Cinema of Martin Scorsese [Paperback]

Lawrence Freidman (Author)

Book Description

Publication Date: September 25, 1997

This is a thematic and chronological apprais al of one of the most intense - and intensely imitated - of American film-makers who has been exposing the unvarnished s ide of contemporary life for more than twenty years. '

Editorial Reviews

Amazon.com Review

Is Martin Scorsese the last of the auteur filmmakers? Does his cinematic brilliance put him on a par with John Ford, Orson Welles, Howard Hawks, John Cassavettes, and other major American directors? In The Cinema of Martin Scorsese, Lawrence S. Friedman investigates this question as he takes the reader through the progress of Scorsese's career. Friedman explores Scorsese's influences, his stock company of actors (which includes Robert De Niro, Joe Pesci, and Harvey Keitel), his student films, and all his major works, including the masterpieces Mean Streets, Taxi Driver, Raging Bull, and Goodfellas. The versatility of Scorsese's interests are examined in studies of his musical films New York New York and The Last Waltz, his adaptation of the literary masterpieces The Last Temptation of Christ and The Age of Innocence, his postmodern comedy After Hours, as well as Cape Fear, Alice Doesn't Live Here Anymore, The Color of Money, and Casino. Friedman even offers some speculations about Kundun, which is about the 14th Dalai Lama and the Chinese takeover of Tibet. This well-written and engaging book offers many insights into an artist who believes that "my whole life has been movies and religion. That's it. Nothing else." --This text refers to an out of print or unavailable edition of this title.

From Library Journal

"My whole life has been movies and religion. That's it. Nothing else," admits Martin Scorsese. The director burst on the American film scene in the early Seventies with personal and sometimes violent and disturbing films like Mean Streets and Taxi Driver. Since then, Scorsese has retained his status as an independent filmmaker and was recently given the American Film Institute's Life Achievement Award. Friedman (English, Purdue Univ.) offers a timely appraisal of Scorsese's career, covering his student days, apprenticeship with exploitation director Roger Corman, personal and professional excesses, and cinematic controversies. The author also reviews recurrent themes of sexual longing, the Catholic burden of sin and guilt, and a search for the connection between God and humans. Nor does he neglect Scorsese's offbeat films. This is a lively, informative look at the "consummate cineast," whom Steven Spielberg calls America's best and most honest director. Recommended for popular film collections.?Stephen Rees, Levittown Regional Lib., Pa.
Copyright 1997 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Paperback: 208 pages
• Publisher: Roundhouse Publishing Group (September 25, 1997)
• Language: English
• ISBN-10: 1857100271
• ISBN-13: 978-1857100273
• Product Dimensions: 8.9 x 5.9 x 0.6 inches
• Shipping Weight: 9.9 ounces
• Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
• Amazon Best Sellers Rank: #5,545,239 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews

1 of 2 people found the following review helpful:

5.0 out of 5 stars Excellent, May 30, 2002

By A Customer

This review is from: The Cinema of Martin Scorsese (Hardcover)

This is a excellent book which covers Martin Scorcese's film's.I found it to be an excellent reference book. If you enjoy Scorcese's films get this book.

0 of 7 people found the following review helpful:

5.0 out of 5 stars Incredible, February 26, 2000

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A customer "mistermaxxx" (usa) - See all my reviews
(HALL OF FAME REVIEWER)    (VINE VOICE)   

This review is from: The Cinema of Martin Scorsese (Paperback)

Martin Scorsese has influenced so many directors in Hollywood that it's mind-blowing.and the casts that he has put together speak Volumes.he is as Important as anyone in the History of film.he takes the Streets and turns it into his own vision.he has directed some of the most important films ever.and he still has a classic or two that he hasn't even begun on yet.a great book.