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Cinema 2: The Time-Image
 
 
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Cinema 2: The Time-Image [Hardcover]

Gilles Deleuze (Author), Hugh Tomlinson (Author), Robert Galeta (Author)
3.5 out of 5 stars  See all reviews (2 customer reviews)


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Product Details

  • Hardcover: 352 pages
  • Publisher: Univ of Minnesota Pr (November 1989)
  • Language: English
  • ISBN-10: 0816616760
  • ISBN-13: 978-0816616763
  • Product Dimensions: 9 x 6 x 1 inches
  • Shipping Weight: 1.2 pounds
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #3,890,617 in Books (See Top 100 in Books)

 

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3.5 out of 5 stars (2 customer reviews)
 
 
 
 
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19 of 39 people found the following review helpful:
5.0 out of 5 stars One of the best books on cinema, June 5, 2000
By A Customer
Although Deleuze mentions that this bookfs aim is to make a typology on cinema, for readers, it will be the object of thought more than that. In this book, Deleuze considers many films in which time is not subordinate to movement any longer (the time-image). His way of developing theory is like Bergsonfs one on time and memory, but his theory of time has variations that are reflected in various films and becomes a profound notion of the world with dynamic extension. Deleuze proposes us not only new concepts through films but also the question: What is the world? Deleuze creates a system on cinema as same as he analyzes clearly what is new and what is different from the past films in films of neo-realism or the new wave. While many people have mentioned to genres in films, Deleuzefs analysis of the border between the genres is one of the most precise.

If you had gCinema 1: The Movement-Imageh, this book would be more interesting for you because you could compare the two books. Moreover, this book treats so many films that you must find ones you have ever seen, which makes this book more fascinating.

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2.0 out of 5 stars Confused!, September 21, 2011
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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
modern political cinema, falsifying narration, irrational cut, implied dream, undecidable alternatives, commensurable relations, spiritual automaton, sound framing, talking cinema, pure recollection, motor extension, cinematographic image, attentive recognition, sound continuum, aberrant movement, continuity shots, indirect image, rational cuts, intellectual cinema, false continuity, sound situations, modern cinema, opaque side, whole cinema, indirect representation
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Marguerite Duras, Last Year, Citizen Kane, The Lady, First Name Carmen, Slow Motion, Van Gogh, Jerry Lewis, The Trial, The Leopard, Three Things, Michel Chion, Touch of Evil, Della Nube, Three Wives, All About Eve, The Man Who Lies, Love Affair, Jean-Louis Schefer, The General Line, The Barefoot Contessa, Lola Montez, Buster Keaton, Herman Melville, Bibliothèque Nationale
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Front Cover | Table of Contents | First Pages | Index | Surprise Me!
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