Chuck Amuck: The Life and Times of an Animated Cartoonist
is a sort of autobiography of Chuck Jones, the brilliant Warner Brothers animator who created such enduring characters as Wile E. Coyote and Marvin the Martian. Like his best cartoons, Jones skips around to the fun parts, giving a bit of childhood here, a few words of drawing advice there, and a good yarn wherever one fits. Jones also manages to work in a detailed yet somehow never boring description of the long and silly process of making a cartoon. Jones is refreshingly generous about spreading credit around to others. He fondly remembers art teachers, tips his hat to fellow directors and mentors Friz Freleng and Tex Avery, and gives the reader a new appreciation of the layout men who create the backgrounds for animated features. Most engaging are Jones's accounts of office life at Warner Brothers, which sounds like just as much fun as you hope it would be. Jones recounts stories of drawing tables wired to wake up sleeping animators when the boss approached and Cal Howard, a gag writer who ran an illegal commissary out of his metal-lined desk. The book is filled with sketches and color plates of much-loved moments from Warner Brothers cartoons and even includes a quick Road Runner and Coyote scene that comes to life when the pages are flipped. Highly recommended for kids who like to draw and adults who have not lost their appreciation for Looney Toons. --Ali Davis
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Film animation, like comedy, is an art of timing, writes Jones, and in this short, unpretentious, amusing memoir, the director of Bugs Bunny cartoons and inventor of Roadrunner, Coyote and romantic skunk Pepe Le Pew discloses secrets of his comedic craft. Part of the team that created Daffy Duck and Porky Pig, Jones spins stories about a favorite uncle, a family cat hooked on grapefruit and why his father detested Warren Harding. He reminisces about attending art school during the Depression, his early years at Warner Brothers, the creative mayhem surrounding the birth of some of his classic cartoons. With gemlike anecdotes, Jones pays tribute to directors, fellow animators, writers, a sound-effects specialist. He cursorily covers his career since leaving Warner, which includes the production of TV specials ( The Cricket in Times Square ) and films ( The Phantom Tollbooth ). Photos not seen by PW.
Copyright 1989 Reed Business Information, Inc.