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I cannot possibly offer enough praise for David Mazzucchelli and Paul Karasik 's adaptation of City of Glass. While some critics found it to be a dry choice of books to turn into a comics, I think the interplay between image and text only heightens the original metafictional narrative. The treatment of the first speech by the crazy antagonist, Peter Stillman--in which the word balloons trail from random objects such as a broken television and a bottle of ink--is brilliant. Neon Lit: Paul Auster's City of Glass deftly illustrates why comics is a perfect format for exploring fictions about text: the words become visible objects of the story. --This text refers to an out of print or unavailable edition of this title.
Karasik and Mazzucchelli's 1994 comics adaptation of Auster's existentialist mystery novel, reprinted here with an introduction by Art Spiegelman, has been a cult classic for years. The Comics Journal named it one of the 100 best comics of the century. Miraculously, it deepens the darkness and power of its source. Auster's novel (about a novelist named Quinn who's mistaken for a detective named Paul Auster and loses his mind and identity in the course of a meaningless case) zooms around in metafictional spirals, but it doesn't have a lot of visual content. In fact, it's mostly about the breakdown of the idea of representation and the widening chasm between signifier and signified. So the artists, perversely and brilliantly, play fast and loose with the text. Mazzucchelli draws everything in a bluntly sketched, bold-lined style, and having set up a suitably film noir mood at the beginning, he substitutes literal depictions of what's happening for symbolic or iconic images wherever possible. One character's monologue about the loss of meaning in his speech is drawn as a long zoom down his throat, followed by Charon arising from a void, a cave drawing, a series of holes and symbols of muteness and finally a broken marionette at the bottom of a well. This reflected, shattered Glass introduces a whole new set of resonances to Auster's story, about the things images can and can't represent when language fails.
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I think the key to the novel is a statement early in the book that remembered things subvert the thing remembered.Published 3 months ago by tedlyxx
Amazing graphic novel here! May take a few reads, which indicates a story rich in depth of meaning. Nicely done.Published 4 months ago by edgar munoz
Paul Auster's City of Glass (1987) reads like Raymond Chandler on Derrida, that is, a hard-boiled detective novel seasoned with a healthy dose of postmodernist themes, a novel... Read morePublished 11 months ago by Glenn Russell
City of Glass by Paul Auster, who is oddly also part of the main character in the novel, was one of the most intriguing books I have ever read. Read morePublished 14 months ago by Zach R