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Cinema Studies: The Key Concepts (Routledge Key Guides) [Hardcover]

Susan Hayward (Author)
3.5 out of 5 stars  See all reviews (2 customer reviews)


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Cinema Studies: The Key Concepts (Routledge Key Guides) Cinema Studies: The Key Concepts (Routledge Key Guides) 4.5 out of 5 stars (4)
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Book Description

0415227399 978-0415227391 September 5, 2000 2
This is the essential guide for anyone interested in film. Now in its second edition, the text has been completely revised and expanded to meet the needs of today's students and film enthusiasts. Some 150 key genres, movements, theories and production terms are explained and analyzed with depth and clarity. Entries include:
* auteur theory
* Blaxploitation
* British New Wave
* feminist film theory
* intertextuality
* method acting
* pornography
* Third World Cinema
* Vampire movies.

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Editorial Reviews

Review

Key Concepts in Cinema Studies by Susan Hayward must be one of the most useful books ever published on the always expanding subject of cinema studies ... Even if you are familiar with many of the terms you may find it valuable to go through all... --This text refers to the Kindle Edition edition.

About the Author

Susan Hayward is Professor of French and lectures in French cinema at the University of Exeter. She is the author of French National Cinema (Routledge, 1993).

Product Details

  • Hardcover: 552 pages
  • Publisher: Routledge; 2 edition (September 5, 2000)
  • Language: English
  • ISBN-10: 0415227399
  • ISBN-13: 978-0415227391
  • Product Dimensions: 8.7 x 5.8 x 1.4 inches
  • Shipping Weight: 1.7 pounds
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #2,182,380 in Books (See Top 100 in Books)

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Customer Reviews

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Average Customer Review
3.5 out of 5 stars (2 customer reviews)
 
 
 
 
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5 of 6 people found the following review helpful:
3.0 out of 5 stars Scholarly, Well Researched, Dense with Theory, October 29, 2002
By 
B. Cirelli (Santa Rosa, CA United States) - See all my reviews
(REAL NAME)   
Susan Hayward has done a good job putting together a compendium of cinema concepts. Her work is very scholarly and well researched with a good deal of additional references (for further reading.)

Professor Hayward's bio says she is a Professor of French Studies. It shows in her book. If you feel like you haven't had your fill of post modernism, semiotics and structuralist/post structuralist theory, this book will get your diet straight.

This isn't the kind of book you'd just sit down and read from cover to cover. It's more of a reference. My complaint is that the book is a little dry and dense.

However, if you need a reference book on cinema concepts, this is a good choice.

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2 of 2 people found the following review helpful:
4.0 out of 5 stars Excellent Reference, November 17, 2007
By 
Elyse Stever "Elyse Marie" (Seattle, WA United States) - See all my reviews
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I've taken several film studies classes while in college and this book makes an excellent reference guide. The information she provides is to the point, easily accessible and supplements any film class. Sure, it's not a very interesting cover to cover read because it's a reference guide. It will help you when you forget specific terms and vocabulary in film studies, and terms are easy to look up quickly before you get called on in class!
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Inside This Book (learn more)
First Sentence:
absence/presence (see also apparatus) A first definition: cinema makes absence presence; what is absent is made present. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
United States, Third Cinema, Third World, Law of the Father, Second World War, United Kingdom, Alfred Hitchcock, Latin American, Cold War, John Wayne, Soviet Union, Free Cinema, First World War, Jean-Luc Godard, Clint Eastwood, Laura Mulvey, New York, United Artists, Jean Renoir, John Ford, Marilyn Monroe, Real Order, Alain Resnais, Billy Wilder, Charlie Chaplin
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