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The City Churches of Sir Christopher Wren [Hardcover]

Paul Jeffery (Author)
3.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

1996 1852851422 978-1852851422
The Great Fire of 1666 devastated the centre of London, with a loss of old St. Paul's and eighty-six parish churches. Sir Christopher Wren, working with Commissioners appointed by Parliament, was responsible for rebuilding the cathedral and fifty-one of the parish churches, although the immediate need to start rebuilding made his design for an overall replanning of the City impossible. The work was funded by a tax on coals brought into the City of London.

Much has been written about Wren's rebuilding of St. Paul's, far less about the other City churches, the principal subject of this book: this is indeed the first modern book to examine them as a whole. Paul Jeffery describes how and when the churches were built, exploring the respective contributions of Wren and of his two principal assistants, Robert Hooke and Nicholas Hawksmoor. Working from the surviving drawings and records and from the evidence of the churches, he explains the principal features common to the churches and their individual features. The result of the work was a unique set of contemporary churches. While not all are of the standard of Wren's masterpieces, such as St. Stephen Walbrook and St Bride's, none is without architectural merit and interest. The second part of the book is a gazetteer of all the churches, including those that no longer exist. The book is heavily illustrated and provides a visual record of all the churches.

Since they were built the Wren churches have suffered steady losses. St. Christopher-le-Stocks was demolished in 1782 to make way for the Bank of England. Others, such as St Dionis Backchurch and St. Antholin Budge Row, were lost to Victorian parish rationalisation. Many were destroyed or badly damaged in the Second World War. Only twenty-three of the original fifty-one remain. These are now under threat again, with the Templeman Report's proposal that only four of the existing churches (none by Wren) should be retained as parish churches. They provide a test case of conservation, sitting as they do in the middle of the City of London. The City Churches of Sir Christopher Wren presents a clear case both for their importance and for their preservation.

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Editorial Reviews

Review

"Paul Jeffery tells this stirring story with a wealth of interesting detail, scholarly precision and (not least) good English prose."

(Norman Harrison )

"To anyone who knows, or believes he or she knows, or knows nothing, of the City churches, this book is to be thoroughly recommended."

(Stephen Croad )

"succinct and satisfying"

(Edwin Heathcote )

"An indispensable, and not too bulky, guide for City seekers." (Anthony Thorncroft )

"provides a detailed study of Wren's style and methods, and those of his principal assistants Robert Hooke and Nicholas Hawksmoor." London Review of Books, 05/07/07
(London Review Of Books )

"Paul Jeffery tells this stirring story with a wealth of interesting detail, scholarly precision and (not least) good English prose."

(, )

"To anyone who knows, or believes he or she knows, or knows nothing, of the City churches, this book is to be thoroughly recommended."

(, )

"succinct and satisfying"

(, )

"An indispensable, and not too bulky, guide for City seekers." (, )

"provides a detailed study of Wren's style and methods, and those of his principal assistants Robert Hooke and Nicholas Hawksmoor." London Review of Books, 05/07/07
(, ) --This text refers to the Paperback edition.

Book Description

The Great Fire of 1666 devastated the centre of London, with a loss of old St. Paul's and eighty-six parish churches. Sir Christopher Wren, working with Commissioners appointed by Parliament, was responsible for rebuilding the cathedral and fifty-one of the parish churches, although the immediate need to start rebuilding made his design for an overall replanning of the City impossible. The work was funded by a tax on coals brought into the City of London.

Much has been written about Wren's rebuilding of St. Paul's, far less about the other City churches, the principal subject of this book: this is indeed the first modern book to examine them as a whole. Paul Jeffery describes how and when the churches were built, exploring the respective contributions of Wren and of his two principal assistants, Robert Hooke and Nicholas Hawksmoor. Working from the surviving drawings and records and from the evidence of the churches, he explains the principal features common to the churches and their individual features. The result of the work was a unique set of contemporary churches. While not all are of the standard of Wren's masterpieces, such as St. Stephen Walbrook and St Bride's, none is without architectural merit and interest. The second part of the book is a gazetteer of all the churches, including those that no longer exist. The book is heavily illustrated and provides a visual record of all the churches.

Since they were built the Wren churches have suffered steady losses. St. Christopher-le-Stocks was demolished in 1782 to make way for the Bank of England. Others, such as St Dionis Backchurch and St. Antholin Budge Row, were lost to Victorian parish rationalisation. Many were destroyed or badly damaged in the Second World War. Only twenty-three of the original fifty-one remain. These are now under threat again, with the Templeman Report's proposal that only four of the existing churches (none by Wren) should be retained as parish churches. They provide a test case of conservation, sitting as they do in the middle of the City of London. The City Churches of Sir Christopher Wren presents a clear case both for their importance and for their preservation.

Product Details

  • Hardcover: 406 pages
  • Publisher: Hambledon Press (1996)
  • Language: English
  • ISBN-10: 1852851422
  • ISBN-13: 978-1852851422
  • Product Dimensions: 9.9 x 7.3 x 1 inches
  • Shipping Weight: 2.3 pounds
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #3,194,674 in Books (See Top 100 in Books)

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7 of 7 people found the following review helpful:
3.0 out of 5 stars Uneven but extremely useful, June 25, 2001
By 
Robin Usher (Dublin, Republic of Ireland) - See all my reviews
This review is from: The City Churches of Sir Christopher Wren (Hardcover)
St. Mary-le-Bow, Cheapside, St. Bride, Fleet Street and St. Stephen Walbrook (the 'dress rehersal for St. Paul's Cathedral') are familiar to most Londoners; their elaborate spires, now hemmed in by ugly office-blocks, spatter the horizons of tidy panoramas of 18th century London by Canaletto and Samuel Scott. Every one of these - with maybe the exception of St. Martin Ludgate - was gutted during the Second World War, by which time many of their pews, reredos and glass had been ousted in favour of convenient but sytlistically incongruent fittings. St. Dunstan-in-the-East, not exclusive in Wren's oeuvre as an exercise in 'Gothick' architecture (in spirit rather than in form), is now a pretty free-standing tower looming over a formal garden. St. Mary Aldermanbury was rebuilt in Wisconsin, whilst St. Michael Bassishaw, and St. Christopher-le-Stocks (to name but two) survive only as drawings and descriptions. Jeffery's 'City Churches of Sir Christopher Wren' is an affordable, nicely produced survey of the 52 London churches built from 1670 to replace those gutted during the Great Fire in 1666. After several discursive essays on design, attribution, fittings and other aspects of their conception, Jeffrey provides an expansive gazetter of each church.

His objective is - as he states in his introduction - to present a case for the conservation of the 20-odd churches that remain, whilst addressing aspects of authorship and parochial history relevant to the particular buildings. For those who find the twenty volumes of the exhaustive (and undigested) Wren Society journals daunting and (in the case of most copies accessable) rather fragile, Jeffery's parochial histories and surveys of expenses, craftsmen and subsequent renovations to the churches are brief, concise, and specific. The photographs and engravings included (as appropriate) are eloquent and printed to a high standard. Furthermore, plans (some in Jerrery's own hand) of churches of which little information can be milked (St. Olave Jewry, St. Matthew Friday Street and St. Mary Woolnoth before Hawksmoor replaced it, etc.) are included with each entry in the gazetter, and this section is the author's finest; but his excursions in problems of authorship give frequent pause for thought.

The attribution of St. Paul, Benet's Wharf, and St. Edmund the King to Robert Hooke is reasonably well established: the elevation of the recessed ranges of Bethlehem Hospital and the east and west elevations of Ramsbury Manor are sufficiently close in detail to identify Hooke as the probable author. Furthermore, the similarity of St. Martin Ludgate to St. Edmund means that Hooke's oeuvre is more elastic than one might have anticipated. However, the oblique and hazy attribution of the steeple of St. Mary-le-Bow to Hawksmoor is, quite simply, unhistorical: a drawing by Hawksmoor for the church (complete with an unbuilt three-bay brick loggia with stone coigns and pilasters) is not sufficient ground for the attribution that Jeffery implies. Furthermore, the delegation of 'thirds' of the city to respective surveyors (which has some documentary support) contradicts Jeffery's own conclusion that autograph works by Wren are largely concentrated in the north and west of the city. This would account for St. Clement Danes and St. James Picadilly (whose authorship has never been doubted), but the churches grouped far further east (around St. Vedast, Foster Lane, and St. Lawrence Jewry) are similarly attributed to Wren in other studies on what seem sound traditions. Jeffery does not delve into stylistic analysis to a sufficient degree to play with questions of this sort, and the results he presents should be treated with caution.

As a book that pleads for the conservation of these sometimes crude, ugly or obscure but consistently fascinating and diverse churches, The 'City Churches' succeeds. Thomas Archer's vast Westminster church, St. John, Smith Square, is at present a concert hall; similarly, Wren's St. Magnus the Martyr, whose rusting iron cramps are staining the coursed rubble masonry at the east-end, has been relegated the status of an uninteresting, decaying hybrid wedged onto a narrow site. Jefferys study underlines - in its imperfect but worthwhile scholarship - that the City Churches of Sir Christopher Wren, despite mutilation and neglect (All Hallows, Lombard Street, was pulled down, in the face of fairly serious disgust, as recently as 1938), continue to warrant study and are of considerable architectural interest.

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