*Starred Review* Acclaimed filmmaker Michael Moore began his career as muckraker and crusader in the industrial Midwest with an abiding curiosity and determination that earned him the consternation of the nuns in his Catholic school and the admiration of autoworkers. Rapoport compares Moore to Upton Sinclair and Ralph Nader, chronicling the filmmaker's early activism, community organizing, radio and theater career, and involvement in alternative journalism. Moore's crusading
Flint Voice gained a national reputation and brought him to the attention of
Mother Jones. The culture shock of the move from the heartland to San Francisco and Moore's difficult management style made his tenure short and turbulent. But Moore's film career redeemed him, earning him national gravitas and an Oscar. Rapoport interviewed more than 250 friends, producers, agents, managers, editors, and employees who recall Moore's brilliance and shortcomings, for a full, absorbing look at the man who has made documentaries as popular as feature films. From
Roger & Me to
Bowling for Columbine to
Fahrenheit 9/11, Moore has taken on General Motors, President Bush, gun manufacturers, and drugmakers. In this engaging profile, Rapoport portrays the quirks and complexities of a man whose life is as fascinating as his films.
Vanessa BushCopyright © American Library Association. All rights reserved
Michael Moore made himself extremely famous with a 1989 campaigning documentary feature film called Roger and Me, in which he passionately expounded on the devastation wrought by General Motors (GM) on his home town of Flint, Michigan. He became, almost immediately, the American left's favorite person after Jane Fonda uncompromisingly blue-collar Midwest with his baseball cap and jeans and diet of junk food, uncompromisingly radical but also incredibly (for a leftie) funny.
The narrative thread of Roger and Me hinged upon Moore s increasingly desperate attempts to confront Roger Smith, the CEO of GM, and being continually snubbed and manhandled by the firm's security goons. The message of the film, then, was of an unseen, ruthless and insouciant CEO who couldn t be asked to face the evidence of his policy of abandoning the Michigan communities which had helped make his firm the richest in the world.
This, as Roger Rapoport reveals in this delightfully catty biography, was some distance from the truth. Far from avoiding Moore, Smith met him on three occasions and was interviewed, on camera, twice. But the footage ended up on the cutting-room floor at Moore's insistence because the reality of it failed to square with the point of the film. Further, once the film was out, Moore allegedly persuaded colleagues and former colleagues to perpetuate the lie that he had never met Smith. And he left behind a wake of discontent among the auto-workers in Flint (who felt they had been sold down the river by Moore s sensationalist approach) and by producers and researchers who found Moore impossible to work with and, as one of them puts it, more interested in me than we .
The picture we get, then, is of an at times unscrupulous, overambitious, often incompetent and always arrogant hybrid of journalist and comedian, with a monstrous ego. His former manager, who also seems to hate him, describes him contemptuously as a vaudevillian .
...There's enough here to make fans of Moore of which I am one wonder a little, at least. And plenty in which his many enemies on the left and the right might revel. Moore has made a lucrative career from exposing social injustice and making people laugh at the same time.... The truth would seem to be that Moore needs a decent editor, someone to stop him riding roughshod over colleagues and twisting the facts to fit his stories; but also that he is a very clever, dynamic and fearless journalist and persuasive to boot, a man who could have talked Hitler into holding a barmitzvah , as one former colleague put it. And that film on GM got the job done: Smith lasted just one more year at the firm. --Rod Liddle, The London Sunday Times
...Interesting to me is the biographical material from Moore's school days, his first blush of the limelight (a Davison, Michigan, school board member at 18, a publisher under assault by the local powers that be by 19, a controversial local playwright/journalist/gadfly who occasionally made the national news). Moore plainly fell in love with that attention, and has had a hard time doing anything, for long, that didn't match that heat. The local muckraking Flint Voice, which he founded, a stint at Mother Jones, TV Nation, all held his attention about as long as they held everybody else's attention. I liked the anecdote about Moore's memory of people in his hometown church applauding when they learned Martin Luther King Jr. had been murdered.... Nobody would admit it now, but the Nixon-Wallace "Silent Majority" hated King's guts. Those haters still living hate Moore's guts, now. --Roger Moore, Orlando Sentinel
Rapoport s breezy and glib style admirably captures the hip, antiestablishment demeanor of his subject, the kind of guy who delighted in being perhaps the only Academy Award nominee to show up at the ceremony wearing a tux from Sears. --Forward Magazine