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36 of 37 people found the following review helpful:
4.0 out of 5 stars
Fast paced, engaging police procedural., September 2, 2002
I have heard lots of good comments about the Harry Bosch novels and I was not disappointed with this seventh book of the series. Bosch is a hard boiled homocide detective in the Hollywood division of the LAPD who gets a call that a dog has discovered a human bone. The investigation uncovers a 20 year old murder of a 12 year-old boy who was the victim of child abuse. As the case proceeds, Bosch meets and becomes involved with a rookie cop named Julia Brasher, who has an idealistic view of police work. Some information leaks and false clues initially sidetrack the investigation but slowly the victim is identified and his short and tortured life revealed. Connelly draws his characters with fine strokes and his development of the details of the police procedures which are key to solving cases was really fascinating to me. Understanding the murder book, how warrants were drawn up and served, and details behind the forensic investigation added to my enjoyment of the story. False directions provide intrigue but I was a little disappointed with the unsatisfying way the murderer was revealed and dealt with. All in all though, a fast paced (I read it in one 24 hour period), and very enjoyable read.
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29 of 32 people found the following review helpful:
5.0 out of 5 stars
Too Many Ghosts, October 22, 2002
I bought 'City of Bones' when it first came out, but put off reading it for a bit. The last couple of Connelly's novels about Detective Harry Bosch seemed a bit off pace, so I was waiting for a tolerant moment. Once I started reading I discovered that my premonitions were wrong, and that this was going to be a high water mark in the eight volume series. Michael Connelly has a trick of creating an introspective mood without actually making his characters become solipsistic, and 'City of Bones' at its deepest level is about Harry Bosch coming to grips with his own beliefs and needs. This subtext threads its way through a case involving the 20-year-old corpse of a young boy found buried in a small plot of woods. Cases this old are rarely soluble, but somehow just enough information keeps coming to the surface to keep Bosch and his partner, Jerry Edgar, working away at the case. Gradually Bosch becomes fixated on the case as its ramifications begin to have echoes in his own life. One of the key factors in Bosch's character development is a new relationship with rookie police officer Julia Brasher. She is the officer on duty at the murder site, and is drawn into the investigation. This relationship becomes the model for all the other relationships in the book; especially those Bosch has with his partner and his work. In the end it triggers something unexpected in the older detective, and will eventually cause him to make some surprising decisions. Beyond the character level, the plot is tightly drawn and well paced. Generally, a story that turns on forensic police procedure is interesting rather than exciting, but Connelly has goes to great lengths to prove that this does not have to be the case. There is a surfeit of plot twists and the high emotional pitch will keep the reader on tenterhooks - a delightful form of torture, too rarely experienced in the present. Obviously, I enjoyed the book. I found myself intentionally slowing down my reading speed in order to extend my pleasure with a writer whose minimalist style always seems to have more to say than the efforts of wordier contemporaries. This is a milestone in the Harry Bosch series, but hopefully not its last, shining moment.
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15 of 15 people found the following review helpful:
4.0 out of 5 stars
LA X-Ray, September 18, 2002
"City of Bones" was a happy reunion for me. I met again the Michael Connelly to whom I was introduced in "Black Echo" and "Concrete Blonde" and "Black Ice" that electrified me with his broody LA, sharp characterizations and twisting suspense. No one in "City of Bones" is 100 percent nice or straight arrow, though all are very recognizable. I had my usual problems with Harry, always wanting to tell him to lighten up a bit. By this time, I should be resigned. Harry Bosch is to gloom like Goldie Hawn is to giggles. Harry walks into a cold case when a dog digs up an old bone in Laurel Canyon that turns out to be human. Harry's superiors are unenthusiastic because the chances of closing a 20-year old case are slim to none. Harry is grimly determined because when more of skeleton is found, it is ascertained the victim was an abused child. Harry first runs afoul of a former girl friend Medical Examiner (suspiciously close to Cornwell's Kay Scapetta) who has risen so far in the world; she cares more about photo ops than the integrity of the case. Along with hard working cops, there are plethoras of politician/cops who are willing to set up and convict the first likely guy that comes up on the radar. As if Harry doesn't have enough troubles, an ill-fated romance with a police rookie streaks across his horizon. He antagonizes his own partner with his lone wolf tactics, and seemingly neglects an obvious suspect for far too long. The denouement has twist after twist, surprise after surprise leaving us breathless and far behind Harry all the way. Then Harry gets another idea, leaving us hollering, "wait a minute!" but Harry just keeps walking right off the last page.
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