12 of 12 people found the following review helpful:
4.0 out of 5 stars
Distinctively Burke, for better or worse, April 2, 2001
Having read several of James Lee Burke's novels now, I have come to see that his approach to weaving together a story is intriguingly unorthodox. His narrative is choppy and at times almost disjointed; short vignettes, encounters, and episodes are cobbled together, and change-of-voice digressions and flashbacks are not unusual. Readers accustomed to a smoother ride will find Burke's approach difficult in places.
At the same time, Burke can positively hypnotize readers through the beauty of the language he employs and his ability to capture a thought, a moment, a mood, or a concept in a few well-chosen words or phrases. This combination of organizational looseness and powerful, evocative writing makes reading Burke a truly distinctive literary experience.
In *Cimarron Rose*, Burke has taken a break from his Dave Robacheaux series and has introduced a new protagonist, Billy Bob Holland in a new setting, Deaf Smith County, Texas. Still, the overall tone and style of the story will be familiar to readers of previous Burke novels. Holland is another fallen lawman-type haunted by his past, and his similarity to Robacheaux in terms of his patterns of action and thinking are hardly surprising. The story itself is populated by desperate criminal types, fallen women, drunkards, corrupt "leading citizens," a demented maniac, and in fact, a entire cast of typical denizens of Burke's stories.
With its loosely woven whodunit plot line and its accompanying quota of broken noses and gunshot wounds, the story is a kind of classic combination of police mystery and violent pulp fiction novella. Added to this are some interesting added elements, including recurring reference to Billy Bob's great-grandaddy's journal and the regular appearance of the ghost of Billy Bob's ex-best friend and partner. Combined with a rather weird ... ending, the whole mish-mash makes for interesting reading but doesn't constitute a satisfactorily well-woven novel overall.
Despite its flaws, *Cimarron Rose* is worthwhile not only because of Burke's talents as a wordsmith, but also because of his astute eye for social and class interactions and conflict in his small-town southern setting. His descriptions of the myriad ways in which the affluent "East enders" dominate the small Texas community in which events unfold in this book shows Burke's keen understanding of the sociological and economic as well as psychological aspects of his human subject matter. Clearly, his own sympathies are with the lower classes, the downtrodden, the underprivileged, and the way he skewers the powerful and hypocritical in this book is impressive, indeed.
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14 of 15 people found the following review helpful:
2.0 out of 5 stars
Same story different setting, April 16, 2000
By A Customer
If you have never read a Burke novel then you may like this. If you are familiar with the Robicheaux novels, then pass this one up. I like James Lee Burke's novels, but this book is just the same story and same characters with different names and in Texas instead of New Iberia, LA. Billy Bob is just Dave Robicheaux except as a small town lawyer rather than a small town cop. He has a woman partner, has semi-adopted a young ethnic child, talks to a ghost, defends the down-trodden and his father was killed in an oil company accident just like Robicheaux's father. He deals with sketchy characters from his past and has to deal with the "psychic scars" of his past as the NY Book Review put it. Sound familiar? If you have read the Robicheaux series then, of course it does. I found myself missing the antics of Clete Purcel. Same idea here: the rich and powerful screw with the down and out. Guess who wins in the end?
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12 of 13 people found the following review helpful:
4.0 out of 5 stars
But Bitterroot is better!, January 24, 2002
I liked part two (Bitterroot) of James Lee Burke’s Billy Bob Holland saga so well that I gave this first part a listen on unabridged audio. Boy howdy, Billy Bob gets better with age!
Cimarron Rose is our introduction Billy Bob Holland, an attorney/former Texas Ranger (the Law Enforcement kind – not G.W.’s former baseball team) and his friends and relatives, including his dead ranger partner, L.Q. Navarro, for whose death Billy Bob, a “river-baptized” Baptist turned Roman Catholic, feels all the guilt that the latter can impose.
The plot exposes small-town caste sociology to the light - without proselytizing - like Stephen King did in the horror venue with “Carrie.” But what’s up with Great-grandpa’s journal? This reader doesn’t see the point - except to exploit the extreme predjudices of the period against Native Americans. The author’s forays (via excerpts from an old journal) into Billy Bob’s outlaw/preacher great-grandfather’s lust for the “savage” Cimarron Rose, and concomitant self-hatred, seem superfluous and gratuitous.
Burke’s writing is superb. At one point I just had to stop and write down a quote. Billy Bob (the tale is written in the first-person) is telling us about his Daddy, who had gone nearly blind as a welder. Then, “Clarity of sight” came only when he was welding “and saw again the flame that was as pure to him as the cathedrals bells were to the deaf bell-ringer Quasimodo.”
This tour of Burke’s Deaf Smith County, Texas is well worth the trip. Stay on board for Bitterroot, Montana!
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