What can take the edge off a bad day at the office better than a movie where the boss gets his (9-5)? And, of course, that close-up of Antonio Banderas, wet and naked in a cage, is the best cure for the break-up blahs known to modern science (Never Talk to Strangers). Now, for the first time, Cinematherapy acknowledges what women have known for years, and provides a sage guide to the best movie medicine currently available for whatever ails you, whether it's a sudden hormonal shift, a bad-hair day, or a full-fledged identity crisis.
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Book Description
Frequently Bought Together
Editorial Reviews
About the Author
Nancy Peske and Beverly West arefilm fanatics, best friends, identical cousins, and the coauthors of Bibliotherapy: The Girl’s Guide to Books for Every Phase of Our Lives, Meditations for Men Who Do Next to Nothing (and Would Like to Do Even Less); How to Satisfy a Woman Every Time on Five Dollars a Day; and Frankly Scarlett, I Do Give a Damn! Classic Romances Retold. They live in New York City, where they spend much of their time debating such sophistocated cinematic polemics as the merits of Gary Oldman's ripe Camembert excess as opposed to Alan Rickman's quarter-pounder stoicism, and the far-reaching cultural implications of Brad Pitt's haircut.
Excerpt. © Reprinted by permission. All rights reserved.
Nobody Understands Me
Like You Do, Girlfriend:
Girl's Night Movies
Come on, admit it. Men aren't any fun anyway. It's way more of a hoot to be hanging out with your best girlfriend, doing facials, feasting on popcorn and good white wine, and gossiping about the idiotic thing your date did at the office party last weekend. What a moron! Forget about him. Forget about all of them. Invite your best girlfriend over, crack open a box of blackhead strips and some microwave popcorn, watch one of these Girl's Night movies, and celebrate the sisterhood!
Romy and Michele's High School Reunion (1997)
Stars: Mira Sorvino, Lisa Kudrow, Alan Cumming, Julia Campbell, Janeane Garofalo
Director: David Mirkin
Writer: Robin Schiff
When roommates and best friends Romy White (Mira Sorvino) and Michele Weinberger (Lisa Kudrow) realize that their tenth high school reunion is fast approaching, they're positively giggly at the thought of going back and finding out whatever happened to . . . until they realize that what happened to them was less a tale of two iconoclasts who blossomed under the bright sun at Venice Beach than the story of two ditzes deluding themselves with that California dreamin'. You see, aside from their remarkable ability to accessorize and their talent at finding brightly colored spandex and garish patent leather separates inappropriate for all occasions, their postgrad resumés are, well, pretty damn pathetic. Which is why, before they set off for the reunion, they pad their CVs with the claim that they invented Post-it notes, a fiction inspired by their cranky and neurotic fellow classmate (Janeane Garofalo), who invented another dandy paper product: fast-burning cigarette paper for "twice the taste in half the time for the gal on the go."
This one's a hilarious romp about best friends who love you enough to overlook the fact that you have a big L for loser branded on your forehead. Watch it with an old high school buddy and afterward, even you might find the inner strength to crack your yearbook.
Soul Food (1998)
Stars: Vanessa Williams, Vivica A. Fox, Nia Long, Michael Beach, Mekhi Phifer, Brandon Hammond, Jeffrey D. Sams, Gina Ravera, Irma P. Hall
Director and Writer: George Tillman, Jr.
Just how long does it take for a warm, loving family to disintegrate into a roiling stew of overly spiced accusations once the family matriarch takes a leave of absence? As quickly as you can wolf down them chitlins, apparently. Even a find spread of southern cooking can't restore the ritual Sunday night dinner gathering without Mama (Irma P. Hall) there to play Jimmy Carter to the warring factions. Oh, everyone's got a valid point, but they're too busy backstabbing, calling some hoodlums to rough up an errant in-law, and engaging in Jerry Springeresque affairs to remember that we must accept our families as they are, not as we wish them to be. Final Thought for the Day: We must all learn to leave the past behind us, embrace the family rituals that have warmed our hearts over the years, and refrain from acting like a ho' when you know he's my man.
With a little luck, this may melt a cold war between frosty sisters. Invite the group for a viewing in a mutually-agreed-upon neutral zone, and be sure to wear a whistle around your neck.
Fried Green Tomatoes (1991)
Stars: Mary Stuart Masterson, Mary-Louise Parker, Kathy Bates, Jessica Tandy
Director: Jon Avnet
Writers: Fannie Flagg and Carol Sobieski, based on Flagg's novel Fried Green Tomatoes at the Whistle Stop Café
Kathy Bates stars as Evelyn Couch (as in "big as a"), who is experiencing a marital slump. She just can't get her husband to look up from his B&M beans and notice her, despite the fact that she's tried everything to catch his eye, including wrapping herself up in a Saran Warp cocktail dress. Guess it comes as no surprise that this Ziploc fashion statement does not put any freshness back in her marriage.
While visiting her carping shut-in of a mother-in-law in the local nursing home, she runs into a kind old woman (Jessica Tandy) who, over the course of the next few months, tells Evelyn the story of Idgie (Mary Stuart Masterson), an irrepressible, unmanageable woodland sprite of a person, whose free spirit and brave heart changed the lives of everyone around her.
The story inspires Evelyn to challenge herself and change her life. She eschews the B&M beans for sushi and sprouts, and begins bouncing for hours on a trampoline in a spandex exercise suit and a terry cloth headband.
Evelyn starts making other changes too. She starts talking back to her husband, making herself a priority, and gradually reclaims herself.
This movie is a sweet reminder of how well women do when there aren't any men around to make a mess of things. Nobody fights, everybody is in touch with their feelings and up front about expressing them. It's, like, a female functional paradise at the Whistle Stop Café.
Career Girls (1997)
Stars: Katrin Cartlidge, Lynda Steadman
Director: Mike Leigh
Writers: Mike Leigh and the cast
You can't remember what it was about, can you? There's just the vague, uncomfortable memory of nasty little barbs as you each separated out your books, pretended to give a damn about who got the extra ceramic cup and saucer, and slammed your possessions into cardboard boxes. And now, as you look back, what comes to you is how she insisted on cutting the onions because you couldn't do it without crying, or the time she tried desperately to deflect your boyfriend's advances toward her, or your secret manipulative plan to dump your third-wheel roommate so you two could get your own flat.
Now that their Human League records have been long since misplaced and their twentysomething determatological problems are behind them, these two best friends get together for a weekend. Only then do they realize how much they meant to each other, and Annie (Lynda Steadman) and Hannah (Katrin Cartlidge) rediscover their mutual admiration, loyalty, and appreciation.
Watch it with an old friend, and leave plenty of time afterward for reminiscing and hauling out those godawful records you actually used to think were profound.
World Class Wrecks
He's a real gentleman. I'll bet he takes the dishes out of the sink before he pees in it.
Shirley MacLaine as Ouiser Boudreaux in Steel Magnolias
Waiting to Exhale (1995)
Stars: Angela Bassett, Whitney Houston, Lela Rochon, Loretta Devine
Director: Forest Whitaker
Writers: Tom Bass and Terry McMillan, based on the Terry McMillan novel
Did you ever notice that all of the good ones are taken? Then again, maybe it's just that there are no good ones. Well, at least it seems that way when you consider the various liars, manipulators, sad sacks, and snakes these four girlfriends have to sort through. Not even one worth burying in the back of a little black book when everything's tallied up. There's the guy who dumps his wife for a younger woman and starts secretly sheltering all their money, the guy who dumps Whitney Houston but thinks she should still sleep with him after he's married another, the guy who tries to rape Thelma in the parking lot--oops, wrong movie. Anyway, you get the idea: lots of despicable men, gals bonding over bottles of wine and tears and laughter, and a hilariously incendiary woman-scorned rampage of fury featuring Angela Bassett. And just when you've about given up on men entirely, the girl with the biggest booty ends up with the one great fellow (Gregory Hines). Now that calls for a toast!
Faking It: Phony Gal Films That Really Piss Us Off
The Women (1939)
"A little motherly advice--don't trust in your girlfriends."
With lines like those, you know The Women is not a girl-bonding film. Of course, Julia Roberts will be starring in a remake of this 1939 classic about a group of bitchy, shallow New York women with too much time and money on their hands--she sure has a penchant for picking offensive premises (see Pretty Woman and My Best Friend's Wedding). Don't be tempted by the strong female cast (Joan Crawford, Norma Shearer, Joan Fontaine, etc.), the famed "woman's director" (George Cukor), or the female stage and screenplay writers (Clare Booth Luce and Anita Loos, respectively), all of whose talents are wasted on this nasty little film. Of course, if your idea of a real woman is Ru Paul, you'll appreciate this bitchfest and the Paulette Goddard/Rosalind Russell catfight. Otherwise, do you really need to watch a movie that depicts female friendship as inherently shallow, defined by jealousy, cruelty, and backstabbing?
We'll forgive fashion fanatics who rent this on a discount night and fast-forward to the goofy Technicolor fashion sequence, which features a lot of high-quirk couture and some of the perkiest chapeaux this side of Myrna Loy (see The Thin Man series). Otherwise, it's a must-miss.
Like You Do, Girlfriend:
Girl's Night Movies
Come on, admit it. Men aren't any fun anyway. It's way more of a hoot to be hanging out with your best girlfriend, doing facials, feasting on popcorn and good white wine, and gossiping about the idiotic thing your date did at the office party last weekend. What a moron! Forget about him. Forget about all of them. Invite your best girlfriend over, crack open a box of blackhead strips and some microwave popcorn, watch one of these Girl's Night movies, and celebrate the sisterhood!
Romy and Michele's High School Reunion (1997)
Stars: Mira Sorvino, Lisa Kudrow, Alan Cumming, Julia Campbell, Janeane Garofalo
Director: David Mirkin
Writer: Robin Schiff
When roommates and best friends Romy White (Mira Sorvino) and Michele Weinberger (Lisa Kudrow) realize that their tenth high school reunion is fast approaching, they're positively giggly at the thought of going back and finding out whatever happened to . . . until they realize that what happened to them was less a tale of two iconoclasts who blossomed under the bright sun at Venice Beach than the story of two ditzes deluding themselves with that California dreamin'. You see, aside from their remarkable ability to accessorize and their talent at finding brightly colored spandex and garish patent leather separates inappropriate for all occasions, their postgrad resumés are, well, pretty damn pathetic. Which is why, before they set off for the reunion, they pad their CVs with the claim that they invented Post-it notes, a fiction inspired by their cranky and neurotic fellow classmate (Janeane Garofalo), who invented another dandy paper product: fast-burning cigarette paper for "twice the taste in half the time for the gal on the go."
This one's a hilarious romp about best friends who love you enough to overlook the fact that you have a big L for loser branded on your forehead. Watch it with an old high school buddy and afterward, even you might find the inner strength to crack your yearbook.
Soul Food (1998)
Stars: Vanessa Williams, Vivica A. Fox, Nia Long, Michael Beach, Mekhi Phifer, Brandon Hammond, Jeffrey D. Sams, Gina Ravera, Irma P. Hall
Director and Writer: George Tillman, Jr.
Just how long does it take for a warm, loving family to disintegrate into a roiling stew of overly spiced accusations once the family matriarch takes a leave of absence? As quickly as you can wolf down them chitlins, apparently. Even a find spread of southern cooking can't restore the ritual Sunday night dinner gathering without Mama (Irma P. Hall) there to play Jimmy Carter to the warring factions. Oh, everyone's got a valid point, but they're too busy backstabbing, calling some hoodlums to rough up an errant in-law, and engaging in Jerry Springeresque affairs to remember that we must accept our families as they are, not as we wish them to be. Final Thought for the Day: We must all learn to leave the past behind us, embrace the family rituals that have warmed our hearts over the years, and refrain from acting like a ho' when you know he's my man.
With a little luck, this may melt a cold war between frosty sisters. Invite the group for a viewing in a mutually-agreed-upon neutral zone, and be sure to wear a whistle around your neck.
Fried Green Tomatoes (1991)
Stars: Mary Stuart Masterson, Mary-Louise Parker, Kathy Bates, Jessica Tandy
Director: Jon Avnet
Writers: Fannie Flagg and Carol Sobieski, based on Flagg's novel Fried Green Tomatoes at the Whistle Stop Café
Kathy Bates stars as Evelyn Couch (as in "big as a"), who is experiencing a marital slump. She just can't get her husband to look up from his B&M beans and notice her, despite the fact that she's tried everything to catch his eye, including wrapping herself up in a Saran Warp cocktail dress. Guess it comes as no surprise that this Ziploc fashion statement does not put any freshness back in her marriage.
While visiting her carping shut-in of a mother-in-law in the local nursing home, she runs into a kind old woman (Jessica Tandy) who, over the course of the next few months, tells Evelyn the story of Idgie (Mary Stuart Masterson), an irrepressible, unmanageable woodland sprite of a person, whose free spirit and brave heart changed the lives of everyone around her.
The story inspires Evelyn to challenge herself and change her life. She eschews the B&M beans for sushi and sprouts, and begins bouncing for hours on a trampoline in a spandex exercise suit and a terry cloth headband.
Evelyn starts making other changes too. She starts talking back to her husband, making herself a priority, and gradually reclaims herself.
This movie is a sweet reminder of how well women do when there aren't any men around to make a mess of things. Nobody fights, everybody is in touch with their feelings and up front about expressing them. It's, like, a female functional paradise at the Whistle Stop Café.
Career Girls (1997)
Stars: Katrin Cartlidge, Lynda Steadman
Director: Mike Leigh
Writers: Mike Leigh and the cast
You can't remember what it was about, can you? There's just the vague, uncomfortable memory of nasty little barbs as you each separated out your books, pretended to give a damn about who got the extra ceramic cup and saucer, and slammed your possessions into cardboard boxes. And now, as you look back, what comes to you is how she insisted on cutting the onions because you couldn't do it without crying, or the time she tried desperately to deflect your boyfriend's advances toward her, or your secret manipulative plan to dump your third-wheel roommate so you two could get your own flat.
Now that their Human League records have been long since misplaced and their twentysomething determatological problems are behind them, these two best friends get together for a weekend. Only then do they realize how much they meant to each other, and Annie (Lynda Steadman) and Hannah (Katrin Cartlidge) rediscover their mutual admiration, loyalty, and appreciation.
Watch it with an old friend, and leave plenty of time afterward for reminiscing and hauling out those godawful records you actually used to think were profound.
World Class Wrecks
He's a real gentleman. I'll bet he takes the dishes out of the sink before he pees in it.
Shirley MacLaine as Ouiser Boudreaux in Steel Magnolias
Waiting to Exhale (1995)
Stars: Angela Bassett, Whitney Houston, Lela Rochon, Loretta Devine
Director: Forest Whitaker
Writers: Tom Bass and Terry McMillan, based on the Terry McMillan novel
Did you ever notice that all of the good ones are taken? Then again, maybe it's just that there are no good ones. Well, at least it seems that way when you consider the various liars, manipulators, sad sacks, and snakes these four girlfriends have to sort through. Not even one worth burying in the back of a little black book when everything's tallied up. There's the guy who dumps his wife for a younger woman and starts secretly sheltering all their money, the guy who dumps Whitney Houston but thinks she should still sleep with him after he's married another, the guy who tries to rape Thelma in the parking lot--oops, wrong movie. Anyway, you get the idea: lots of despicable men, gals bonding over bottles of wine and tears and laughter, and a hilariously incendiary woman-scorned rampage of fury featuring Angela Bassett. And just when you've about given up on men entirely, the girl with the biggest booty ends up with the one great fellow (Gregory Hines). Now that calls for a toast!
Faking It: Phony Gal Films That Really Piss Us Off
The Women (1939)
"A little motherly advice--don't trust in your girlfriends."
With lines like those, you know The Women is not a girl-bonding film. Of course, Julia Roberts will be starring in a remake of this 1939 classic about a group of bitchy, shallow New York women with too much time and money on their hands--she sure has a penchant for picking offensive premises (see Pretty Woman and My Best Friend's Wedding). Don't be tempted by the strong female cast (Joan Crawford, Norma Shearer, Joan Fontaine, etc.), the famed "woman's director" (George Cukor), or the female stage and screenplay writers (Clare Booth Luce and Anita Loos, respectively), all of whose talents are wasted on this nasty little film. Of course, if your idea of a real woman is Ru Paul, you'll appreciate this bitchfest and the Paulette Goddard/Rosalind Russell catfight. Otherwise, do you really need to watch a movie that depicts female friendship as inherently shallow, defined by jealousy, cruelty, and backstabbing?
We'll forgive fashion fanatics who rent this on a discount night and fast-forward to the goofy Technicolor fashion sequence, which features a lot of high-quirk couture and some of the perkiest chapeaux this side of Myrna Loy (see The Thin Man series). Otherwise, it's a must-miss.
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Most Helpful Customer Reviews
28 of 29 people found the following review helpful:
5.0 out of 5 stars
Cinematherapy: The girls' guide to movies for every mood,
By Carol Ann Mahon (Aiea, Hawaii) - See all my reviews
This review is from: Cinematherapy: The Girl's Guide to Movies for Every Mood (Paperback)
I loved 'Cinematherapy' as it included a lot of the oldies but goodies besides the current fare of movies. Reading this book sent me to Blockbusters to check out some of those movies I loved but had long ago forgotten. This book makes a wonderful gift (bought several for daughter, daughter-in-law, etc.) as it is crosses those generation lines and gives women of all ages reason to smile and nod knowingly together. The witty text has you reading the book with a grin on your face and gives you enough laugh-out-loud experiences to make one's husband want to know "what's so funny"--you know that you would thoroughly enjoy lunching with these "girls."
26 of 27 people found the following review helpful:
5.0 out of 5 stars
Rush me to the video store, but not in South America...,
By
This review is from: Cinematherapy: The Girl's Guide to Movies for Every Mood (Paperback)
I read this book cover to cover, as if it were a good novel. It gave me such an itch to go out to my local video store, then hunker down with a huge amount of salty snacks, and while away my Sunday afternoons watching great old movies. The only problem is that I'm in Paraguay, South America, and the selection in the video stores is slimmer than the anorexic women here. Next time I'm home though, I will be in that video store, Cinematherapy book in hand, indexed with post-its even, and I will watch any movie my girl-mood calls for. Loved the book. Can't wait to use it until it's fully dog-eared.
19 of 19 people found the following review helpful:
4.0 out of 5 stars
friendly guide to picking videos,
By
Amazon Verified Purchase(What's this?)
This review is from: Cinematherapy: The Girl's Guide to Movies for Every Mood (Paperback)
I like this book. It offers to be a friendly and casual guide, and that is exactly what it is. There are 15 chapters, distinguished by topic: PMS movies, dysfunctional romances, seeking greener pastures, mother-issues, earth mother films, working girl blues, bad hair days, dumped and looking for revenge movies, happily ever after movies, hearing your inner voice, martyr syndrome, girl's night out, men behaving well, women behaving badly, father-issues and cult films. The approach is breezy and mildly informative. Each chapter begins with a one or two page humorous essay followed by viewing suggestions, each with a paragraph or two of description and comments, and a miscellany of quotes, facts and opinions. The second chapter, for example, "Yeah, Okay, So He's a Jerk, But He's Sooooo Cute!: Dysfunctional Romances" features No Man of Her Own (1932), Suspicion (1941), Spellbound (1945), A Streetcar Named Desire (1951), Charade (1963), Funny Girl (1968), American Gigolo (1980), The Shining (1980), The Postman Always Rings Twice (1981), Sid and Nancy (1986), Emily Bronte's Wuthering Heights (1992), Ethan Frome (1993), Gaslight (1944), Immortal Beloved (1994), Legends of the Fall (1994), Leaving Las Vegas (1995), Never Talk to Strangers (1995) and Love Serenade (1996).The films that are recommended are interesting and appropriate choices I thought. I enjoyed reading about films I'd already seen and appreciated the description of those I hadn't. There is a fair amount of humorous filler, which works because the authors are good writers and funny. Complemented by a good index, this is not a book to read straight through, but rather to be perused as the mood hits.
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