From School Library Journal
Grade 10 Up—The backdrop is the spring of 1536 during Henry VIII's break with the Roman Catholic Church. Dell, 16, is the daughter of a former court puppeteer and lives in isolation in the countryside with him, her aunt, and her younger brother. Cruelly treated by her father, Dell leaves home in search of "the Brown Boy," as she has dubbed the novice monk who regularly brings supplies to the family. While in London, she learns the truth about her mother's death, discovers her own skills as a puppeteer, and finds and falls in love with the Brown Boy, Ronaldo. Dell is a sympathetic protagonist and readers will root for her throughout the novel and appreciate the hopeful (though ambivalent) ending. Thompson is to be commended for not shirking from the crudeness, vulgarity, and filth of early-16th-century London. However, as the setting and time period are initially unclear, readers may put the book aside in confusion without making it to the second chapter, in which Thompson offers a glimmering of the novel's background. Overall, though, this is a promising debut that historical fiction fans will enjoy if they know in advance where and when the story takes place.—
Leah J. Sparks, formerly at Bowie Public Library, MD Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
It’s England in 1536, the time of King Henry VIII’s break from the Catholic Church, but the fact that this is unclear for so long is the book’s best asset. Sixteen-year-old Dell lives in a cave on a country hill with her family (some of whom are dwarves) where she passes the time chatting with her hand puppet, Bartholomew. Her father’s increasing violence compels her to escape to the city. Though it’s a foul, dirty place filled with pestilence, poverty, offal, and chamber-pot spillings, Dell finds none of the cannibals her father had warned her about. Instead, she falls in love with a young man pledged to be a Carthusian monk. Dell’s limited point of view gives the story the delirious spin of speculative fiction until her involvement with a carpenter who opposes the king aligns the plot along a recognizable Johnny Tremain trajectory. Thompson’s England is authentically vulgar, and her grasp of period slang—as well as Dell’s burgeoning sexual desires—is expert. Packed with rich metaphor, this is a challenging but rewarding read. Grades 9-12. --Daniel Kraus