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Most Helpful Customer Reviews
4 of 4 people found the following review helpful:
3.0 out of 5 stars
Definitely worthwhile,
By A Customer
This review is from: The City Below (Paperback)
James Carroll is such a thoughtful writer that I wish I could give this book a higher rating, but it lacks punch when it comes to the criminal underworld aspect of the story. Carroll certainly knows Boston, especially Boston politics, and he knows the workings of the Cathlolic church inside out, and he captures the relationship between the Doyle brothers in a way that will be recognizable to any Irish American. But the criminal stuff is garden-variety crime fiction, written from a great distance. A pity. This is a good book that could have been a great one with a little more grit.
3 of 3 people found the following review helpful:
3.0 out of 5 stars
The City Below - Morality Play in Irish Boston,
This review is from: The City Below (Paperback)
Living in Massachusetts and working in Boston, this book had obvious appeal to me. I think the author takes the reader's knowledge of Boston to be that of a resident, so I think one would like this novel less if one did not know Boston. Another problem is related to the editing of the book. It seems as though the editor may have cut this book down too much. As a result, some characters are not well developed and the story seems to jump ahead too quickly. That said, this book is a real page turner. It combines history and fiction so well, you could easily imagine that the main characters (Nick and Terry Doyle) were indeed real. Furthermore, it contrasts the paths of these two brothers, and in a roundabout manner questions the morality of choices made by both. I would especially recommend this book to anyone that is familiar with Boston or its recent history.
2 of 2 people found the following review helpful:
4.0 out of 5 stars
Superbly Crafted,
By
This review is from: The City Below (Paperback)
James Carroll's The City Below recounts the saga of the Doyle brothers in four giant steps--1960, 1968, 1975 and 1984. Set mainly in Boston and centered on the working-class Irish of Charlestown, Carroll takes Terry and Nick Doyle along sharply disparate paths from late adolescence, staring at the cracks in the ceiling of the bedroom they share above the family flower shop, to an affluent middle age--Terry in commercial real estate and Nick in organized crime.Slated for the priesthood, Terry is afflicted by what his friend, Bright McKay, describes as having a need to see himself as a sinner and life's good things as temptations; Terry is a straight arrow, an idealist doomed to disappointment, a trusting friend destined for betrayal, even by those within the Church. Fastening his star to the Kennedy family, Terry rises in the world of politics, ultimately veering in commercial real estate development, envisioning the rehabilitation of Boston's old ethnic quarters. Nick is as crooked as they come, his style distinguished by a subtlety that would delight Machiavelli. Inheriting the family flower business, Nick sees beyond its commercial expansion to organizing a protection racket for the Flower Exchange. Powerless to compete head-to-head with the Italian Mafia, he crafts a subservient alliance with them, continuously plotting to expel them from Irish turf. Although Terry perseveres in loving his brother, Nick is as disloyal as he is devious, using Terry at any opportunity to advance his own interests. Like two speeding comets, the enmities of their relationship ultimately collide in a deeply personal way. This is not a story of Boston, in spite of the fond (or not so fond) memories it may evoke in Townies; it isn't a story of the Catholic faith or the Irish Catholic culture; it isn't a story of politics peculiar to Boston. While these elements enrich the tapestry of the tale, the story clearly transcends these parochial concerns to reveal a growing mastery of the storytelling art that Carroll realizes in his most recent novel, Secret Father.
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