy to conclude that nothing here would make them second guess their votes either.

Chronicle of a Death Foretold has everything that makes the work of Mr. Garcia-Marquez such a joy, albeit in abbreviated form. Its pages contain great characters and names, unusual events made believable by the storyteller's skill, a mysterious storyline, a surprising complexity.

And because of its diminutive size and straightforward style, it's a great way to sample the Mr. Garcia-Marquez's work for the first time.

If you do that and enjoy the story, try News of a Kidnapping in addition to the two great novels mentioned above. The two -- News of a Kidnapping and Chronicle of a Death Foretold -- are the two novels that employ a style that harkens back to Mr. Garcia-Marquez's early days as a journalist, using interviews and investigation as a base for a fictionalized reconstruction of real events recounted with the same style that earned the author his reputation.