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Special Features
- Disc 1:
- Feature Film
- 1941 Movie Premiere Newsreel
- Gallery of storyboards, rare photos, alternate ad campaign, studio and personal correspondence, call sheets and other memorabilia
- Disc 2:
- Two-Hour Documentary: The Battle Over Citizen Kane, details the power struggle between Orson Welles and William Randolph Hearst
Editorial Reviews
Amazon.com
Product Description
No Track Information Available
Media Type: DVD
Artist: WELLES/COTTEN/COMINGORE/MOOREH
Title: CITIZEN KANE
Street Release Date: 09/24/2002
Genre: DRAMA
Customer Reviews
`Citizen Kane' is not the most entertaining film I've ever seen, but it is certainly one of the most important. It is a vanguard motion picture and a gargantuan achievement for Orson Welles. If you consider the fact that Welles was a 24 year old Hollywood outsider who had only done radio and theater when he landed the contract for this film, you begin to appreciate what a big deal it was. This was during a time when a few studios controlled every film that was made. How many 24 year old actor/directors can you name today, even in a world where independents abound?
The story is based on the life of William Randolph Hearst. Writer Herman Mankiewicz had an up-close look at Hearst as he had been an occasional house guest at the Hearst mansion. The similarities were striking, right down to the paramour whose career Hearst promoted, who loved to do jigsaw puzzles. The fact that this film was released at all is a marvel in itself. Hearst went on a personal campaign to crush the film and enlisted every powerful friend he had to stop it. Louis B. Mayer offered RKO $800,000 to destroy the print. John D. Rockefeller ordered the Radio City premier cancelled. All of Hearst's newspapers were forbidden to mention the film.
Hollywood was uniformly against it and Welles was branded an insolent maverick. The film was snubbed by the Academy. It was nominated for 9 Oscars and won only best screenplay. The film turned out to be a commercial failure, losing $150,000. With all the forces stacked against it, we are lucky to be having this best film debate at all.
The story has a simple moral; that money and power can't buy happiness. We see Kane's progress from a happy child, to an idealistic young journalist intent on helping the common man, and finally to a bitter and angry old man whose innocence has slipped from him. One of the most effective scenes that illustrated this was the two minute overlay of breakfast conversations with his wife. It starts with cooing lovers and progresses through increasing levels of discord. It ends in silence with the two reading separate newspapers, her disdain for him subtly indicated by her choice of the hated Chronicle as her newspaper.
What is so remarkable about this film is the filmmaking. Director after director has pointed to some aspect of this film as having influenced them. The use of shadows and various perspective shots was not unprecedented in 1941, but never before had they been used with so much dramatic impact. What was unprecedented was that `Citizen Kane' was the first film ever to depart from the strict narrative format, which moves forward chronologically. The film starts at the end and jumps around in time based upon the perspective of the person who is telling his or her story about Kane. So the next time you see a flashback, remember it started here.
The makeup was revolutionary. Welles often went through four hours or more of makeup to be properly aged for each scene. The film also launched a number of brilliant careers. Besides Welles, Joseph Cotton and Agnes Moorehead went on to long and prominent film careers.
If `Citizen Kane' is not the best film of the century it is certainly one of them. Its influence on a generation of filmmakers cannot be ignored in the equation. People who watch this film and ask, "What's the big deal?" are comparing it with modern films that have borrowed from this film's techniques and undergone 60 years of evolution. It's like going back to Kitty Hawk and saying, "What's the big deal, the flight only lasted a few seconds."
There is only one rating to give to a film of such monumental importance. It is the consummate 10.
Disk #1 - Citizen Kane (the Feature Length Film including the Movie Premiere Newsreel, Rare Production Photographs, Storyboards, and more)
Disk #2 - The Battle Over Citizen Kane (the Academy Award Nominated Feature Length Documentary detailing the bitter struggle between film director Orson Welles and newspaper magnate, William Randolph Hearst)
Disk #3 - RKO 281 (Golden Globe Nominee for Best Mini-Series, Best Actor, and Best Actress, this HBO drama is filled with exciting performances from some of Hollywood's greatest stars)
In addition, this box set includes a collectible senitype with an image from the motion picture and its corresponding 35mm film frame. Plus, a 16-page commemorative booklet is included that also features images from the motion picture.
The one negative about this box set is that (although you see it in Amazon.com's picture)... the theatrical poster is not included. I suppose this is because it would have to be folded and then would not be in good condition for framing or hanging. Therefore, they include a "free" mail-in offer to get it sent to you... the catch... there is a shipping and handling charge. I was disappointed by what I consider to be an outrageous shipping fee, especially after shelling out the $$$ to buy this set.
I still gave this set 5-stars because it is such a great movie!
It seems like most of the people here are falling into two camps, the "Film Snobs" and the " Folks whose brains have been rotted by MTV, etc..."
The comments of the"MTV people" seem to be typified by this quote I picked from out of many bad reviews: "Maybe you intellectual, artsy types go for this, but give me Star Wars any day!"
Where the "Snobs" counter back with:
"I cannot think of another film which so challenges the viewer time and time again. I still pick up little nuances, incredible effects and camara angles, and overlapping dialog on subsesquent showings. Gregg Toland's camerawork is justifiably among the most memorable in film."
Oh boy!
I, of course believe Citizen Kane is a great film, but I believe both sides in this argument are missing the point.
I really wish those who defended this movie spoke about it in human terms, rather then talk about the camera work, or Welles' age or it's "impact" on film history.
It is great because (if you let it)it will tell you a deeply emotional story.
It is no accident that the very first and very last image of the film are the same. A locked gate with a sign that says,"No Trespassing." For in this movie, Kane is a guy with a virtual "no trespassing" sign around his neck. He is a man who wants so deeply to control those around him, to FORCE them to love him, that he allows nobody close. He essentially locks out all hope of love!
Give it a chance...don't expect Star Wars. Pay no attention to the camera work and special effects, they are beside the point. Welles is talking about the very saddest, deepest, loneliest part of us all...you might find something to relate to....if you are patient.
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