Customer Reviews

Cinderella (Wide World of Disney)

5 star:		(146)
4 star:		(47)
3 star:		(12)
2 star:		(8)
1 star:		(44)

 

 

This movie floats like a rainbow in the sky sprinkled with fairy dust. It is the most visually stunning, spectacular feast for the eyes I have ever seen. The messages are wonderful and wholesome, the plot perfect and the singing...magical. I can't find one single thing wrong with this movie.

Brandy brings a sweet innocence to Cinderella, and in my mind, she is the most beautiful Cinderella ever. Her voice lacks a certain maturity, which was perfect for the role. It breathes innocence and a human spirit into Cinderella like never before. She is sweet, mysterious and very feminine. She presents women in a very positive way.

When Cinderella and the Prince meet in the market, you just can't imagine it happened any other way. Paolo Montalban: wow...he is the perfect prince and so handsome. I was so impressed with his voice. When Brandy and Paolo sang together it gave me shivers and one time almost made me cry. It was like two souls mingling in the sky with longing. The choreography was stunningly original. The scenes in the market with all the food will just delight every cook.

The story starts in a market with Cinderella and her two sisters shopping. She meets the Prince, and is then told not to talk to him and is whisked home. Almost immediately, plans are being made for a Royal Ball to find the prince a wife so he can produce an heir for the kingdom. Whoopi Goldberg is hilarious as the Queen, and Victor Garber comes across as a loving father who wants the best for his son. I was amazed when the King and Queen were actually in love, which was not the case in other movies.

As in all the Cinderella stories, Cinderella is left at home and then when she wishes to go to the Ball, the fairy godmother magically appears.

Whitney Houston plays a fairy godmother just as you would imagine her to be, ethereally floating next to the horses and carriage, sparkling, singing...wow, what more could you ask for. It was amazing. Then, the humor was also there as she tries at first to turn the pumpkin into a carriage and fails on the first try. She mumbles something about how she should be able to do this after 600 years of practice. What she does with a pumpkin, well...baby, get ready. This woman can cook! She turns the pumpkin into the most stunning carriage. The pastel blue dress Brandy wears is simply gorgeous.

When Cinderella arrives at the ball, her sisters have already had their chance to um, impress the prince and have failed. The costumes and sets are so incredibly gorgeous and the ballroom dancing almost makes you dizzy because they keep spinning and spinning and spinning. There is a scene at the ball that will make you laugh out loud when her sister is on the staircase. Oh, my that was funny.

Cinderella of course makes it to the end of the stairs at midnight as her beautiful gown changes back to her regular clothes and she loses her glass slipper. When she gets home, more fun awaits. Her sisters are very suspicious of how much she knows about the ball. One of the funny things is that Bernadette Peters looks younger than one of her daughters, but still manages to pull off the step mother act with great flair. We cannot say the same for her daughters. They are quite funny and bumbling, just as we want them to be.

When Cinderealla's stepmother says something about remembering to hide flaws until after the wedding, Cinderella comments as to how a man should love a woman for who she is. A great message to women who sometimes try to be all things to men and fail to find true happiness in being just who they are.

I've always adored the story of Cinderella, and the fact that in this adaptation Cinderella is African American was delightful. Anyone who says Brandy can't act is really lying. She brings a wonderful spirit to this movie and does a wonderful job, she is a much better actor than eighty percent of the actors in movies today. The warmth she pours into this story is so needed in our world today.

I am literally SHOCKED at the poor reviews this movie has received. I have never seen anything this beautiful and heartwarming in my life! This is now my favorite version of Cinderella besides Ever After, which also makes Cinderella so much more human. They are both on my list of favorite movies.

The message of having a wish and then making it come true shows that everything starts with a wish. This message of hope and eternal optimism is so needed in society today. The multicultural actors added so much to the story; and it sends a wonderful message.

You will totally fall in love with this movie!

~The Rebecca Review

Just a little note on the comments stating that this version "was not what R & H had in mind":

1. Oscar Hammerstein was passionately against racism, (note his song "Carefully Taught" in South Pacific) and I was told by his daughter, Alice, at the premiere that he would have been overjoyed with this production.

2. Early on in the process of re-realizing this score, I felt skeptical when I was asked to tailor the music to the talents of R. & B. recording artists. In the midst of production, I received correspondence from both the R. & H. organization, as well as from Mary Rodgers herself (Richard's daughter) that they were "ecstatic" at the updated sound of the score. "My hero," were her words to me upon being introduced to her.

Imagine my delight at hearing the above, being that I was an AVID R. & H. fan as a child AND adult. I watched the 1965 version religiously year after year until it was no longer aired. I feel very privileged to have had the honor to have been able to tailor this magnificent score to a new generation of listeners. It was an experience I will not soon forget!

Bernadette Peters, Natalie Desselle, Paolo Montalban, Brandy, Veanne Cox, Whoopi Goldberg, Victor Garber and Whitney Houston all sing and dance up a storm in this glittering new mounting of the Rodgers and Hammerstein classic CINDERELLA.

This time however, the score is augmented with three new songs, written by Rodgers and Hammerstein in their seperate early careers.

They include 'The Deepest Love In All The World', sung by Brandy and Paolo Montalban, 'The Music In You', sung by Whitney Houston, and, my personal favourite, 'Falling In Love With Love', sung by the incomparable Bernadette Peters, with additional vocals by Natalie Desselle and Veanne Cox.

The entire production is flawless, and I loved every minute of it.

It has previously been recorded live on television with Julie Andrews and again with Lesley Ann Warren. Both of those cast albums are still available.

Cinderella beats the best. This remake from 1965 and 1954 was excellent. It has an all-star cast, including Brandy as a marvelous Cinderella, Whitney Houston as the eccentric Fairy-Godmother, Paolo Montalban as a very charming and (unlike the others) caring prince, Whoopi Goldberg and Victor Garber as a great and hilarious royal couple, Jason Alexander as the overlooked/overstepped harold, Bernadette Peters as the flirtatious/evil Stepmother, and Veanne Cox and Natalie Dessette as a wonderful combination of Stepsisters. The costumes and sets were just breathtaking. That, along with the technology, put it way above the previous remakes. It was romantic, with an upbeat feel, and plenty of humor. My favorite scene is the totally redone "The Prince is Giving a Ball". It gave you that feel-good music, mixed with the humouruos exasperation from the Prince's valet. It had just exellent choreography, and colorful costumes and props. The ballroom scene was also great. Especially the "Stepsisters Lamade". And I loved the new songs, including "Falling in Love With Love", and "Waiting Somewhere for Me". I think the Step-units stole the show, as they had a right to, with their brilliant acting and singing. This is a must-see film (again and again and again...)

As a young black girl, most if not all the images I saw on televison and movies of princesses were all white. While the shows were certainly entertaining, they gave me--and I'm sure, many other Americans--the sense that little black girls didn't really have a place in fairytales. I can't tell you what it means to me (and other ethnic groups) to see a major Hollywood production using multi-ethnic performers. And as a mother of Scottish-Jewish-African children, it's wonderful to see a musical in which color-blind casting is used. That, combined with pretty decent--I'd say stellar--production values and updated sets, costumes and performances, makes for a show that will certainly appeal to new generations--a wonderful example of diversity for everyone. Who knows--perhaps the kids of today will feel as strongly about this version as the adults do about the Julie Andrews production from decades ago.

I watched this movie when it first aired and loved it so much that I bought the video. I have since watched it numerous times.

Brandy does not have near the voice to do a Rogers and Hammerstein. I still don't understand why she was cast as Cinderella. I hope she will not attempt another musical in the future. Whitney was Whitney. She succeeded in turning the fairy godmother into her image.

Fortunately, the rest of the cast more than make up for them. Overall, the acting was good. The singing (beside Brandy) was excellent. Whoopi Goldberg and Victor Garber were great as Queen and King. Whoopi was hilarious, but I wish she didn't have to sing. I agree with the other reviewers that Bernadette Peters stole the show as the wicked stepmother. Her singing and acting were superb. Jason Alexander was OK as the Prince's Valet, but why did he need that accent??? The two stepsisters were funny.

The real fairy tale is newcomer Paolo Montalban. He was exceptional in his TV debut and what a fantastic voice. I hope to hear him sing again. His prince was perfectly charming, and he could dance too.

Lastly, the mutlicultural casting is ingenious. All the actors and actresses were cast by their singing (except Brandy) and acting (except Whitney) ability. Disney didn't make this an all-white or all-black Cinderella so children of all races can enjoy it. For the people who think that this is not realistic, remember THIS IS A FAIRY TALE. If mice can change into horses and pumpkins into coaches that fly then why can't a white king and a black queen have an asian son. We don't need an scientific explanation to everything. Just enjoy the movie. ~

Whitney Houston as Cinderella's fairy godmother? Whoopi Goldberg as queen? Needless to say, that's quite a different cast than was in the original Cinderella! And the differences don't stop there. In this 1997 remake of the common fairytale, romance and zaniness freely combine to make this "Cinderella" version like any other.

One thing that I loved about this movie was the blending of the old and new. The Rogers and Hammerstein songs written for this movie were still on this movie (bravo to Disney for including them!!), but they were sung by Brandy, a "Cinderella" whose pretty "pop" voice gives them a modern twist. The stepsisters just can't get much funnier, and their outrageous ballgowns and ballroom blunders will leave you in stitches. Humor also comes in the form of the king and queen-their subtle one-liners will also make you laugh. A subtle yet wonderful new addition to this movie is the varied cast-creating a fairy tale world of every skin color.

The producers of this movie also knew what NOT to change. The prince as every bit as charming as a fairytale should be, and of course the glass slipper is present...and even the slight stiffness of Brandy's acting is forgivable doesn't spoil this otherwise wonderfully done fairy tale.

Our whole family loves this multi-racial Cinderella! The songs are catchy and fun. The costumes colorful and imaginative. The acting is great. The whole movie is entertaining. It's nice to see a movie where most of the main characters are NOT white. My daughters especially love this movie, as it is fun and encouraging for them to see a Black woman in a princess role.

I just wanted to say that I love this version of Cinderella! I have always loved the story, but recently, I saw this new version. It was interesting cast, but it still had a great cast! Brandy, Whitney, and ESPECIALLY Bernadette Peters were amazing! The songs were fun and entertaining to listen to. It was a great movie and I have to say that Bernadette played a good evil stepmother!

I grew up loving the Leslie Anne Warren version of Cinderella, but watching it as an adult has always been somewhat painful. The sets are very cheap looking, some of the choreography is downright hideous (the men kicking the women in the butts with their knees during "The Prince is having a Ball") and the dialogue is banal. All that's left that still gives me great pleasure is the beautiful R&H score. So, I was intrigued to see what a '90's version would be like, and I was not disappointed. Brandy and Paolo are totally charming in their roles. The dialogue, while still not Ibsen, is a vast improvement on the '66 version. Whitney gets a bit too much screen time and Whoopi not enough; and why doesn't Victor Garber get to sing? He has an incredible voice, for those who remember him in Sweeney Todd. The highlights: Bernadette Peters, who gives some depth to her wicked stepmother...the INCREDIBLY colorful sets and costumes, which look stunning on the DVD...the wonderful "spinning-out-of-control" feeling of "Ten Minutes Ago"...a much improved opening using a "new" song...and the very welcome color-blind casting, along with the "music's in you" theme to the story (though that song didn't do much for me). Overall, a welcome return to the old-fashioned Hollywood musical--with a few modern twists.