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Chronicles: Volume One
 
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Chronicles: Volume One [Abridged, Audiobook] [Audio Cassette]

Bob Dylan (Author), Sean Penn (Reader), Sean Penn (Author)
4.2 out of 5 stars  See all reviews (305 customer reviews)


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Book Description

October 5, 2004 Chronicles (Book 1)
"I'd come from a long ways off and had started a long ways down. But now destiny was about to manifest itself. I felt like it was looking right at me and nobody else."

So writes Bob Dylan in Chronicles, Volume I, his remarkable, book exploring critical junctures in his life and career. Through Dylan's eyes and open mind, we see Greenwich Village, circa 1961, when he first arrives in Manhattan. Dylan's New York is a magical city of possibilities - smokey, nightlong parties; literary awakenings; transient loves and unbreakable friendships. Elegiac observations are punctuated by jabs of memories, penetrating and tough. With the book's side trips to New Orleans, Woodstock, Minnesota and points west, Chronicles: Volume One is an intimate and intensely personal recollection of extraordinary times.

By turns revealing, poetical, passionate and witty, Chronicles: Volume One is a mesmerizing window on Bob Dylan's thoughts and influences. Dylan's voice is distinctively American: generous of spirit, engaged, fanciful and rhythmic. Utilizing his unparalleled gifts of storytelling and the exquisite expressiveness that are the hallmarks of his music, Bob Dylan turns Chronicles, Volume I into a poignant reflection on life, and the people and places that helped shape the man and the art.

--This text refers to an out of print or unavailable edition of this title.

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Editorial Reviews

Amazon.com Review

One would not anticipate a conventional memoir from Bob Dylan--indeed, one would not have foreseen an autobiography at all from the pen of the notoriously private legend. What Chronicles: Volume 1 delivers is an odd but ultimately illuminating memoir that is as impulsive, eccentric, and inspired as Dylan's greatest music.

Eschewing chronology and skipping over most of the "highlights" that his many biographers have assigned him, Dylan drifts and rambles through his tale, amplifying a series of major and minor epiphanies. If you're interested in a behind-the-scenes look at his encounters with the Beatles, look elsewhere. Dylan describes the sensation of hearing the group's "Do You Want to Know a Secret" on the radio, but devotes far more ink to a Louisiana shopkeeper named Sun Pie, who tells him, "I think all the good in the world might already been done" and sells him a World's Greatest Grandpa bumper sticker. Dylan certainly sticks to his own agenda--a newspaper article about journeymen heavyweights Jerry Quarry and Jimmy Ellis and soul singer Joe Tex's appearance on The Tonight Show inspire heartfelt musings, and yet the 1963 assassination of John Kennedy prompts nary a word from the era's greatest protest singer.

For all the small revelations (it turns out he's been a big fan of Barry Goldwater, Mickey Rourke, and Ice-T), there are eye-opening disclosures, including his confession that a large portion of his recorded output was designed to alienate his audience and free him from the burden of being a "the voice of a generation."

Off the beaten path as it is, Chronicles is nevertheless an astonishing achievement. As revelatory in its own way as Blonde on Blonde or Highway 61 Revisited, it provides ephemeral insights into the mind one of the most significant artistic voices of the 20th century while creating a completely new set of mysteries. --Steven Stolder --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

For legions of die-hard fans and Dylanologists, there is but one voice. And hearing it spoken is rare, mainly during concert band introductions. So the sound of actor Penn taking on Bob Dylan's legendary and oft-cryptic persona is, initially, a surreal aural experience. But after awhile, it becomes clear that the choice was apt. Like Dylan, Penn is a fearless performer, and his own iconoclastic personality serves the narrative without ever threatening to upstage it. One detects a reverent restraint in Penn's voice that conveys the impression that his casual performance is likely as studied as his acclaimed screen work. He adopts a subtle Guthrie-esque workingman's tone, peppering his delivery with plenty of conjunctions. Only when recounting Dylan's youthful arrival in New York City does Penn's preternatural, been-there-done-that tone seem inappropriate. Not surprisingly, Dylan's prose style is lyrical and rambling, the rhythm and cadences jazz-like, and the content prone to Beat influences. But Penn handles these charges with skill. His delivery is even, but his voice dips and rises with welcome emotion when Dylan discusses his unwanted anointment as the conscience of a generation. Overall, this is a solid and compelling audio adaptation.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Product Details

  • Audio Cassette
  • Publisher: Simon & Schuster Audio; Abridged edition (October 5, 2004)
  • Language: English
  • ISBN-10: 0743543084
  • ISBN-13: 978-0743543088
  • Product Dimensions: 7.1 x 4.1 x 1.2 inches
  • Shipping Weight: 5.6 ounces
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (305 customer reviews)
  • Amazon Best Sellers Rank: #3,216,225 in Books (See Top 100 in Books)

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Customer Reviews

305 Reviews
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Average Customer Review
4.2 out of 5 stars (305 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

301 of 318 people found the following review helpful:
5.0 out of 5 stars So much for enigmas, October 27, 2004
Amazon Verified Purchase(What's this?)
This review is from: Chronicles, Volume 1 (Hardcover)
When I was in college back in the mid-1960s, I remember a piece in the student newspaper that sought to explain the new folk music phenomenon Bob Dylan. I wish I had a copy of that story today, just to see how it matches up with the man revealed in Dylan's new autobiography, Chronicles Volume One.

My dim recollection is that the sophomoric student article painted Dylan as an inscrutable eccentric trickster, deep yet elusive.

That's pretty much the general impression I've had of Dylan since I first heard him around 1964 or '65. And, of course, I thought of him as the conscience and voice of my generation.

Well, it turns out that he's neither, as least not in the way most of us thought.

Dylan, in his own words, comes across as a regular guy who just wanted to do his job and go home to his family without being hassled by every freak and geek who imagined him to be the new Messiah.

In a recent radio interview on NPR - the first he's given in my memory - he's asked if he ever thinks about walking away from music.

"Every day," is his comeback.

The book reveals a devoted family man who has spent much of his life plugging away at his craft and trying to shield himself and his loved ones from the glare of offstage attention.

The further I went in the book, the most shared impressions and cultural perceptions I discovered. I became a grandfather earlier this year and have been wrestling with the idea and its implications of advancing age and life changes. I feel a whole lot better about it now that I know Dylan owns a "World's Greatest Grandpa" bumper sticker.

Oddly enough, many of us thought of him as the voice of our generation while at the same time seeing him as detached and set apart from the rest of us.

It turns out that he's much more one of us than we realized and it's probably more accurate to think of him as the voice of every generation, whether they know it or not.

This is an invaluable book because it demystifies Dylan and blows away all of that "mad genius" stuff that has swirled around him for 40 years.

My son, who owns a recording studio, is getting this book for his birthday this year for a variety of reasons, not the least of which is the chapter on working with producer Daniel Lanois in New Orleans.

I find maybe two books a year that I just can't put down. This is one of those books.
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48 of 51 people found the following review helpful:
5.0 out of 5 stars Even Better Than Expected., November 24, 2004
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V. Messner (PA, United States) - See all my reviews
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This review is from: Chronicles, Volume 1 (Hardcover)
Some people have said this book doesn't reveal enough about Bob Dylan's personal life and that it skips around too much. I feel differently. Far as self-disclosure goes, Bob Dylan will never write a tell all, because that's just not the kind of person he is. I was very happy with the many personal thoughts and experiences he did share in Chronicles; he was way more open that I expected. This book does not read like a normal story. It's true. Bob doesn't always stick to a chronological line, but in no way does that detract from this unique and wonderful book. The joy in reading this autobiography doesn't lie in seeing Dylan neatly connect the dots. For me, it is just in taking each thought as it comes and enjoying it. Bob explains everything he's seen and done down to the most minute detail. In the book Dylan claims to "never forget a face," and I believe him. He certainly has close to a photographic memory. He remembers things from 30 years ago that I would have forgotten about yesterday - he's a professional observer if there ever was one. It's really unbelievable. It's easy to see that he's a very well read individual. This you will see in the book, as he elaborates and gives interpretations on the works of author after author, poet after poet. His unique personal writing style is no doubt a result of these many influences. I enjoyed this book more than anything I've read in a long time. I eagerly await Chronicles, vol. 2. and if you find Bob Dylan fascinating, I'd highly recommend Chronicles, vol. 1.
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43 of 48 people found the following review helpful:
5.0 out of 5 stars Uh...I actually read the book, October 7, 2004
This review is from: Chronicles, Volume 1 (Hardcover)
I don't like how people review this book (and too many others around here) based on an excerpt in a magazine (well, at least they read SOMETHING instead of reviewing it based on whether or not they like the author the way people do with books by Ann Coulter and other political types). No one needs your thoughts on an excerpt that they can read for themselves by visiting Dylan's website.

I bought this book the day it hit the shelves, and read it in one sitting. How could I not? I'm a Dylan addict. If you're a Dylan fan, you should enjoy his remembrances of his early years in New York and of his alarm at being annointed the guru of the whole anti-establishment movement of the 60s. Dylan skips around through his life, so this is not an autobiography by any means. It's almost a self-interview. If you're looking for his life story, you're better off with a book by Clinton Heylin, Robert Shelton, or even Bob Spitz. I look forward to future volumes of "Chronicles."

I'm rather disappointed that the audio version of this book is read by Sean Penn! I like Sean Penn, but imagine what a pleasure it would be to hear Dylan read this himself.
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